Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of slip-coated earthenware with three-color (sancai) lead glazes.

Covered Jar with Medallions, Tang dynasty (618–906)

A work made of pen and brown ink, with brush and brown wash, over black and white chalk, on tan laid paper, laid down on ivory laid paper.

Three Musicians Playing Horns and Pipe, n.d.

Bernardo Strozzi

A work made of color woodblock print; chuban.

Okitsu: The Okitsu River (Okitsu, Okitsugawa), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of gelatin silver print.

Untitled, c. 1910/19

Unknown Maker

A work made of silk, weft-float faced twill weave of three-color complementary weft and inner warps.

Two Border Fragments, Roman period (30 BCE– 641 CE), 5th/6th century

A work made of color woodblock print; oban.

Kameyama: Weather Clearing after Snow (Kameyama, yukibare), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

A work made of gelatin silver print.

Untitled ([l. to R.], Mary Alice Arrington, Me, Jay Bryan, My best friends, June 1947), June 1947

Unknown Maker

A work made of brush and brown wash, with pen and brown ink, over and under graphite, on cream wove paper.

Three Witches from MacBeth, n.d.

Henry Pierce Bone

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 6–7 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.8–1.0 mm weft: count: varies from 20 to 34 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.3–1.1 mm; silk; s-ply of two z-twisted elements; pairs of s-ply of two z-twisted elements; three yarns of s-ply of two z-twisted silk elements; diameters: 0.7–1.2 mm.

Diana and Her Nymphs with the Ox Hunt, c. 1600

Hans Bol

A work made of gelatin silver print.

Untitled, c. 1930/39

Unknown Maker

A work made of silk and gilt-animal-substrate-wrapped silk, weft-faced three-color complementary weft plain weave with inner warps.

Fragment From the Chasuble of San Valero, 13th century

Islamic

A work made of pen and brown ink, with touches of brush and brown ink wash, on cream laid paper.

Woman Seated on Bench and Three Sketches of Heads, n.d.

School of Rembrandt van Rijn

A work made of color print from three textile plates on off-white wove paper.

The Little Cloud, 1923

Theodore Roussel

A work made of color woodblock print; shikishiban, surimono.

Fans decorated with motifs of the three auspicious dreams of the New Year, c. 1821

Totoya Hokkei

A work made of woodcut in black with touches of pen and brown ink on buff laid paper.

Jehoram, Uzziah, Jotham, plate three, from The Twelve Kings of Israel, c. 1520

Lucas van Leyden

A work made of gelatin silver print, from "portfolio three" (1974).

Madonna, 1964, printed 1974

Ralph Eugene Meatyard

A work made of color woodblock print; chuban.

Kyoto: The Great Bridge at Sanjo (Kyo, Sanjo Ohashi zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of color woodblock print; shikishiban, surimono.

No. 3: Kato Kiyomasa, from the series "Three Tales of Valor (Buyu sanban tsuzuki)", 1820

Katsukawa Shuntei

A work made of book with fifteen lithographs on cream wove paper (discolored to buff).

Missal of the Three: Collection of Verse and Drawings (Trebnik troikh: Sbornik stikhov i risunkov), 1913

David Davidovich Burliuk

A work made of color woodblcok print; oban.

Miya: Shichiri Ferry Crossing, Gate to the Atsuta Shrine, and Nezame Village (Miya, Shichiri no watashi, Atsuta no torii, Nezame no sato)—No. 42, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

<<<47484950 >>>