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A work made of brush and gray wash over traces of black chalk on ivory laid paper, tipped onto laid paper.

Three Boats on a River with Ruins Along the Shore, n.d.

Allaert van Everdingen

A work made of red chalk on ivory laid paper, laid down on board.

Head of Bearded Man in Three-Quarter Profile to Right, n.d.

Pietro Dandini

A work made of hand-colored lithograph on paper.

The Custom House, plate three from Original Views of London as It Is, 1842

Thomas Shotter Boys

A work made of lithograph in black, with additions in pen and brown ink and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper.

A New Way to Float Down the River of Life, plate three from Les Canotiers Parisiens, 1843

Honoré-Victorin Daumier

A work made of earthenware with three color (sancai) lead glazes and underglaze molded decoration.

Bowl with Swirls, Tang dynasty (618–906), first half of 8th century

A work made of red chalk (recto) and black chalk with pen and brown ink and red chalk (verso) on cream laid paper.

Head in Three-Quarter Profile (recto); Standing Young Man Pointing Left and Sketches of Feet, Arm (verso), n.d.

Giorgione

A work made of slip-coated earthenware with three-color (sancai) lead glazes.

Covered Jar with Medallions, Tang dynasty (618–906)

A work made of gelatin silver print.

Untitled, c. 1960/69

Unknown Maker

A work made of pen and brown ink, with brush and brown wash, over black and white chalk, on tan laid paper, laid down on ivory laid paper.

Three Musicians Playing Horns and Pipe, n.d.

Bernardo Strozzi

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 6–7 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.8–1.0 mm weft: count: varies from 20 to 34 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.3–1.1 mm; silk; s-ply of two z-twisted elements; pairs of s-ply of two z-twisted elements; three yarns of s-ply of two z-twisted silk elements; diameters: 0.7–1.2 mm.

Diana and Her Nymphs with the Ox Hunt, c. 1600

Hans Bol

A work made of aquatint with etching and hand-coloring on cream wove paper.

View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of silk, weft-float faced twill weave of three-color complementary weft and inner warps.

Two Border Fragments, Roman period (30 B.C.– 641 A.D.), 5th/6th century

A work made of color woodblock print; chuban.

Okitsu: The Okitsu River (Okitsu, Okitsugawa), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of gelatin silver print.

Untitled, c. 1910/19

Unknown Maker

A work made of silk and gilt-animal-substrate-wrapped silk, weft-faced three-color complementary weft plain weave with inner warps.

Fragment From the Chasuble of San Valero, 13th century

Islamic

A work made of color print from three textile plates on off-white wove paper.

The Little Cloud, 1923

Theodore Roussel

A work made of brush and brown wash, with pen and brown ink, over and under graphite, on cream wove paper.

Three Witches from MacBeth, n.d.

Henry Pierce Bone

A work made of ink line on white paper.

McDonald's Floating Restaurant, Systems of Support of a Three Layer Big Mac, Sketch, 1982–1983

S.I.T.E., Inc.

A work made of gelatin silver print.

Untitled ([l. to R.], Mary Alice Arrington, Me, Jay Bryan, My best friends, June 1947), June 1947

Unknown Maker

A work made of color woodblock print; oban.

Kameyama: Weather Clearing after Snow (Kameyama, yukibare), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

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