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A work made of chiaroscuro woodcut from three blocks of black, ochre and olive green, on ivory laid paper.

Nox, plate seven from Demogorgon and the Deities, 1588/90

Hendrick Goltzius

A work made of color woodblock print; oban.

Kawasaki: The Rokugo Ferry (Kawasaki, Rokugo no watashi)—No. 3, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of color woodblock print; oban.

Kakegawa: The Crossroad at Akibayama (Kakegawa, Akibayama betsudo)—No. 27, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of polyester, latex, laquer, and plexiglas; edition number two of three.

Ghost and Pool of Blood (Gespenst und Blutlache), 1988

Katharina Fritsch

A work made of gelatin silver print.

Untitled, c. 1940/59

Unknown Maker

A work made of woodcuts on ivory laid paper.

The Fall of Lucifer and the Rebel Angels (verso); The Gathering of the Angels (recto), pages three and two from the Treasury (Schatzbehalter), 1491

Michel Wolgemut

A work made of gelatin silver print, from "portfolio three" (1974).

Lucybelle Crater and her 15 year Old Son's Friend, 1970/71, printed 1974

Ralph Eugene Meatyard

A work made of three-color silkscreen on paper.

Untitled, from The New York Collection for Stockholm, 1973

Nam June Paik

A work made of cotton, plain weave; quilted diagonally throughout; with additional three-dimensional quilting.

Bedcover, 1830/1905

Sarah Stewart

A work made of color lithograph from three stones on cream wove paper.

Persian Garden, 1965–66

Helen Frankenthaler

A work made of color woodblock print; shikishiban, surimono.

No. 3: Zhang Fei (Sono san: Chohi), from the series "Three Heroes of Shu (Shoku sanketsu)", c. 1824

Yashima Gakutei

A work made of etching, aquatint, and drypoint on ivory wove paper.

To Go Amongst the Branches, i.e. to talk through one's hat, plate three from Los Proverbios, 1815/24

Francisco José de Goya y Lucientes

A work made of etching with foul biting in black ink on buff wove paper.

Soupe à trois sous (Soup for three sous), 1859

James McNeill Whistler

A work made of color screenprint on white wove paper.

Tenuous, plate three from Homage to the Square: Ten Works by Josef Albers, 1962

Josef Albers

A work made of woodblock print; uncut hosoban triptych, sumizuri-e.

Cooling off at Ryogoku: A Set of Three (Ryogoku suzumi sanpukutsui), c. 1748

Okumura Masanobu

A work made of color woodblock print; oban.

Okabe: Utsu Mountain (Okabe, Utsu no yama), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

A work made of soft ground etching, lift-ground aquatint, engraving, scraping and burnishing, in twenty-three colors from five plates on white wove paper.

Bronze by Gold, from Imaging Ulysses, 1985–87

Richard Hamilton

A work made of etching on buff laid paper.

Autumn, plate three from Le Quatre Saisons, 1735

Charles-Joseph Natoire

A work made of three color lithographs and title, and colophone pages on white wove paper in portfolio cover.

Ecco Pier Paolo Pasolini, 1988

Marlene Dumas

A work made of aquatint with etching and hand-coloring on cream wove paper.

View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery, 1819/21

John Hill

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