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A work made of earthenware with three-color (sancai) lead glazes.

Covered Tripod Jar, Tang dynasty (618–907), first half of 8th century

A work made of gelatin silver print.

Untitled, c. 1960/69

Unknown Maker

A work made of chromogenic print.

Untitled (My Mother, Me, Grandmother), November 1967

Unknown Maker

A work made of ceramic and pigment.

Handle Spout Vessel in the Form of a Composite Scene Depicting Three Figures, 100 BCE–500 CE

Moche

Medusa's Trap (Le Piège de Méduse)

Medusa's Trap (Le Piège de Méduse), 1921

Georges Braque

A work made of color woodblock print; oban.

Hara: Mount Fuji in the Morning (Hara, asa no Fuji), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

A work made of color woodblock print; chuban.

Kawasaki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of etching on ivory laid paper.

Three Female Bathers, Two in the Water, the Third Getting in by Herself, 1742/89

Johann Heinrich Tischbein, I

A work made of lithograph from two stones and three aluminum plates on cream japanese paper.

Two Flags, 1970–72

Jasper Johns

A work made of gelatin silver print.

Untitled (May Weaver, Oressa), c. 1900/09

Unknown Maker

A work made of color woodblock print; koban.

Act Three: The Quarrel Scene from the play Chushingura (Treasury of the Forty-seven Loyal Retainers), c. 1795

Katsukawa Shun'ei

A work made of hand-colored etching on paper.

Charging an Ox-fence, plate three from Indispensable Accomplishments, published June 24, 1811

Sir Robert Frankland

A work made of gelatin silver print.

Untitled, c. 1950/59

Unknown Maker

A work made of slip-coated earthenware with three color (sancai) lead glazes.

Fish-Shaped Oil Lamp, Tang dynasty (618–906), first half of 8th century

A work made of color woodblock print; oban.

Shinagawa: Teahouses at Samegafuchi (Shinagawa, Samegafuchi no chaya)—No. 2, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of engraving in black on ivory laid paper.

Plate three, from A Harlot's Progress, 1732

William Hogarth

A work made of watercolor, gouache, and graphite on board.

Church with Trussed Ceiling, Interior Perspective, n.d.

Arthur Hercz

A work made of pen and brown ink and brush and pale brown wash, with traces of black chalk (recto), and pen and brown ink with brush and black and gray and brown wash and touches of red chalk (verso), on gray laid paper.

Adoration of the Shepherds (recto); Three Sketches: Buildings by Canal with Boats, Landscape with Buldings on Hillside, Buildings with Portico (verso), c. 1770

Francesco Guardi

A work made of hand-colored woodblock print; right sheet of hosoban triptych, urushi-e.

Ono no Komachi, from A Set of Three Beauties (Bijin sanpukutsui), c. 1720s

Nishimura Shigenobu

A work made of color woodblock print; surimono.

Three women beneath a plum tree at night, c. 1796

Katsushika Hokusai

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