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A work made of color woodblock print; chuban.

Yoshida, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of slip-coated earthenware with three-color (sancai) lead glazes and underglaze mold-impressed decoration.

Tripod Dish with Flying Goose, Stylized Flowers and Vines, Tang dynasty (618–907)

A work made of color woodblock print; naga-oban.

Husband and Wife Caught in an Evening Shower (Fufu no Yudachi), from the series "Three Evening Pleasures of the Floating World" ("Ukiyo San Seki"), c. 1800

Kitagawa Utamaro

A work made of color woodblock print; chuban.

Gonchunagon Sadaie (Fujiwara no Teika), from an untitled series of parodies of the Three Evening Poems, c. 1767/68

Suzuki Harunobu

A work made of albumen print.

Mrs. Rachael Gurney ("May God Bring Father Safely Home", "Three Fishers Went Sailing Into the Deep"), c. 1872/74

Julia Margaret Cameron

A work made of gelatin silver print.

Untitled (Stamped This is a Guaranteed Print by Van Vranken's Studio, Winona, Minn., Mail Orders Solicited), c. 1910/19

Unknown Maker

A work made of color woodblock print; naga-oban.

Northern Quarter (Hokkoku), from the series "Three Amusements of Contemporary Beauties (Tosei bijin sanyu)", c. 1800

Kitagawa Utamaro

A work made of three chromogenic prints, edition number five of five.

Portrait of S.A.M. (Europeans), 1993

Fred Wilson

A work made of brush and gray-brown ink and wash, on blue laid paper, laid down on ivory laid paper.

Three Bearded Male Heads, Two in Profile to the Right, n.d.

Circle of Bernardino Lanino

A work made of silver dye-bleach print.

Returning Home, Masaya (After Three Days of Bombing), September 1978

Susan Meiselas

A work made of etching on ivory laid paper.

Plate Three, from Entrance of the Ambassador of Poland into Rome, 1633

Stefano della Bella

A work made of three etchings from three plates, two in red ink and one in olive green ink, on cream wove paper, laid down on off-white laid paper.

Plates four, five, and six from A Harlot's Progress, 1732/61

William Hogarth

A work made of color woodblock print; oban.

Okitsu: Kiyomigaseki and Seiken Temple (Kiyomigaseki, Seikenji)—No. 18, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of black and white chalk (recto) and black chalk (verso), on blue-brown laid paper.

Standing Draped Male Figure in Three-quarters Profile (recto); Putto (verso), 1540/50

Follower of Fra Bartolommeo

A work made of color woodblock prints; oban triptych.

The Fifth Month, a Set of Three (Gogatsu sambukutsui), from the series "Twelve Months by the Twin Brushes of Toyohiro and Toyokuni (Toyohiro Toyokuni ryoga juni ko)", c. 1798

Utagawa Toyokuni I

A work made of color photolithograph and lithograph from three stones on cream wove paper.

Darkness Mother, 1978

Robert Rauschenberg

A work made of engraving in black on ivory laid paper.

The Prodigal Son with the Swine, plate three from The History of the Prodigal Son, n.d.

Hans Sebald Beham

Make No Mistake About This

Make No Mistake About This, 2008

Wolfgang Plöger

A work made of etching in black on ivory wove paper.

The Three Mills, 1921

Dirk Baksteen

A work made of color woodblock print; edition 8/14.

Three Children, 20th century

Hatsuyama Shigeru

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