Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of chromogenic print.

Untitled, 1998

Mitch Epstein

A work made of gelatin silver print.

Opening at the Museum of Modern Art Buenos Aires, 1963

Sameer Makarius

A work made of color woodblock print.

Woman of the Island, from the series "New Twelve Images of Modern Beauties", October 1922

Ito Shinsui

A work made of watercolor with blotting, wiping and scraping, on lightweight, slightly textured, ivory wove paper (top, right and left edges trimmed), laid down on white card.

West Shore Docks, Weehawken, New Jersey, 1910

John Marin

A work made of watercolor with rewetting and blotting, and graphite, on lightweight, slightly textured, off-white wove paper, laid down on ivory wove card.

Street Scene, 1910

John Marin

A work made of periodical with letterpress decorated wrappers, two issues.

Veshchʹ : mezhdunarodnoe obozrenie sovremennogo iskusstva (Subject: international review of modern art), 1922

El Lissitzky

Gray letters and numbers spell out words and dates in English that wrap along the top edge of a gallery wall, a corner of which reads, "Rosa 1977 Great Society 1964 Blue Flowers 1984 Silver Ocean 1990 Ross 1983."

"Untitled", 1989

Felix Gonzalez-Torres

Three drawings of a Prairie Style house on yellowed paper, including a detailed perspective and two floor plans, titled and captioned.

"A Modern Home of the Midwest Type," Perspective and Plans, 1919

Bruce Goff

A work made of watercolor with opaque watercolor, scraping, and wiping, and fabricated charcoal with stumping, on thick, rough-textured, ivory wove paper (all edges trimmed).

The Red Sun, Brooklyn Bridge, 1922

John Marin

A work made of watercolor with blotting on thick, rough-textured, off-white wove paper.

Austrian Tyrol, 1910

John Marin

A work made of watercolor with blotting and traces of scraping, and with traces of graphite, on moderately thick, moderately textured, off-white wove paper.

Movement: Fifth Avenue, 1912

John Marin

A work made of watercolor with touches of blotting, and with graphite and black colored pencil, on lightweight (estimated), slightly textured, ivory wove paper (top, left and right edges trimmed), laid down on artists’ board faced with ivory wove paper, in original frame.

Cape Split, Maine, 1941

John Marin

A work made of walnut and beech with modern velvet upholstery.

Dining Chair, c. 1870

Theophilus Edvard von Hansen

A work made of watercolor with blotting, black pencil, and charcoal on moderately thick, slightly textured, off-white wove paper (trimmed top edge), in original frame.

The Pine Tree, Small Point, Maine, 1926

John Marin

A work made of watercolor with rewetting, blotting, wiping, and touches of scraping, over touches of graphite, on thick, rough-textured, ivory wove paper (lower and right edges trimmed).

The Brook, 1910

John Marin

A work made of watercolor with wiping, and fabricated charcoal, over graphite, on thick, slightly textured, off-white wove paper (all edges trimmed), hinged to wood-pulp board, faced with cream paper, gilt with silver leaf, in original frame.

Sea Movement–Green and Blue, 1923

John Marin

A work made of watercolor with black crayon, on moderately thick, moderately textured, ivory wove paper (all edges trimmed), in original frame.

Valley of the Hondo, New Mexico, 1930

John Marin

A work made of watercolor with blotting, wiping and traces of scraping, and with brush and black ink, graphite, fabricated charcoal, and touches of opaque watercolor on medium-weight, rough-textured, off-white wove paper (four edges trimmed).

Approaching Fog, 1952

John Marin

A work made of watercolor with blotting, wiping, and scraping, and black crayon, with brown colored pencil, on heavyweight, moderately textured, ivory wove paper (all edges trimmed), in original frame.

Nudes in Sea, 1940

John Marin

A work made of platinum print.

John Marin, 1910

Alfred Stieglitz

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