Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of watercolor with blotting, wiping and traces of scraping, and with brush and black ink, graphite, fabricated charcoal, and touches of opaque watercolor on medium-weight, rough-textured, off-white wove paper (four edges trimmed).

Approaching Fog

1952

John Marin American, 1870-1953

United States

This late watercolor looks outward from Marin’s home toward the tide marker rock, coastal ledges, and waters of Pleasant Bay. A somber portrait of the sea by one who understood its character intimately, the work alludes to a gradual envelopment by nothingness, aging, and death. Yet it possesses energy and excitement: splashes of green and red shimmer though the gray mists, while calligraphic black lines activate the surf and air. These marks, some applied with a medical syringe, reflect the artist’s awareness of recent developments in Action Painting. Here he blotted, scraped, and wiped pigment, combining transparent and opaque watercolor, brush and black ink, and fabricated charcoal.

Watercolor with blotting, wiping and traces of scraping, and with brush and black ink, graphite, fabricated charcoal, and touches of opaque watercolor on medium-weight, rough-textured, off-white wove paper (four edges trimmed)

Prints and Drawings

John Marin's Watercolors: A Medium for Modernism