Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of watercolor with rewetting and blotting, over graphite, on moderately thick, slightly textured, off-white wove paper (top and left edges trimmed), in original frame.

Ragged Island, Maine

1914

John Marin American, 1870-1953

United States

This aptly named island—a mound of stone, pine, and rocky cliffs in Northeast Casco Bay, just a few miles west of Small Point, Maine—prompted Marin to move away from the literal representation of space. Without differentiating cliff from shoreline, the tipped-up composition provides no perspective, generating a sense of vertigo held in check by a peaceful blue sea. The sea was created by adding excess blue, then tilting the paper, encouraging the wash to pool and dry along the rocks. Marin emphasized the flat patterning of the composition by selecting a wide, flat frame for this work.

Watercolor with rewetting and blotting, over graphite, on moderately thick, slightly textured, off-white wove paper (top and left edges trimmed), in original frame

Prints and Drawings

John Marin's Watercolors: A Medium for Modernism