Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of watercolor, with black colored pencil and black crayon, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board faced with ivory wove (estimated) paper, prepared with a gray wash, with a decorative paper board collar gilt with silver leaf, in original frame.

Movement No 24–Pertaining to Deer Isle–The Road, 1927

John Marin

A work made of watercolor with charcoal and stumping, and charcoal wash, on thick, slightly textured, ivory wove paper (lower and right edges trimmed), in original frame.

Ocean and Rocks, 1917

John Marin

A work made of watercolor with rewetting and blotting, over graphite, on moderately thick, slightly textured, off-white wove paper (top and left edges trimmed), in original frame.

Ragged Island, Maine, 1914

John Marin

A work made of manuscript cutting in tempera and gold leaf on vellum.

Decorated Initial "L" with Flowers from a Choir Book, 14th century or modern, c. 1920

A work made of watercolor with wiping and scraping, and with opaque watercolor, over graphite, on medium-weight (estimated), moderately textured, ivory wove paper (all edges trimmed), laid down on wood-pulp board faced with ivory wove (estimated) paper, gilt with silver leaf, and backed with dark red wove paper, in original frame.

Sea, Green and Brown, Maine, 1937

John Marin

A work made of gelatin silver print.

Self-Portrait at the Museum of Modern Art, New York City, 1970

Beaumont Newhall

A work made of black crayon and graphite on gray wove paper.

The Modern Troubadour, n.d.

Philip William May

A work made of manuscript cutting in tempera and gold leaf on vellum.

Decorated Initial "D" with Acanthus Leaves from a Choir Book, 14th century or modern, c. 1920

A work made of watercolor with charcoal and charcoal wash, on moderately thick, moderately textured, off-white wove paper (lower and right edges trimmed), in original frame.

Tree and Sea, Maine, 1919

John Marin

A work made of watercolor with wiping and charcoal on thick (estimated), slightly textured, ivory wove paper, hinged to paperboard, faced with ivory wove (estimated) paper, gilt with gold leaf (top and right edges trimmed), in original frame.

The Green Sea – Movement – Stonington, Maine, 1921

John Marin

A work made of gelatin silver print.

John Marin, 1921/22

Alfred Stieglitz

A work made of lithograph in black, with scraping on stone on cream wove paper, with text added in another hand and letterpress verso.

Diogenes and Alcibiades at the Odeon. “- Ah... it's modern....what a man!,” plate 121 from Actualités, published January 23, 1846

Honoré-Victorin Daumier

A work made of gelatin silver print.

The Worker’s Club (International Exhibition of Decorative Arts and Modern Industry, Paris), 1925

Aleksandr Mikhailovich Rodchenko

A work made of gelatin silver print.

Hard Core, from The New York Collection for Stockholm, 1973

Walter De Maria

A work made of bronze.

Birth, 1958

Cosmo Campoli

A work made of quilted, pieced, lining.

"Sunburst" or "Modern Star" Quilt, c. 1850

A work made of photolithograph, stereo.

A Modern Mermaid, 1925

Unknown

A work made of watercolor on paper.

The Modern City, 1941

Robert Bruce Tague

A work made of steel and leather.

Pair of Mitten Gauntlets, c. 1520 with modern restorations

A work made of colored pencils and wax crayons, with pen and blue ink, brush and gold paint and blue gouache, over graphite, on yellow wove paper, laid down on white card (a modern mount).

Medusa, 1893

Jean Delville