Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of linen, needle lace.

Borders, 1760s

A work made of cotton, plain weave; screen printed.

Sunflower (Furnishing Fabric), 1962

Howard Carter

A work made of cotton; plain weave, block printed, wool trim with tassels.

Strawberry Thief, Design 1883, made 1883–1917

William Morris

A work made of wool; plain weave with supplementary wrapping wefts forming cut pile "turkish" (ghiordes) knots.

Prayer Rug, 1850-1900

A work made of cotton, plain weave; screen printed.

Strings and Things (Furnishing Fabric), c. 1954

Ruth Adler Schnee

A work made of silk, plain weave with supplementary wefts; pleated.

Isadora (Furnishing Fabric), 1981

Gretchen Bellinger

A work made of cotton, needle lace of a type known as "point de gaze".

Flounce, 1860s

A work made of cotton, plain weaves; pieced; appliquéd with cotton, plain and satin weaves; embroidered with cotton in back, single back, buttonhole, cross, eyelet, running, satin, single satin and stem stitches; french knots; quilted with cotton thread.

Ships Quilt, c. 1937

Marie Alsop

Beige, square textile with a large circle filling the piece. The circle is bisected laterally, with light-blue vertical striations at top and a beige effect at bottom that includes some darker striations. Short fringe at top and bottom.

Waters Above the Firmament, 1976

Lenore Tawney

A work made of silk, satin weave; embroidered with silk floss in chain stitches; backed and lined with silk, plain weave; edged with silk, warp-faced plain weave with extended ground weft fringe; silk tassels.

Bedcover Depicting the Five Senses, 1675/1725

A work made of cotton and wool, plain weave double cloth; woven on loom with jacquard attachment; two loom widths joined; fringed.

Coverlet, 1855

William Craig, Jr.

A work made of pina (pineapple) fiber, plain weave with cotton embroidery.

Blouse, 19th century

A work made of cotton and wool, warp-faced plain weave with supplementary patterning wefts tied by supplementary binding warps.

Panel, c. 1886

Arthur Heygate Mackmurdo

A work made of linen, lacis construction.

Black Comet Dream, 1965

Luba Krejci

A work made of linen, needle lace with woven tapes.

Bedcover or Hanging, 1701/25

A work made of contemporary assemblage of materials from a variety of past cultures. cotton and wool, variety of weaves; embroidered with wool in satin and back stitches; cotton wrapped twigs.

Dolls, 1950/84, with textile fragments from CE 1000/1476

Chancay

A work made of cotton, plain weave; copperplate printed.

La Route de Jouy (The Road to Jouy) (Furnishing Fabric), c. 1820

Delmès

A work made of cotton, rayon, and polyester, five-color complementary warp and three-color complementary weft plain weave double cloth; self-patterned by areas of warp and weft floats.

Circa 1903 Ave Maria (Furnishing Fabric), 1991

Rob Rose

A work made of wool and silk; slit, single, and double dovetailed tapestry weave warp: count: 6 warps per cm; wool: s-ply of two z-spun elements; diameter: 1.0 mm. weft: count: varies from 13 to 28 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.5–1.6 mm (some wefts, probably repairs or replacements, are pairs and three yarns of s-ply of two z-spun elements); silk: s-ply of two z-twisted elements; pairs of s-ply of two z-twisted elements; diameters: 0.5–1.2 mm..

Elias, 1460-1470

A work made of cotton, plain weave; copperplate printed.

George Washington at the Altar of Liberty (Handkerchief), 1819

Cornelius Tiebout

<<<43444546 >>>