Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of wool, stripes of plain weave and three-color complementary warp weave; joined with darning stitches; bottom edged with tape of three-color complementary warp weave; plain weave with extended supplementary patterning weft fringe.

Poncho, 1850/1900

Aymara

A work made of linen, plain weave, screen printed.

Wall or Screen Panel Entitled "Diane Chasseresse" (Diana the Huntress), 1925

André Edouard Marty

A work made of silk, gilt-metal strip, and gilt-metal-strip-wrapped silk (filé and frisé), plain weave with supplementary patterning wefts and brocading wefts and weft-float faced interlacing of secondary binding warps and some supplementary brocading wefts.

Panel, Early 18th century

A work made of two panels: linen, cotton, silk, nylon, polyester, leaf fiber (probably abaca), wool, ramie, synthetic foam, and paper; crochet variations, running stitches and knotting; blocked.

Fields, 2004

Michael Olszewski

A work made of cotton and linen, plain weave; block printed.

La Danse (The Dance), c. 1913

Raoul Dufy

A work made of linen, single knots and extended threads; (pressure mounted into fan shape).

Painted Fan, 1981

Diane Itter

A work made of linen and cotton, 2:2 twill weave; embroidered with wool in satin, single satin, and stem stitches; french knots and stem stitch couching; four panels joined.

Bed Curtain, c. 1720

A work made of cotton, plain weave; appliquéd with cotton, plain weave and cotton, plain weave roller printed; quilted with cotton; edged with cotton, plain weave roller printed; backing: cotton, plain weave; padding: cotton.

"Princess Feather" or "Ostrich Plume" Quilt, c. 1850

A work made of cotton, plain weave; hand-drawn wax resist dyed (batik tulis).

Hip Wrapper (Kain Panjang), c. 1970

Workshop of H. Mohammed Masina

A work made of silk, twill weave; self-fringed; screen printed.

Blues (Shawl), 1977 (designed 1920)

Sonia Delaunay-Terk

A work made of cotton, plain weave; copperplate printed.

Panel (Furnishing Fabric), 1760/70

Jean Baptiste Pillement

A work made of cotton, plain weave with discontinuous wefts; openwork; resist dyed; main warp plied fringe.

Ceremonial Textile (mbesa tali tau batu or pewo), 18th/19th century

Rongkong

A work made of cotton, plain weave with supplementary wool yarns pushed through ground weave to form cut solid pile; gun tufted.

Carpet, c. 1958

Claude Ronald Bentley

A work made of polyester, rayon, and wool, plain weave; silk screen printed.

Central Park South (Furnishing Fabric), c. 1953

Ruth Adler Schnee

A work made of linen and cotton, plain weave; screen printed.

Metropolis (Furnishing Fabric), 1955

Eleanor Kluck

A work made of cotton, plain weave; copperplate printed.

“Paul and Virginie” Furnishing Fabric, 1802

Jean Baptiste Huet

A work made of silk, satin weave self-patterned by ground weft floats; block or screen printed.

Panel, Before 1913

Raoul Dufy

A work made of yellow satin embroidered with silk and metal thread; satin and couched stitches.

Shoe (Single), 1770s

A work made of silk, plain weave; embroidered with silk floss and yarns, chenille yarns, and silk, plain weave ribbons; embroidered in chain, individual running, satin, padded satin, single satin, split, and stem stitches; french knots, laidwork, couching.

Sampler, 18th century

A work made of cotton, plain weave; copperplate printed.

Panel (Furnishing Fabric), 1801/25

Adam Buck

<<<47484950 >>>