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A work made of silk, weft-ikat dyed, weft-float faced twill weave.

Ceremonial Skirt (Sampot Hol), 1900/25

Khmer

A work made of wool, stripes of plain weave and three-color complementary warp weave; joined with darning stitches; bottom edged with tape of three-color complementary warp weave; plain weave with extended supplementary patterning weft fringe.

Poncho, 1850/1900

Aymara

A work made of linen, plain weave, screen printed.

Wall or Screen Panel Entitled "Diane Chasseresse" (Diana the Huntress), 1925

André Edouard Marty

A work made of cotton and linen, plain weave; block printed.

La Danse (The Dance), c. 1913

Raoul Dufy

A work made of linen and cotton, 2:2 twill weave; embroidered with wool in satin, single satin, and stem stitches; french knots and stem stitch couching; four panels joined.

Bed Curtain, c. 1720

A work made of silk, gilt-metal strip, and gilt-metal-strip-wrapped silk (filé and frisé), plain weave with supplementary patterning wefts and brocading wefts and weft-float faced interlacing of secondary binding warps and some supplementary brocading wefts.

Panel, Early 18th century

A work made of cotton, plain weave with discontinuous wefts; openwork; resist dyed; main warp plied fringe.

Ceremonial Textile (mbesa tali tau batu or pewo), 18th/19th century

Rongkong

A work made of cotton, plain weave; hand-drawn wax resist dyed (batik tulis).

Hip Wrapper (Kain Panjang), c. 1970

Workshop of H. Mohammed Masina

A work made of cotton, plain weave; copperplate printed.

Panel (Furnishing Fabric), 1760/70

Jean Baptiste Pillement

A work made of polyester, rayon, and wool, plain weave; silk screen printed.

Central Park South (Furnishing Fabric), c. 1953

Ruth Adler Schnee

A work made of linen and cotton, plain weave; screen printed.

Metropolis (Furnishing Fabric), 1955

Eleanor Kluck

A work made of cotton, plain weave with supplementary wool yarns pushed through ground weave to form cut solid pile; gun tufted.

Carpet, c. 1958

Claude Ronald Bentley

A work made of book containing text and 28 etchings.

Herbarium, 1918

Rudolph Grossmann

A work made of cotton, plain weave; copperplate printed.

“Paul and Virginie” Furnishing Fabric, 1802

Jean Baptiste Huet

A work made of cotton and wool (camelid), stripes of plain weave and plain weave derivatives with complementary patterning warp; central stripe with extended warp creating a woven looped flap; applied tubular crossed-warp weave edging; wool-wrapped overcast stitch bottom edging and pom-pom tassles; attached strap of cotton and wool (camelid) plain weave with complementary patterning warp.

Coca Bag (Chuspa), 1950/1980

Quechua

A work made of wool and cotton, warp-float faced twill and plain weaves; pieced; backed with plain weave.

Bedcover (Sawtooth Diamond in the Square Quilt), 1910/15

Amish

A work made of silk, satin weave self-patterned by ground weft floats; block or screen printed.

Panel, Before 1913

Raoul Dufy

A work made of silk, plain weave; embroidered with silk floss and yarns, chenille yarns, and silk, plain weave ribbons; embroidered in chain, individual running, satin, padded satin, single satin, split, and stem stitches; french knots, laidwork, couching.

Sampler, 18th century

A work made of cotton, plain weave; copperplate printed.

Panel (Furnishing Fabric), 1801/25

Adam Buck

A work made of cotton, warp-float faced satin weave; screen printed.

Arches (Furnishing Fabric), 1942

Angelo Testa

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