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A work made of cotton, plain weave; embroidered with cotton in needleweaving; edged with cotton, crochet stitches and a knotting technique known as macramé covering frame.

Interior Brambles, 1983

Renie Breskin Adams

A work made of wool, plain weave; screen printed.

Cables (Furnishing Fabrics), 1958

Ruth Adler Schnee

A work made of linen, plain weave; embroidered with wool in long-armed cross stitches.

Altar Carpet, 17th century

A work made of cotton and wool, plain weave double cloth; woven on loom with jacquard attachment; full loom width; seamless.

Coverlet, 1851

James McDougal Hart

A work made of cotton and wool (camelid), bands of two-, three-, and four-color complementary weft weaves.

Sampler, A.D. 1000/1476

Chancay

A work.

Kesa, Edo period (1615–1868), late 18th century

Black-and-white photograph of a fan made of finely carved pieces, featuring nude figures and cherubs among foliage.

Fan, 1775/1800

Benjamin West

A work.

Ayate, 1900/40

Otomí

A work made of silk, weft-ikat dyed, weft-float faced twill weave.

Ceremonial Skirt (Sampot Hol), 1900/25

Khmer

A work made of cotton, plain weave; copperplate printed.

Panurge dans l'île des lanternes (Panurge on the Isle of Lanterns) (Furnishing Fabric), 1785/90

Petitpierre et Cie.

A work made of wool, stripes of plain weave and three-color complementary warp weave; joined with darning stitches; bottom edged with tape of three-color complementary warp weave; plain weave with extended supplementary patterning weft fringe.

Poncho, 1850/1900

Aymara

A work made of linen, plain weave, screen printed.

Wall or Screen Panel Entitled "Diane Chasseresse" (Diana the Huntress), 1925

André Edouard Marty

A work made of cotton and linen, plain weave; block printed.

La Danse (The Dance), c. 1913

Raoul Dufy

A work made of silk, gilt-metal strip, and gilt-metal-strip-wrapped silk (filé and frisé), plain weave with supplementary patterning wefts and brocading wefts and weft-float faced interlacing of secondary binding warps and some supplementary brocading wefts.

Panel, Early 18th century

A work made of linen and cotton, 2:2 twill weave; embroidered with wool in satin, single satin, and stem stitches; french knots and stem stitch couching; four panels joined.

Bed Curtain, c. 1720

A work made of cotton, plain weave; hand-drawn wax resist dyed (batik tulis).

Hip Wrapper (Kain Panjang), c. 1970

Workshop of H. Mohammed Masina

A work made of cotton and wool (camelid), stripes of plain weave and plain weave derivatives with complementary patterning warp; central stripe with extended warp creating a woven looped flap; applied tubular crossed-warp weave edging; wool-wrapped overcast stitch bottom edging and pom-pom tassles; attached strap of cotton and wool (camelid) plain weave with complementary patterning warp.

Coca Bag (Chuspa), 1950/1980

Quechua

A work made of cotton, plain weave; copperplate printed.

Panel (Furnishing Fabric), 1760/70

Jean Baptiste Pillement

A work made of polyester, rayon, and wool, plain weave; silk screen printed.

Central Park South (Furnishing Fabric), c. 1953

Ruth Adler Schnee

A work made of linen and cotton, plain weave; screen printed.

Metropolis (Furnishing Fabric), 1955

Eleanor Kluck

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