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A work made of cotton, plain weave with supplementary pile warps forming uncut solid velvet.

Anatolia (Furnishing Fabric), 1988

Osborne & Little (Firm)

A work made of calabash, sticks, cloth, and string.

Five-Petaled Flower-Shaped Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of cotton, plain weave; copperplate printed.

The Effect of Principle, Behold the Man (Handkerchief), c. 1806

Gilbert Stuart

A work made of silk (crepe fiber warp), plain weave; screen printed.

Scarf, 1975

Bram van Velde

A work made of cotton and wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "sehna knots".

Carpet, Early 17th century

Islamic

A work made of wool, plain weave; screen printed.

En Losanges (Shawl), 1977 (designed 1920)

Sonia Delaunay-Terk

A work made of cotton and wool, plain weave with supplementary backing warps and supplementary pile warps forming cut solid pile.

Area Rug, 1920/39

A work made of handscroll; ink and colors on silk.

United by Music 合樂圖, Ming dynasty (1368–1644), 15th/16th century

Zhou Wenju

A work made of cotton, rayon, nylon and cellulose acetate film, diamond twill weave; screen printed.

Fun to Run (Furnishing Fabric), 1947 designed (1948/65 produced)

La Verne Originals

A work made of linen, plain weave; block printed.

Fragment, 1920s

Atelier Martine

A work made of linen, plain weave; cut and drawn work in buttonholed, darned, and overcast bars with buttonholed picots; embroidered in buttonhole, double running, hem, interlocking lace, overcast, and satin stitches; buttonholed couching; macramé edge with knotted fringe.

Border, 1601/25 (macramé edge: c. 1600)

A work made of linen, bobbin straight lace.

Border, 1601/25

Red long sleeve garment embroidered with a large gold tree with white blossoms.

Furisode, late Edo period (1789–1868), 1801/1868

A work made of silk and gold-leaf-over-lacquered-paper strips, warp-float faced twill weave with weft float faced twill interlacings of secondary binding warps and supplementary patterning wefts; interlined with cotton, plain weave.

Kosode, Edo period (1615–1868), 1775/1800

A work made of wooden box; covered with linen, plain weave; embroidered with silk floss in back, running, and satin stitches; laid work and couching; edged with silvered-metal-strip-wrapped silk and silvered-metal strips, plain weave; lined with silk, plain weave and plain weave with supplementary pile warps forming cut solid velvet; silver hardware; two glass bottles inside.

Writing Box (Needlework), 17th century

A work made of silk, gilt-animal-substrate-wrapped linen, twill weave with plain and twill interlacings of secondary binding warps and patterning and brocading wefts (detached on reverse).

Fragment, 13th century

A work made of linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in fishbone, overcast, and running stitches.

Cover (possibly Turban Cover), 18th century

A work made of cotton, plain weave; copperplate printed.

Le Parc du Chateau (Furnishing Fabric), c. 1783

Jean Baptiste Huet

A work made of linen, needle lace.

Borders, 1760s

A work made of decoration in red, white; two greens, tan and gold on dark yellow ground. five clawed dragon hunting jewel amid clouds. lined. selvage on two sides. decoration in red, white, 2 greens, tan and gold on dark yellow ground. 5 clawed dragon hunting jewel amid clouds, 1 in each of 4 corners and 1 in circular panel in center. all over pattern covering rest. geometric line design of interlocking small hexagons and large 6 pointed stars. stars surrounded by tangent circles. conventional forms of juiheaded clouds tie these lines together and form central rosettes in stars. lined. selvage on 2 sides..

Panel (Furnishing Fabric), Qing dynasty (1644–1911), 1875/1900

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