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A work made of colored silk.

Sampler, 1812

A work made of cotton, plain weave; screen- or block-printed; glazed.

Panel (Furnishing Fabric), 1946

Serge Poliakoff

A work made of linen, plain weave; embroidered with silk in chain, cross, eyelet, hem, satin and single satin stitches.

Sampler, 19th century

Ann Morris

A work made of linen, plain weave; embroidered with silk and wool in tent stitches.

Panel, 1701/25

A work made of cotton, plain weave; engraved roller and block printed.

Les Monuments de Paris (The Monuments of Paris) (Furnishing Fabric), 1816/18

Hippolyte Lebas

A work made of cotton, plain weave; appliquéd with cotton, plain weave and cotton, plain weave; roller printed; quilted; edged with cotton, plain weave.

Bedcover, 1855

Sarah J. Harden

A work made of cellophane, plain weave.

Sample (Furnishing Fabric), 1919/33

Otti Berger

An ink and color handscroll of a landscape scene, mountains in the background, a river in the foreground and trees throughout the midground

The Peach Blossom Spring 桃花源圖, Late Ming (1368–1644) or early Qing (1644–1912) dynasty 明朝

Qiu Ying

A work made of chasuble: silk, plain weave with silk facing wefts and twill interlacings of secondary binding warps, and gilt-metal-strip-wrapped silk facing wefts forming weft loops on cut and uncut, pile-on-pile voided velvet; orphrey band: linen, plain weave; embroidered with silk, linen and gilt-metal-strip-wrapped silk in fishbone, herringbone, satin, split, and stem stitches; laid work, couching, and padded couching; edged with woven fringe.

Chasuble with Orphrey Band, Chasuble: Late 15th century; Orphrey Band: Late 15th/early 16th century

A work made of wool and silk; slit, dovetailed, and double interlocking tapestry weave warp: count: 7–8 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.5–1.0 mm weft: count: varies from 16 to 32 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.4–1.0 mm; silk: s-ply of two z-twisted elements (maybe replacement wefts); diameters: 0.4–0.9 mm. right half of piece was rewoven..

Prudentia (Prudence) from Los Honores, 1525/32

Bernard van Orley

A work made of wool and silk, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "persian" ("sehna") knots; edged with cotton, and wool weft-faced warp-ribbed plain weave.

Carpet, 1675/1725

A work made of raffia fiber.

Prestige Cap (Mpu), 19th–early 20th century

Kongo

A work made of cotton, plain weave; copperplate printed.

Les Quatre Parties du Monde (Four Quarters of the Globe) (Furnishing Fabric), c. 1785

Jean Baptiste Huet

A work made of wool and linen, plain weave with supplementary broading wefts and supplementary patterning wefts tied by secondary binding warps, knotted warp fringe along edge.

Hanging, after 1904

Maja Sjöström

Prosperity of the Kingdom

Prosperity of the Kingdom, 1600/1800

A work made of wool and cotton, warp threads dyed in multiple colors prior to weaving; center of weft-float faced 1:3 'z' twill weave; patterned areas of warp-float faced 3:1 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 twill interlacings; main warp fringe;woven on loom with jacquard attachment.

Long Shawl, 1848/52

Anthony Berrus

A work made of cotton, machine-made net; appliquéd with bobbin and machine-made laces.

Pair of Long Mittens, c. 1900

A work made of silk, satin weave; screen printed.

Les Altheas, 1914/20

Raoul Dufy

A work made of metal coils ("slinkys"), padded with jute wrapped with cotton and rayon.

Fiber Construction Entitled "Floor Slinky", c. 1971

Claire Zeisler

A work made of cotton, plain weave; screen printed.

Cyclades (Furnishing Fabric), c. 1960

Donald Hamilton Fraser

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