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A work made of cotton, plain weave; copperplate printed.

Les Quatre Parties du Monde (Four Quarters of the Globe) (Furnishing Fabric), c. 1785

Jean Baptiste Huet

Prosperity of the Kingdom

Prosperity of the Kingdom, 1600/1800

A work made of ink, on paper; screen printed.

Wallpaper and Textile Design, c. 1922

Dagobert Peche

A work made of wool and cotton, warp threads dyed in multiple colors prior to weaving; center of weft-float faced 1:3 'z' twill weave; patterned areas of warp-float faced 3:1 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 twill interlacings; main warp fringe;woven on loom with jacquard attachment.

Long Shawl, 1848/52

Anthony Berrus

A work made of wool and linen, plain weave with supplementary broading wefts and supplementary patterning wefts tied by secondary binding warps, knotted warp fringe along edge.

Hanging, after 1904

Maja Sjöström

A work made of graphite and paint, on paper; painted.

Design for a Textile or Wallpaper, c. 1921

Wilhelm Lichtmann

A work made of silk, satin weave; screen printed.

Les Altheas, 1914/20

Raoul Dufy

A work made of metal coils ("slinkys"); padded with jute wrapped with cotton and rayon.

Fiber Construction Entitled "Floor Slinky", About 1971

Claire Zeisler

A work made of cotton, machine-made net; appliquéd with bobbin and machine-made laces.

Pair of Long Mittens, c. 1900

A work made of jute; flanges square knotted and wrapped; cascading ends.

Red Preview, 1969

Claire Zeisler

A work made of silk, twill weave; screen printed.

Scarf, 1973

Antonio Tàpies

A work made of cotton, plain weave; screen printed.

Cyclades (Furnishing Fabric), c. 1960

Donald Hamilton Fraser

A work made of cotton, plain weave; quilted; appliquéd and pieced with cotton, plain weave; backed with cotton, plain weave.

North Carolina Lily Quilt, c. 1850

A work.

Kesa, Edo period (1615–1898), 1784

Penn's Treaty with the Indians (Furnishing Fabric)

Penn's Treaty with the Indians (Furnishing Fabric), c. 1785

John Hall

A work made of silk, twill weave; screen printed.

Scarf, 1957

Georges Braque

A work.

Tunic, 800-900

Nasca

A work made of silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, warp-float faced 4:1 satin weave with supplementary patterning wefts bound in weft-float faced 1:4 'z' twill interlacings; lined with silk, plain weave, creped wefts, dyed with safflower.

Kosode, late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

A work made of linen and sisal, discontinuous weft plain weave with supplementary brocading wefts, supplementary wrapping wefts and some ground wefts forming cut and uncut weft pile; self-patterned by ground weft floats; appliquéd with smaller rectangle of same weave, wrapped cord, yarn bundles forming cut pile and three-dimensional form of knotting.

Le Feu et La Cendre (Fire and Cinders), 1973/75

Magdalena Abakanowicz

A work made of cotton and wool, plain weave variation with supplementary wrapping wefts forming cut solid pile through a technique known as "sehna knots".

Carpet, 1875-1900

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