Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of silk, twill weave with supplementary patterning wefts.

Fragment (From a Noh Costume), 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

A work made of pair of six-panel screens; ink, color, and gold on silk.

Blue Phoenix, 1921

Ōmura Kōyō

A work made of cotton, plain weave; screen printed.

Karuselli (Carousel) (Furnishing Fabric), 1973

Katsuji Wakisaka

A work made of cotton, plain weave, pieced; appliquéd with cotton, plain weave; quilted; backed with cotton, plain weave.

Bedcover (Cherry Wreaths Quilt), c. 1865

Kate D. Reed

A work made of silk, satin weave with supplementary pile warps forming cut, voided velvet; stamped.

Panel, 15th century

A work made of silk, satin weave, with needlework.

Man's Boots, Qing dynasty (1644–1911), 19th century

A work made of wool and silk, weft-float faced 1:3 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; main warp fringe; woven on loom with jacquard attachment.

Long Shawl, 1825/75

A work made of linen and cotton, plain weave; embroidered with wool yarns in short, long, outline and satin stitches; french knots.

Panel (Needlework or Crewel?), 1675/1725

A work made of cotton, plain weave, pieced; quilted, pattern outlined in pencil, heavily padded in parts; appliquéd with cotton, plain weave, printed, embroidered; backed with cotton, plain weave.

Rosebreasted Grosbeak and Iris Quilt, c. 1951

Dr. Jeannette Dean Throckmorton

A work made of silk, warp faced weft ribbed plain weave with plain interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; woven on loom with jacquard attachment.

Portrait of Joseph Marie Jacquard (1752–1834), 19th century

François Carquillat

A work made of cotton, plain weave; engraved roller printed.

La Vie de Jeanne d'Arc (The Life of Joan of Arc) (Furnishing Fabric), after 1817

Charles Abraham Chasselat

A work made of cotton, plain weave; engraved roller printed.

The Eisenhower Toile (Furnishing Fabric), c. 1953

Elisabeth Draper

A work made of ceramic and pigment.

Vessel with Textile Pattern and Spout Modeled as a Head, 1200–1450

Inca

A work made of cotton, plain weave; engraved roller printed.

Samuel Slater, The Father of American Manufacturers (Handkerchief), 1890

Cranston Print Works Company

A work made of slit tapestry, simple cloth.

Patch, A.D. 1000/1476

Lambayeque

A work made of gelatin silver print.

Textile Loaders, Budapest, 1933

Cornel Somogy

A work.

Kesa, Meiji period (1868–1912), late 19th century

A work made of silk, plain weave with supplementary patterning wefts and supplementary brocading wefts.

Panel, c. 1752/55

A work made of cotton, plain weave; engraved roller printed.

Allegorie à l'Amour (Homage to Love) (Furnishing Fabric), c. 1815

Favre-Petitpierre et Cie.

A work made of cotton, plain weave; quilted; appliquéd with plain weaves, some printed, some glazed, some padded; embroidered in buttonhole, chain, satin, and straight stitches.

Album Quilt, 1845/50

<<<28293031 >>>