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A work made of cotton, plain weave; screen printed.

Green Man (Furnishing Fabric), 1950s

Keith Vaughan

A work made of gelatin silver print.

Textile Loaders, Budapest, 1933

Cornel Somogy

A work made of linen and cellulose film, plain weave.

Furnishing Fabric, 1927/28

Gunta Stölzl

A work made of silk, twill weave with supplementary patterning wefts.

Fragment (From a Noh Costume), 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

A work made of silk, satin weave with supplementary pile warps forming cut, voided velvet; stamped.

Panel, 15th century

A work made of silk, plain, twill, and satin weaves; some with supplementary patterning warps, some with supplementary patterning and brocading wefts, some velvet, some with self-patterning; some painted, warp ikat, or engraved roller printed; pieced; appliquéd with cotton and silk, cut solid velvet; stamped; and embroidered with silk in buttonhole, chain, detached chain, cross, double feather, herringbone, satin, single satin, split, and stem stitches; laid work and couching; backed with cotton, plain weave; roller printed.

'Crazy Quilt', 1896/1900

Lana Almedia Marcellus Jeffery

A work made of linen and cotton, plain weave; embroidered with wool yarns in short, long, outline and satin stitches; french knots.

Panel (Needlework or Crewel?), 1675/1725

A work made of silk, warp faced weft ribbed plain weave with plain interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; woven on loom with jacquard attachment.

Portrait of Joseph Marie Jacquard (1752–1834), 19th century

François Carquillat

A work made of cotton, plain weave; engraved roller printed.

La Vie de Jeanne d'Arc (The Life of Joan of Arc) (Furnishing Fabric), after 1817

Charles Abraham Chasselat

A work made of cotton, plain weave; engraved roller printed.

The Eisenhower Toile (Furnishing Fabric), c. 1953

Elisabeth Draper

A work made of cotton, plain weave; engraved roller printed.

Samuel Slater, The Father of American Manufacturers (Handkerchief), 1890

Cranston Print Works Company

A work.

Kesa, Meiji period (1868–1912), late 19th century

A work made of calabash, sticks, cloth, and string.

Heart-Shaped Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of cotton, plain weave; block printed resist and mordant dyed.

Sacred Heirloom Textile (mawa or ma'a), 14th/15th century

A work made of wool (camelid), plain weave; embroidered in stem stitches; edged with cross-knit loop stitches; loop and plied fringes.

Poncho Displaying Contorted Figures, c. 200-150 BCE

Paracas

A work made of cotton, plain weave; engraved roller printed.

Allegorie à l'Amour (Homage to Love) (Furnishing Fabric), c. 1815

Favre-Petitpierre et Cie.

A work made of silk, plain weave with supplementary patterning wefts and supplementary brocading wefts.

Panel, c. 1752/55

Sleeveless vest, photographed in black and white, featuring a leaf motif and a decorated panel down the front.

Chasuble with Orphrey Bands, 17th century

A work made of silk, bobin straight lace (made in horizontal strips).

Half Shawl, 1855/65

A work made of color lithograph on ivory wove paper.

Textile Market, Cracow, from Au Pied du Sinaï, 1897, published 1898

Henri de Toulouse-Lautrec

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