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A work made of silk, twill weave with supplementary patterning wefts.

Fragment (From a Noh Costume), 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

A work made of silk, satin weave with supplementary pile warps forming cut, voided velvet; stamped.

Panel, 15th century

A work made of cotton, plain weave, pieced; appliquéd with cotton, plain weave; quilted; backed with cotton, plain weave.

Bedcover (Cherry Wreaths Quilt), c. 1865

Kate D. Reed

A work made of calabash, sticks, cloth, and string.

Heart-Shaped Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of cotton, plain weave; block printed resist and mordant dyed.

Sacred Heirloom Textile (mawa or ma'a), 14th/15th century

A work made of linen and cotton, plain weave; embroidered with wool yarns in short, long, outline and satin stitches; french knots.

Panel (Needlework or Crewel?), 1675/1725

A work made of cotton, plain weave, pieced; quilted, pattern outlined in pencil, heavily padded in parts; appliquéd with cotton, plain weave, printed, embroidered; backed with cotton, plain weave.

Rosebreasted Grosbeak and Iris Quilt, c. 1951

Dr. Jeannette Dean Throckmorton

A work made of silk, warp faced weft ribbed plain weave with plain interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; woven on loom with jacquard attachment.

Portrait of Joseph Marie Jacquard (1752–1834), 19th century

François Carquillat

A work made of cotton, plain weave; engraved roller printed.

La Vie de Jeanne d'Arc (The Life of Joan of Arc) (Furnishing Fabric), after 1817

Charles Abraham Chasselat

A work made of cotton, plain weave; engraved roller printed.

The Eisenhower Toile (Furnishing Fabric), c. 1953

Elisabeth Draper

A work made of cotton, plain weave; engraved roller printed.

Samuel Slater, The Father of American Manufacturers (Handkerchief), 1890

Cranston Print Works Company

A work made of color lithograph on ivory wove paper.

Textile Market, Cracow, from Au Pied du Sinaï, 1897, published 1898

Henri de Toulouse-Lautrec

A work made of linen, embroidered.

Cover (Possibly for a Cushion), 19th/20th century

A work.

Kesa, Meiji period (1868–1912), late 19th century

A work made of cotton, plain weave; engraved roller printed.

Allegorie à l'Amour (Homage to Love) (Furnishing Fabric), c. 1815

Favre-Petitpierre et Cie.

A work made of silk, plain weave with supplementary patterning wefts and supplementary brocading wefts.

Panel, c. 1752/55

A work made of cotton, plain weave; quilted; appliquéd with plain weaves, some printed, some glazed, some padded; embroidered in buttonhole, chain, satin, and straight stitches.

Bedcover (Album Quilt), 1845/50

A work made of wool (camelid), plain weave; embroidered in stem stitches; edged with cross-knit loop stitches; loop and plied fringes.

Poncho Displaying Contorted Figures, c. 200-150 BCE

Paracas

A work made of silk, bobin straight lace (made in horizontal strips).

Half Shawl, 1855/65

A work made of cotton, plain weave; screen printed.

Blues (Furnishing Fabric), 1970

Hans Krondahl

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