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A work made of cotton, plain weave; screen printed.

Nietos (Furnishing Fabric), 1977

Katsuji Wakisaka

A work made of cotton and polyester, twill weave; screen printed.

Cross Country Skis (Furnishing Fabric), 1979

Carol Gresko-Lyons

A work made of color lithograph on ivory wove paper.

Textile Market, Cracow, from Au Pied du Sinaï, 1897, published 1898

Henri de Toulouse-Lautrec

A work made of wool and cotton, plain weave with supplementary brocading wefts; extended warp fringe bundles, finished with oblique interlacing border; wool tassels, tops embroidered with buttonhole stitches; henna dyed.

Headscarf, Early 20th century

Ida Ou Nadif

A work made of cotton, plain weave; copperplate printed.

Don Quichotte (Don Quixote) (Furnishing Fabric), c. 1785

Jean-Jacques Lagrenée

A work made of linen and wool, slit tapestry weave.

Fragment of a Border, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969), 6th/7th century

Coptic

A work made of cotton and wool, three-color complementary weft plain weave with inner warps.

Cry for Help, 1904

Josef Hoffmann

A work made of cotton and linen; plain weave; block printed.

Panel (Dress or Furnishing Fabric), 1920s

Atelier Martine

A work made of cotton, plain weave self-patterned by main warp and ground weft floats.

Sample, 20th century

Anni Albers

A work made of linen and sisal, resist dyed, plain weave; folded; twisted; mounted to plexiglas.

Color Intersection M-II, Heisei period (1989–present), 1997

Shigeo Kubota

A work made of center: cotton, plain weave; embroidered with silk, cotton, and wool in buttonhole, chain, cross, single cross, feather, roumanian, satin, single satin, stem, and twined double running stitches; squares: cotton, cotton and linen, and linen, plain weaves; block, copperplate, and roller printed.

Bedcover, 1795/1820

Mary Jones

A work made of machine-made lace; backed with silk warp-float faced 7:1 satin weave; silk, warp-float faced 15:1 satin weave with supplementary pile warps foaming cut solid velvet ribbon wrap rhinestone and metal buckle's ribbon ties; silk warp-float faced 7:1 satin weave; silk loops and plain weave edge; leather.

Pair of Tango Shoes, 1914/19

Costa

A work made of linen, jute and rayon; end sections: plain weave with supplementary, paired patterning warps and supplementary binding wefts; center section: plain weave with supplementary brocading wefts, alternating two-color main warp in pairs; edges bound in ribbon of cotton and rayon.

Study for Six Prayers: No. IV, 1965/66

Anni Albers

A work made of cotton, plain weave; engraved roller printed.

Les Monuments de Paris (The Monuments of Paris) (Furnishing Fabric), 1816/18

Hippolyte Lebas

A work made of wool, cotton, linen, rayon, nylon, acrylic, silk, and hemp, slit and single dovetailed tapestry weave with eccentric wefts and laced, overcast and wrapped outlining wefts.

Mysterium, 1987

Urszula Plewka-Schmidt

A work made of wool and linen, slit tapestry weave.

Fragment (Border), Roman period (30 B.C– 641 A.D.), 5th/6th century

Ancient Egyptian

A work made of cotton, needle lace of a type known as "point de gaze".

Border, 1860/80

Apotheosis of Washington and Franklin (Furnishing Fabric)

Apotheosis of Washington and Franklin (Furnishing Fabric), c. 1785

Valentine Green

A work made of cotton, plain weave; embroidered with silk in back, cross, and padded cross stitches.

Sampler, 1801/75

A work made of wooden box, brass-colored fittings; mother-of-pearl tools.

Sewing Box, 19th century

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