A work made of wool, cotton and silk, felt and plain and twill weaves, some self-patterned, some with supplementary pile wefts forming cut pile, some fulled; one embroidered with rayon; couching of oblique interlacing tape; pieced; backed with cotton, plain weaves, some self-patterned, some fulled, some roller-printed; embroidered with wool in feather stitches; edged with wool, twill weave.

Bedcover Entitled "Wool-Drawings", c. 1900

A work made of linen, plain weave; screen printed.

Construction (Furnishing Fabric), c. 1950

Ruth Adler Schnee

A work made of cotton, plain weave; flat bed screen printed; glazed.

Large Flower (Furnishing Fabric), 1985 (produced 1986)

Howard Hodgkin

A work made of cotton, plain weave; block-printed resist, mordant dyed.

Ceremonial Cloth (Sacred Heirloom Textile), Possibly 15th/16th century

A work made of linen, plain weave; embroidered with wool yarns in bullion, flat, roman, satin, stem, and surface satin stitches.

Chair Seat, c. 1717

Abigail Davenport (Williams)

A work made of wool (camelid), plain weave; embroidered in stem stitches; edged with cross-knit loop stitches; loop and plied fringes.

Poncho Displaying Contorted Figures, c. 200-150 BCE

Paracas

A work made of cotton, plain weave; screen printed.

Nietos (Furnishing Fabric), 1977

Katsuji Wakisaka

A work made of cotton and polyester, twill weave; screen printed.

Cross Country Skis (Furnishing Fabric), 1979

Carol Gresko-Lyons

A work made of linen and cotton, plain weave; copperplate printed; painted.

The Irish Volunteers (Furnishing Fabric), 1782

Gabriel Beranger

A work made of cotton, twill weave; screen printed.

Little Man (Furnishing Fabric), 1942

Angelo Testa

A work made of wool and cotton; tapestry weave.

Les Saltimbanques (The Entertainers), 1959

Liliane Badin

A work made of floral design with small animals, swastika, lanterns embroidered on gauze..

Fragment (Sleeve Band), Qing dynasty (1644–1911), 1875–1900

Han-Chinese

A work made of wool and cotton, plain weave with supplementary brocading wefts; extended warp fringe bundles, finished with oblique interlacing border; wool tassels, tops embroidered with buttonhole stitches; henna dyed.

Headscarf, Early 20th century

Ida Ou Nadif

A work made of wool and cotton; tapestry weave.

Josephine Baker, 1974

Robert Emmet Brady

A work made of cotton, plain weave; copperplate printed.

Don Quichotte (Don Quixote) (Furnishing Fabric), c. 1785

Jean-Jacques Lagrenée

A work made of silk, rayon, and gilt-metal-strip-wrapped silk, twill weave, with patterning wefts bound in twill interlacing; woven on a loom with a jacquard attachment.

“Chevaux Marins, Baleines et Coquillages” (Sea horses, Whales and Shellfish), c. 1925

Raoul Dufy

A work made of ceramic and pigment.

Urn Painted with a Geometric Textile-like Pattern, 1100–1500

Carchi

A work made of linen and wool, slit tapestry weave.

Fragment of a Border, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969), 6th/7th century

Coptic

A work made of linen, plain weave; embroidered with silk and gilt-metal-silk-wrapped silk in split and stem stitches; laid work and couching..

Fragment (From an Orphrey Band), 1400/50

A work made of cotton and wool, three-color complementary weft plain weave with inner warps.

Cry for Help, 1904

Josef Hoffmann