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A work made of silk, warp-float faced broken warp chevron twill weave with supplementary pile warps forming cut solid velvet; appliquéd with linen, plain weave, silk and gilt and silvered wire, plain weave with twill interlacing of secondary binding warps and patterning wefts; silk and silvered wire, twill weave; embroidered with silk, gilt- and silvered-metal-strip-wrapped silk and gilt and silvered wire in overcast, satin, padded satin, split, and stem stitches; laid work, couching, and padded couching; semi-precious stones; edged with woven fringes.

Altar Frontal Depicting Scenes from the Life of Christ, Late 16th century

A work made of cotton, plain weave, quilted (sashiko); painted.

Fireman's Coat (Hikeshi Sashiko Banten), Meiji period (1868–1912), c. 1875-1900

A work made of cotton, bobbin straight lace.

Border, 1825/50

A work made of cotton, plain weave; screen printed.

Signal (Tablecloth), 1977 (designed 1920)

Sonia Delaunay-Terk

A work made of cellophane and cotton, double woven plain weaves.

Furnishing Fabric, 1927/33

Otti Berger

A work made of oil on silk.

Pray for These Little Ones (Perforce They Live Together), 1973–74

Ivan Albright

A work made of steel, iron, copper, textile, leather, and wood.

Rapier and Scabbard, c. 1630

Antonio Piccinino

A work made of sisal, hemp, and horsehair, slit tapestry weave with raised coils of supplementary wefts; attached strips of weft-faced plain weave and lengths of horsehair.

Brun Rouge, 1970/73

Magdalena Abakanowicz

A work made of cotton, bobbin straight lace of a type known as "valenciennes" with a square valenciennes mesh ground.

Seven Borders, 1850/75

A work made of silk, plain, twill, and satin weaves; some with supplementary patterning warps, some with supplementary patterning and brocading wefts, some velvet, some with self-patterning; some painted, warp ikat, or engraved roller printed; pieced; appliquéd with cotton and silk, cut solid velvet; stamped; and embroidered with silk in buttonhole, chain, detached chain, cross, double feather, herringbone, satin, single satin, split, and stem stitches; laid work and couching; backed with cotton, plain weave; roller printed.

Bedcover or Parlor Throw (Crazy Quilt), 1896/1900

Lana Almedia Marcellus Jeffery

A work made of wool, warp chevron twill weave; screen printed.

Bouquet Garni (Furnishing or Drapery Fabric), 1976

Don Wight

A work made of cotton, plain weave; copperplate printed.

Le Char de l'Aurore (The Chariot of Dawn) (Furnishing Fabric), 1785/89

Guido Reni

A work made of cotton, plain weave; copperplate printed.

Le Meunier, Son Fils, et l'Ane (The Miller, His Son, and the Ass) (Furnishing Fabric), 1806

Jean Baptiste Huet

A work made of cotton, satin weave; screen printed.

Lunar Rocket (Furnishing Fabric), 1969

Eddie Squires

A work made of cotton, rayon, wool, nylon, and silk; wool, rayon, cotton, and acetate bouclé; and rayon and cotton chenille; plain weave open work.

Hanging (Prototype), 1974/75

Robert D. Sailors

A work made of silk, plain weave with supplementary brocading wefts.

"The Good Old Days" (Royal Mail Coach)", After 1879

Thomas Stevens

A work made of cotton, satin weave; screen printed.

Arundel (Furnishing Fabric), 1960

John Piper

A work.

Curtain, Queen Anne period, 17th century

A work made of wool (camelid), plain weave self-patterned by main warp floats; joined in double running stitches; edged with plain weave with plied warp fringe.

Bag, A.D. 1476/1532

Inca

A work made of cotton, plain weave; copperplate printed.

William Penn's Treaty with the Indians (Furnishing Fabric), c. 1800

John Boydell

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