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A work made of cellophane and cotton, double woven plain weaves.

Furnishing Fabric, 1927/33

Otti Berger

A work made of sisal, hemp, and horsehair, slit tapestry weave with raised coils of supplementary wefts; attached strips of weft-faced plain weave and lengths of horsehair.

Brun Rouge, 1970/73

Magdalena Abakanowicz

A work made of silk, plain, twill, and satin weaves; some with supplementary patterning warps, some with supplementary patterning and brocading wefts, some velvet, some with self-patterning; some painted, warp ikat, or engraved roller printed; pieced; appliquéd with cotton and silk, cut solid velvet; stamped; and embroidered with silk in buttonhole, chain, detached chain, cross, double feather, herringbone, satin, single satin, split, and stem stitches; laid work and couching; backed with cotton, plain weave; roller printed.

Bedcover or Parlor Throw (Crazy Quilt), 1896/1900

Lana Almedia Marcellus Jeffery

A work made of cotton, bobbin straight lace of a type known as "valenciennes" with a square valenciennes mesh ground.

Seven Borders, 1850/75

A work made of wool, warp chevron twill weave; screen printed.

Bouquet Garni (Furnishing or Drapery Fabric), 1976

Don Wight

A work made of cotton, plain weave; copperplate printed.

Le Char de l'Aurore (The Chariot of Dawn) (Furnishing Fabric), 1785/89

Guido Reni

A work made of cotton, plain weave; copperplate printed.

Le Meunier, Son Fils, et l'Ane (The Miller, His Son, and the Ass) (Furnishing Fabric), 1806

Jean Baptiste Huet

A work made of cotton, satin weave; screen printed.

Lunar Rocket (Furnishing Fabric), 1969

Eddie Squires

A work made of cotton, rayon, wool, nylon, and silk; wool, rayon, cotton, and acetate bouclé; and rayon and cotton chenille; plain weave open work.

Hanging (Prototype), 1974/75

Robert D. Sailors

A work made of silk, plain weave with supplementary brocading wefts.

"The Good Old Days" (Royal Mail Coach)", After 1879

Thomas Stevens

A work made of cotton, satin weave; screen printed.

Arundel (Furnishing Fabric), 1960

John Piper

A work.

Curtain, Queen Anne period, 17th century

A work made of wool (camelid), plain weave self-patterned by main warp floats; joined in double running stitches; edged with plain weave with plied warp fringe.

Bag, A.D. 1476/1532

Inca

A work made of colored silk.

Sampler, 1812

A work made of cotton, plain weave; copperplate printed.

William Penn's Treaty with the Indians (Furnishing Fabric), c. 1800

John Boydell

A work made of linen, plain weave, block printed with surface paint corrections.

Panel (Furnishing Fabric), 1955

Ling Po

A work made of cotton, needle lace of a type known as "point de gaze".

Border, 1875/1900

A work made of cotton, plain weave; screen printed.

Lokki (Seagull) (Furnishing Fabric), 1961

Maija Isola

A work made of chasuble: silk, plain weave with silk facing wefts and twill interlacings of secondary binding warps, and gilt-metal-strip-wrapped silk facing wefts forming weft loops on cut and uncut, pile-on-pile voided velvet; orphrey band: linen, plain weave; embroidered with silk, linen and gilt-metal-strip-wrapped silk in fishbone, herringbone, satin, split, and stem stitches; laid work, couching, and padded couching; edged with woven fringe.

Chasuble with Orphrey Band, Chasuble: Late 15th century; Orphrey Band: Late 15th/early 16th century

An ink and color handscroll of a landscape scene, mountains in the background, a river in the foreground and trees throughout the midground

The Peach Blossom Spring 桃花源圖, Late Ming (1368–1644) or early Qing (1644–1912) dynasty 明朝

Qiu Ying

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