Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of silver dye-bleach print.

Portrait of Natalie, 1981

Helen Harvey Mills

A work made of etching on cream wove paper.

Still Life with Violin, 1949

Thomas H. Kapsalis

A work made of color screenprint on ivory wove paper.

Blooming Tree, 1960

Ray Yoshida

A work made of linen, 7:1 satin damask weave; embellished with human hair couched (underside) with silk thread; monogram in ink.

Found, 1998

Anne Wilson

A work made of collograph on white wove paper.

Sun King with Majac Clown, 1972

Lynn Webster

A work made of gelatin silver print.

Pine, Dooley Mountain, Oregon, 1935/71

Harold Allen

A work made of chromogenic print, from the portfolio "photographs from the school of the art institute of chicago, 1975".

Untitled, c. 1975

Michael E. Boruch

A work made of aquatint on off-white wove paper.

The Kiss of the Infant Jesus, 1980

Dan Ramirez

A work made of color screenprint on coated white wove paper.

Out of Sight; Out of Mind, from Screen Prints 1970, 1970

Robert Esche

A work made of screenprint on yellowish cream wove paper.

Untitled, from Screen Prints 1970, 1970

John Schnell

A work made of gelatin silver print.

Milwaukee and Lake, 2001

r clarke-davis

A work made of screenprint in blue ink on brown envelope.

Da Hairy Who Foyer - For Ya Prince, 1967–68

The Hairy Who (Art Green, Gladys Nilsson, Jim Nutt, Jim Falconer, Suellen Rocca, and Karl Wirsum)

A work made of color lithograph on ivory wove paper.

Aarrrrrrrrhh, from No Gas, 1971

Red Grooms

A work made of pen and black ink and blue wash on envelope, with postage stamp.

Untitled (Envelope Decorated with a House and Flying Angels), 1949

Edward Gorey

A work made of lithograph in blue on ivory wove paper.

For Reading Achievement..., n.d.

Edward Gorey

A work made of pen and black ink, with watercolor, on envelope, with postage stamp.

Untitled (Envelope Decorated with Crucifixion Scene), 1947

Edward Gorey

A work made of linen, wool, cotton, and rayon, plain weave with supplementary brocading wefts.

The Hills Are Covered with Gladness, 1972

Jane Redman

A work made of oil pastel, with graphite, touches of green colored pencil, silver metallic paint, and traces of brush and blue wash, on ivory wove paper.

Bayside Village and Mountain, 1963

Ellen Lanyon

A work made of color photo-etching, with drypoint and mezzotint, on white wove paper.

Beauty and the Beast, 1979

Vera Berdich

A work made of engraving from an acetate plate on cream wove paper.

River of God, late 1940s

Carl Hoeckner

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