Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and black ink, with cut and pasted gold foil and pen and red ink, on green laid paper, folded.

Christmas Card with Haloed Mole, n.d.

Edward Gorey

Heirs Come to Pass, 3

Heirs Come to Pass, 3, 1991

Martina A. Lopez

A work made of graphite frottage, with smudging and erasing, on off-white wove paper.

Ruins, 1967

Theodore Halkin

A work made of lithograph on cream wove paper.

Trio, 1955

Leon Golub

A work made of offset lithograph on card.

False Image Postcard, 1968

Eleanor Dube

A work made of etching and screenprint in yellow and black on ivory wove paper.

Hannibal, n.d.

Dean Jackson Meeker

A work made of selenium toned gelatin silver print.

Sarah and Christina Schell, 1989

David Teplica

A work made of color screenprint on coated white wove paper, laid down on silver gelatin print on coated white wove paper, laid down on white wove paper.

Censor: Position without Qualification, from Screen Prints 1970, 1970

Kathy Dulen

A work made of cotton and rayon, plain weave.

Sample, 1941/74

Robert D. Sailors

A work made of etching and aquatint on white wove paper.

Caviar, 1978

Jack Beal

A work made of screenprint in orange-yellow on salmon colored laid paper.

Bread and Butter, 1977

Jack Beal

A work made of carved linoleum and wood.

Printing Blocks for Trees, 1954

Eleanor Kluck

A work made of charcoal and oil paint with sprayed gouache on off-white laid paper.

Self-Portrait, n.d.

Seymour Rosofsky

A work made of colored pencil on white wove paper.

Prismacolor X, n.d.

Claire Prussian

A work made of gelatin silver print.

Hutterite Girls, 1975

Mary Koga

Untitled

Untitled, c. 1972

Sarah Anne Canright

A work made of color screenprint on paper.

Untitled, Screen Prints 1970, 1970

Robert Joseph Caproni

A work made of gelatin silver print, from the portfolio crackerjacks, 1977.

Rabbits and Ducks, 1977

Robert Peters

A work made of color lithograph on ivory wove paper.

Niobe, 1965

Leon Golub

An oil painting that depicts the head and bare, right arm of a brown-skinned man who appers to emerge from behind an American flag. The flag is turned on its side so that the stripes are vertical, and the stars are on the right. The man grasps one of the stripes of the flag in his fist. In this way, the man seems to be imprisoned by the American flag, and is trying to break free.

Flag Day, 1966

Benny Andrews

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