Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of engraving from an acetate plate on cream wove paper.

River of God, late 1940s

Carl Hoeckner

A work made of color lithograph on ivory wove paper.

No Gas Cafe, from No Gas, 1971

Red Grooms

A work made of aquatint on white wove paper.

Black Lemons and Egg, 1987

Donald Sultan

A work made of commercially printed color offset lithograph on cream wove card, folded.

Christmas Card with Lounging Man and Angel, n.d.

Edward Gorey

A work made of pen and black ink on cream wove notecard with blue printed edge.

Untitled (Mole Walking), n.d.

Edward Gorey

A work made of color lithograph on off-white wove paper.

Orator II, 1967/68

Leon Golub

A work made of screenprint on white wove paper.

USA 666, from Decade, 1971

Robert Indiana

A work made of chromogenic print.

Untitled, 1983

Phil Baranowski

A work made of gelatin silver print.

Warehouse Demolition, Philadelphia, 1966

Harold Allen

A work made of chromogenic print.

Leaving, 1995

Felicity Rich

A work made of lithograph in black on ivory wove paper.

From the Porch, 1948

Miyoko Ito

Warm-yellow and cool-blue curved shapes suggest a desertscape. On the right, oval blobs stack between brown stick structures.

Revolt in the Desert, 1963

Miyoko Ito

A work made of linen, plain weave; hand linoleum block printed.

Modern Classic (Furnishing Fabric), 1946/47

Eleanor Kluck

A work made of color screenprint on coated ivory card.

Roundabout, from Screen Prints 1970, 1970

Frank Gaard

A work made of pen and black ink, with brush and red wash, over graphite, on brown wove paper.

The Balked Escape, n.d.

Edward Gorey

A work made of color etching from two plates, in black and orange, on ivory wove paper.

Dancing Couple III, September 1968

Philip Hanson

A work made of chair sections, wood, fabric, resin, cement, and epoxy.

Kilim, 1993

Margaret Wharton

A work made of color lithograph on ivory wove paper.

Slushing, from No Gas, 1971

Red Grooms

A work made of color lithograph on ivory wove paper.

Local, from No Gas, 1971

Red Grooms

A work made of gelatin silver print, no. 8 from the portfolio "maxwell street collection" (2005).

Maxwell Street After Party, 2000

Tom Palazzolo

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