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A work made of quarter vellum binding with cockerell marbled paper; marbled endpapers; original paper covers bound in; inscription and drawing in graphite on half-title by cocteau.

Les parents terribles: Pièce en trois actes (The Terrible Parents: A play in three acts), Published 1938; rebound 1938-1942

Mary Reynolds

A work made of quarter vellum with blue-paper sides and endpapers decorated with gold stars.

Thomas l'imposteur: histoire (Thomas the impostor: History), Published 1923; rebound 1930-1950

Mary Reynolds

A work made of one-half brown nigerian goat skin, marbled paper end leaves; three protruding panels with title in gold tooling on spine; original paper covers bound in.

Êtes-vous fous?, Published 1929; rebound 1930-1950

Mary Reynolds

A work made of one-half snake skin with sides and end leaves covered with dark blue paper with jean crotti's name and silver paper panel; partial tinfoil lining of inside front cover; original paper covers bound in.

Jean Crotti, Published 1930; rebound 1930-1950

Mary Reynolds

A work made of unbound book in a cardboard slip case; intaglio prints by various artists.

Du cubisme, Paris: Compagnie Française des Arts Graphiques, 1947

Albert Gleizes

A work made of illustrated book with one engraving and soft-ground etching.

L'Apocalypse, Paris: GLM (Guy Lévis Mano), 1937

Stanley William Hayter

A work made of two large sheets (wrapper printed in red on cream stock and insert printed on glossy white), folded twice, cover design featuring belle haleine by duchamp; on the insert, several halftone printed photographs and illustrations in blue.

New York Dada, April 1921

Marcel Duchamp

A work made of issued in portfolio; lithograph in green and black.

Poésie et vérité, Paris: Librairie "Les Nourritures terrestres", 1947

Oscar Domínguez

A work made of portfolio of loose leaves containing twelve pages of printed text lithographed from author's handwritten manuscript and ten lithographic illustrations, signed and numbered.

Mythologie, Paris: Editions des Quatre Chemins, 1934

Giorgio de Chirico

A work made of illustrated book with two colour lithographs, eight plates after various artists and illustrations throughout.

Almanach surréaliste du demi-siècle, 1950

Max Ernst

A work made of book with eleven wood engravings in black and one wood engraving in red on verge d'arches paper.

Au pays du mufle, Paris: Edouard-Joseph, 1920

Albert Gleizes

A work made of issued unbound; stitched and inserted in sea green paper covers with one paper collage signed by the artist and four collotypes after photomontages.

1961, 1961

Georges Hugnet

A work made of illustrated book with six woodcuts.

Ballade du pauvre macchabé mal enterré (Ballad of the Unfortunate Corpse Badly Buried), 1919

André Derain

A work made of illustrated book with three woodcut prints.

Le volant d'Artimon: Poèmes, Paris: J. Povolozky, 1922

Louis Marcoussis

A work made of broadside folio with one etching; issued loose in a red wrapper.

Pleine marge (Full Margin), Nierendorf Gallery, New York: 1940–43

Kurt Seligmann

A work made of portfolio of five lithographs printed in three colors each and mounted on colored paper mats; an additional lithograph in blue is laid in.

César Domela, 1939

César Domela

A work made of illustrated book issued unbound, in bright orange paper covers, with one line block reproduction after a pen and ink drawing.

Dépendance de l'adieu (Relying on Goodbye), 1936

René Char

A work made of fifteen gelatin silver prints with hand-applied watercolor, mounted on cardstock and bound; two cut-out photocollages, one with added color, on the cover and title page.

Les jeux de la poupée (Games of the Doll), Paris: Editions Premières, 1949

Hans Bellmer

A work made of fully bound in leather, title and author written across leather covers and spine in palladium and blind lettering; decorated end leaves; original paper covers bound in.

Un Coup de dés jamais n'abolira le hasard: Poème, Published 1914; rebound 1930-1950

Mary Reynolds

A work made of fully bounded in leather; title and author stamped across covers and spine in palladium, white japan paper end leaves; original covers bound in.

Prolégomènes a une ethique sans métaphysique ou, Billy, bull-dog et philosophe, Published 1930; rebound 1930-1950

Mary Reynolds

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