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A work made of full navy, vegetable-tanned sheepskin; endpapers of trial proofs for marcel duchamp's 1935 cover of minotaure.

Night-flight, Published 1932; rebound 1935-1942

Mary Reynolds

A work made of fancy compound satin, silk and gilt paper.

Uchishiki (Altar Cloth), Edo period (1615–1868), 1801/25

A work made of stoneware with ox blood (langyao) glaze.

Vase, Qing dynasty (1644–1911)

A work made of painted plaster.

Bust of Pierre François Leonard Fontaine, 1839

Louis Messidor Lebon Petitot

A work made of cotton, machine-made net; appliquéd with plain weave; cut and drawn work filled with buttonhole bars decorated with buttonhole picots and darned points; embroidered in cross, darning, and overcast stitches; decorated with buttonhole wheels.

Fichu with Frilled Outer Edge, 1850/75

A work made of silk embroidery on woven cotton foundation.

Suzani (large embroidered hanging or cover), 19th century

A work made of pewter.

Plates, c. 1892

Jules-Paul Brateau

A work made of color woodblock print; oban.

The actor Nakamura Utaemon IV as the fisherman Fukashichi, actually Kanawa Goro Imakuni (Ryoshi Fukashichi jitsu wa Kanawa Goro Imakuni), c. 1847/52

Utagawa Kunisada I (Toyokuni III)

A work made of georgia marble.

Figure, 1946

Isamu Noguchi

A work made of linen, plain weave; embroidered with silk floss in long-armed cross and running (pattern darning) stitches.

Border, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

A work made of silk; lampas technique.

Fragment, 1200-50

A work made of silk, plain weave with gilt-metal strip supplementary facing wefts with supplementary pile warps forming cut and uncut voided velvet.

Fragment, 1601/25

A work made of linen and wool, slit and dovetailed tapestry weave with eccentric wefts and supplementary wrapping weft details; edged by plain weave with supplementary wrapping wefts forming uncut loop pile.

Fragment Depicting a Mounted Rider, 4th-5th century

Byzantine

A work made of tin-glazed earthenware with copper luster (maiolica).

Display Plate with the Bust of a Woman, 1500/30

A work made of full sienna, pink, and beige goatskin with cotton cord, grey-card onlays with trial stamps of a typographic plate made for duchamp's box in a valise. endpapers printed in pochoir with fern-leaf pattern and hand-drawn insects in black ink.

Rrose Sélavy, Published 1939; rebound 1940-1941

Mary Reynolds

A work made of bronze.

Coin Portraying Emperor Constantius I, 305-306

Ancient Roman

A work made of painted plaster.

Bust of Charles Percier (1764-1838), 1838

Louis Messidor Lebon Petitot

A work made of woodblock print.

Charm from Yudonosan Hondoji Temple, 19th century

A work made of letterpress periodicals: complete set of 2 issues.

Disk, 1923–1925

Karel Teige

A work made of 8 lithographs.

Derrière le miroir (no. 14–15), Paris: Aimé Maeght, 1948

Joan Miró

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