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A work made of full leather binding, black panel stamped with title and author's name in golf, marbled end paper leaves; original covers bound in.

Par la taille: Un Acte comique et moral en prose et en vers pour esjouir grands at petits (By the Size: A Comic and Moral Act in Prose and Verse to Delight Young and Old), Published 1906; rebound 1930-1950

Mary Reynolds

A work made of mixed media.

S.M.S. issue #1 (Deluxe Edition), New York: Letter Edged in Black Press, February 1968

Irving Petlin

A work made of mixed media.

S.M.S. #2 (Deluxe Edition), New York: Letter Edged in Black Press, April 1968

Marcel Duchamp

A work made of mixed media.

S.M.S. #3 (Deluxe Edition), New York: Letter Edged in Black Press, June 1968

Enrico Baj

A work made of mixed media.

S.M.S. #4 (Deluxe Edition), New York: Letter Edged in Black Press, August 1968

Bob Stanley

A work made of mixed media.

S.M.S. #5 (Deluxe Edition), New York: Letter Edged in Black Press, October 1968

William N. Copley

A work made of mixed media.

S.M.S. #6 (Deluxe Edition), New York: Letter Edged in Black Press, December 1968

Richard Artschwager

A work made of offset lithograph on phonographic record, lettering embossed in white, affixed to a white paper folder with a removable pin.

Esquivons les Ecchymoses des Esquimaux aux mots Exquis, New York: Letter Edged in Black Press, April 1968

Marcel Duchamp

A work made of linen, plain weave; embroidered with silk floss in long-armed cross and running (pattern darning) stitches.

Border, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

A work made of silk; lampas technique.

Fragment, 1200-50

A work made of linen and wool, slit and dovetailed tapestry weave with eccentric wefts and supplementary wrapping weft details; edged by plain weave with supplementary wrapping wefts forming uncut loop pile.

Fragment Depicting a Mounted Rider, 4th-5th century

Byzantine

A work made of silk, plain weave with gilt-metal strip supplementary facing wefts with supplementary pile warps forming cut and uncut voided velvet.

Fragment, 1601/25

A work made of tin-glazed earthenware with copper luster (maiolica).

Display Plate with the Bust of a Woman, 1500/30

A work made of georgia marble.

Figure, 1946

Isamu Noguchi

A work made of bronze.

Coin Portraying Emperor Constantius I, 305-306

Ancient Roman

A work made of painted plaster.

Bust of Charles Percier (1764-1838), 1838

Louis Messidor Lebon Petitot

A work made of woodblock print.

Charm from Yudonosan Hondoji Temple, 19th century

A work made of full sienna, pink, and beige goatskin with cotton cord, grey-card onlays with trial stamps of a typographic plate made for duchamp's box in a valise. endpapers printed in pochoir with fern-leaf pattern and hand-drawn insects in black ink.

Rrose Sélavy, Published 1939; rebound 1940-1941

Mary Reynolds

A work made of cotton, bobbin part lace of a type known as "duchesse de bruges".

Two Fragments of a Border, 1880/1900

A work made of billon.

Tetradrachm (Coin) Portraying Empress Salonina, 267-268

Ancient Roman

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