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A work made of portfolio of loose leaves containing twelve pages of printed text lithographed from author's handwritten manuscript and ten woodcut illustrations.

Mythologie, Paris: Editions des Quatre Chemins, 1934

Giorgio de Chirico

A work made of illustrated book with two colour lithographs, eight plates after various artists and illustrations throughout.

Almanach surréaliste du demi-siècle, 1950

Max Ernst

A work made of book with eleven wood engravings in black and one wood engraving in red on verge d'arches paper.

Au pays du mufle, Paris: Edouard-Joseph, 1920

Albert Gleizes

A work made of issued unbound; stitched and inserted in sea green paper covers with one paper collage signed by the artist and four collotypes after photomontages.

1961, 1961

Georges Hugnet

A work made of illustrated book with six woodcuts.

Ballade du pauvre macchabé mal enterré (Ballad of the Unfortunate Corpse Badly Buried), 1919

André Derain

A work made of illustrated book with three woodcut prints.

Le volant d'Artimon: Poèmes, Paris: J. Povolozky, 1922

Louis Marcoussis

A work made of broadside folio with one etching; issued loose in a red wrapper.

Pleine marge (Full Margin), Nierendorf Gallery, New York: 1940–43

Kurt Seligmann

A work made of portfolio of five lithographs printed in three colors each and mounted on colored paper mats; an additional lithograph in blue is laid in.

César Domela, 1939

César Domela

A work made of illustrated book issued unbound, in bright orange paper covers, with one line block reproduction after a pen and ink drawing.

Dépendance de l'adieu (Relying on Goodbye), 1936

René Char

A work made of fifteen gelatin silver prints with hand-applied watercolor, mounted on cardstock and bound; two cut-out photocollages, one with added color, on the cover and title page.

Les jeux de la poupée (Games of the Doll), Paris: Editions Premières, 1949

Hans Bellmer

A work made of fully bound in leather, title and author written across leather covers and spine in palladium and blind lettering; decorated end leaves; original paper covers bound in.

Un Coup de dés jamais n'abolira le hasard: Poème, Published 1914; rebound 1930-1950

Mary Reynolds

A work made of fully bounded in leather; title and author stamped across covers and spine in palladium, white japan paper end leaves; original covers bound in.

Prolégomènes a une ethique sans métaphysique ou, Billy, bull-dog et philosophe, Published 1930; rebound 1930-1950

Mary Reynolds

A work made of fully bounded in leather with gray and maroon onlays; decorated end leaves; original covers bound in.

Tropic of Capricorn, Published 1939; rebound 1939-1950

Mary Reynolds

A work made of full goatskin with dotted-blue-calfskin onlays and gold stamping; tan wove endpapers speckled with gold leaf.

Chêne et chien: roman en vers, Published 1937; rebound 1937-1942

Mary Reynolds

A work made of bound in combination full morocco leather with gold lettering, leather doublure margins; marbled paper end leaves; original covers bound in.

Les Enfants du limon: Roman, Published 1938; rebound 1938-1950

Mary Reynolds

A work made of full leather binding, black panel stamped with title and author's name in golf, marbled end paper leaves; original covers bound in.

Par la taille: Un Acte comique et moral en prose et en vers pour esjouir grands at petits, Published 1906; rebound 1930-1950

Mary Reynolds

A work made of mixed media.

S.M.S. issue #1 (Deluxe Edition), New York: Letter Edged in Black Press, February 1968

Irving Petlin

A work made of mixed media.

S.M.S. #2 (Deluxe Edition), New York: Letter Edged in Black Press, April 1968

Marcel Duchamp

A work made of mixed media.

S.M.S. #3 (Deluxe Edition), New York: Letter Edged in Black Press, June 1968

Enrico Baj

A work made of mixed media.

S.M.S. #4 (Deluxe Edition), New York: Letter Edged in Black Press, August 1968

Bob Stanley

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