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A work made of lithograph.

O novykh systemakh v iskusstve: Statika i skorost’ (On New Systems in Art: Statics and Speed), Vitebsk, 1919

El Lissitzky

A work made of periodical with designed typography and two-color photomontage wrappers.

Brigada khudozhnikov (Artists' Brigade), 1931

Academie de l'espée (Academy of the Sword)

Academie de l'espée (Academy of the Sword), 1628

Gérard Thibault

A work made of offset photolithographs on paper assembled into 54 accordion-style folded pages; enclosed in a silver mylar-covered slipcase.

Every Building on the Sunset Strip, 1966

Ed Ruscha

A work made of portfolio with ten pochoir prints.

Revolving Doors, 1916-1917, Paris: Editions Surréalistes, 1926

Man Ray (Emmanuel Radnitzky)

A work made of twelve unbound reproductions of photographs in a double wrapper of blue printed with the title, and black with a window cut to frame the title; accompanied by a mounted gelatin silver print on loose cardstock with a handwritten dedication.

La photographie n'est pas l'art: 12 photographies (Photography is Not Art: 12 Photographs), Paris: G.L.M., 1937

Man Ray (Emmanuel Radnitzky)

A work made of collage of five insects and desiccated plant leaves assembled in a shadow box.

Untitled (For Immobility), 1947

Man Ray (Emmanuel Radnitzky)

A work made of gold foil wrapper with a collage of black paper, photomontage, and gold ink.

La chevelure, Paris: Éditions Sagesse, 1937

Yves Tanguy

A work made of 63 mixed media postcards in collage, gouache, graphite, and watercolor.

Gutai Postcards, 1956-2008

Yamazaki Tsuruko

A work made of one-quarter vellum binding, sides covered with white paper speckled with stamped blue stars; author and title stamped in gold on spine; original paper covers bound in.

Antigone: Les mariés de la Tour Eiffel, Published 1928; rebound 1930-1950

Mary Reynolds

A work made of full vellum binding; green, silver-speckled end leaves.

Carte blanche: articles parus dans Paris-midi du 31 mars au 11 août 1919, Published 1920; rebound 1930-1950

Mary Reynolds

A work made of quarter binding in vellum with decorated paper; title stamped in gold on spine; original paper covers bound in; inscription and pen and ink drawing by cocteau.

Les chevaliers de la table ronde: Pièce en trois actes, Published 1937; rebound 1937-1950

Mary Reynolds

A work made of full vellum binding with black calf label on spine; title and star stamped in gold; wine-colored glazed paper endleaves; original paper covers bound in; title page features a signed drawing in graphite by cocteau.

Dessins, Published 1924; rebound 1930-1950

Mary Reynolds

A work made of one-quarter vellum binding; sides covered with gold-starred paper.

La fin du Potomak, Published 1940; rebound 1940-1950

Mary Reynolds

A work made of one-quarter vellum binding, sides covered with maps and map papers as endleaves; original paper covers bound in.

Mon premier voyage (Tour du monde en 80 jours), Published 1936; rebound 1936-1950

Mary Reynolds

A work made of one-quarter vellum binding, sided covered with cockerell marbled paper; original paper covers bound in; drawing in graphite on fly leaf by cocteau.

Les parents terribles: Pièce en trois actes, Published 1938; rebound 1938-1950

Mary Reynolds

A work made of one-quarter vellum, sides and end leaves covered with gold-starred paper; original paper covers bound in.

Thomas l'imposteur: histoire, Published 1923; rebound 1930-1950

Mary Reynolds

A work made of one-half brown nigerian goat skin, marbled paper end leaves; three protruding panels with title in gold tooling on spine; original paper covers bound in.

Êtes-vous fous?, Published 1929; rebound 1930-1950

Mary Reynolds

A work made of one-half snake skin with sides and end leaves covered with dark blue paper with jean crotti's name and silver paper panel; partial tinfoil lining of inside front cover; original paper covers bound in.

Jean Crotti, Published 1930; rebound 1930-1950

Mary Reynolds

A work made of unbound book in a cardboard slip case; intaglio prints by various artists.

Du cubisme, Paris: Compagnie Française des Arts Graphiques, 1947

Albert Gleizes

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