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A work made of book with designed two-color wrappers.

S.O.S., 1928

Ladislav Sutnar

A work made of book with designed two-color wrappers.

Sonata in D: Chvála houslí (Sonata in D: Praise of the Violin), 1928

Ladislav Sutnar

A work made of book with typographic design and two-color designed wrappers.

Fanfarlo, 1927

Karel Teige

A work made of book with typographic design and two-color designed wrappers and slipcase.

Nebe, peklo, ráj (Heaven, Hell, Paradise), 1930

Karel Teige

A work made of book with typographic design and two-color designed wrappers.

Nebe, peklo, ráj (Heaven, Hell, Paradise), 1931

Karel Teige

A work made of illustrated book with 54 plates.

Les Mains libres: Dessins de Man Ray, illustrés par les poèmes de Paul Éluard (Free Hands: Drawings illustrated by the poems of Paul Éluard), Paris: Éditions J. Bucher, 1937

Man Ray (Emmanuel Radnitzky)

A work made of one-quarter vellum binding, sides covered with white paper speckled with stamped blue stars; author and title stamped in gold on spine; original paper covers bound in.

Antigone: Les mariés de la Tour Eiffel, Published 1928; rebound 1930-1950

Mary Reynolds

A work made of full vellum binding; green, silver-speckled end leaves.

Carte blanche: articles parus dans Paris-midi du 31 mars au 11 août 1919, Published 1920; rebound 1930-1950

Mary Reynolds

A work made of quarter vellum with white paper decorated with fleurs-de-lis; endpapers decorated with gold fleurs-de-lis; title stamped in gold on spine; original paper covers bound in; inscription and pen and ink drawing by cocteau.

Les chevaliers de la table ronde: Pièce en trois actes (The Knights of the Roundtable: A play in three acts), Published 1937; rebound 1937-1942

Mary Reynolds

A work made of full vellum with gold stamping on black-calfskin label; wine-colored, glazed-paper endpapers; inscription and drawing by cocteau.

Dessins (Drawings), Published 1924; rebound 1930-1942

Mary Reynolds

A work made of one-quarter vellum binding; sides covered with gold-starred paper.

La fin du Potomak, Published 1940; rebound 1940-1950

Mary Reynolds

A work made of one-quarter vellum binding, sides covered with red paper speckled with gold stars; original paper covers bound in.

Le Foyer des artistes, Published 1947; rebound 1947-1950

Mary Reynolds

A work made of full vellum binding, wine-colored morocco label with gold lettering on spine; vellum end leaves; original paper covers bound in.

La machine infernale: pièce en 4 actes, Published 1934; rebound 1934-1950

Mary Reynolds

A work made of quarter vellum with gold stamping; paper-map sides and endpapers; original paper covers bound in.

Mon premier voyage: Tour du monde en 80 jours (My first voyage: Around the world in 80 days), Published 1936; rebound 1936-1942

Mary Reynolds

A work made of quarter vellum binding with cockerell marbled paper; marbled endpapers; original paper covers bound in; inscription and drawing in graphite on half-title by cocteau.

Les parents terribles: Pièce en trois actes (The Terrible Parents: A play in three acts), Published 1938; rebound 1938-1942

Mary Reynolds

A work made of quarter vellum with blue-paper sides and endpapers decorated with gold stars.

Thomas l'imposteur: histoire (Thomas the impostor: a story), Published 1923; rebound 1930-1950

Mary Reynolds

A work made of one-half brown nigerian goat skin, marbled paper end leaves; three protruding panels with title in gold tooling on spine; original paper covers bound in.

Êtes-vous fous?, Published 1929; rebound 1930-1950

Mary Reynolds

A work made of one-half snake skin with sides and end leaves covered with dark blue paper with jean crotti's name and silver paper panel; partial tinfoil lining of inside front cover; original paper covers bound in.

Jean Crotti, Published 1930; rebound 1930-1950

Mary Reynolds

A work made of unbound book in a cardboard slip case; intaglio prints by various artists.

Du cubisme, Paris: Compagnie Française des Arts Graphiques, 1947

Albert Gleizes

A work made of illustrated book with one engraving and soft-ground etching.

L'Apocalypse, Paris: GLM (Guy Lévis Mano), 1937

Stanley William Hayter

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