Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of mixed media.

S.M.S. #5 (Deluxe Edition), New York: Letter Edged in Black Press, October 1968

William N. Copley

A work made of mixed media.

S.M.S. #6 (Deluxe Edition), New York: Letter Edged in Black Press, December 1968

Richard Artschwager

A work made of offset lithograph on phonographic record, lettering embossed in white, affixed to a white paper folder with a removable pin.

Esquivons les Ecchymoses des Esquimaux aux mots Exquis, New York: Letter Edged in Black Press, April 1968

Marcel Duchamp

A work made of one-quarter vellum binding, sides covered with white paper speckled with stamped blue stars; author and title stamped in gold on spine; original paper covers bound in.

Antigone: Les mariés de la Tour Eiffel, Published 1928; rebound 1930-1950

Mary Reynolds

A work made of full vellum binding; green, silver-speckled end leaves.

Carte blanche: articles parus dans Paris-midi du 31 mars au 11 août 1919, Published 1920; rebound 1930-1950

Mary Reynolds

A work made of quarter binding in vellum with decorated paper; title stamped in gold on spine; original paper covers bound in; inscription and pen and ink drawing by cocteau.

Les chevaliers de la table ronde: Pièce en trois actes, Published 1937; rebound 1937-1950

Mary Reynolds

A work made of full vellum binding with black calf label on spine; title and star stamped in gold; wine-colored glazed paper endleaves; original paper covers bound in; title page features a signed drawing in graphite by cocteau.

Dessins, Published 1924; rebound 1930-1950

Mary Reynolds

A work made of one-quarter vellum binding; sides covered with gold-starred paper.

La fin du Potomak, Published 1940; rebound 1940-1950

Mary Reynolds

A work made of one-quarter vellum binding, sides covered with maps and map papers as endleaves; original paper covers bound in.

Mon premier voyage (Tour du monde en 80 jours), Published 1936; rebound 1936-1950

Mary Reynolds

A work made of one-quarter vellum binding, sided covered with cockerell marbled paper; original paper covers bound in; drawing in graphite on fly leaf by cocteau.

Les parents terribles: Pièce en trois actes, Published 1938; rebound 1938-1950

Mary Reynolds

A work made of one-quarter vellum, sides and end leaves covered with gold-starred paper; original paper covers bound in.

Thomas l'imposteur: histoire, Published 1923; rebound 1930-1950

Mary Reynolds

A work made of one-half brown nigerian goat skin, marbled paper end leaves; three protruding panels with title in gold tooling on spine; original paper covers bound in.

Êtes-vous fous?, Published 1929; rebound 1930-1950

Mary Reynolds

A work made of one-half snake skin with sides and end leaves covered with dark blue paper with jean crotti's name and silver paper panel; partial tinfoil lining of inside front cover; original paper covers bound in.

Jean Crotti, Published 1930; rebound 1930-1950

Mary Reynolds

A work made of unbound book in a cardboard slip case; intaglio prints by various artists.

Du cubisme, Paris: Compagnie Française des Arts Graphiques, 1947

Albert Gleizes

A work made of illustrated book with one engraving and soft-ground etching.

L'Apocalypse, Paris: GLM (Guy Lévis Mano), 1937

Stanley William Hayter

A work made of two large sheets (wrapper printed in red on cream stock and insert printed on glossy white), folded twice, cover design featuring belle haleine by duchamp; on the insert, several halftone printed photographs and illustrations in blue.

New York Dada, April 1921

Marcel Duchamp

A work made of issued in portfolio; lithograph in green and black.

Poésie et vérité, Paris: Librairie "Les Nourritures terrestres", 1947

Oscar Domínguez

A work made of portfolio of loose leaves containing twelve pages of printed text lithographed from author's handwritten manuscript and ten woodcut illustrations.

Mythologie, Paris: Editions des Quatre Chemins, 1934

Giorgio de Chirico

A work made of illustrated book with two colour lithographs, eight plates after various artists and illustrations throughout.

Almanach surréaliste du demi-siècle, 1950

Max Ernst

A work made of book with eleven wood engravings in black and one wood engraving in red on verge d'arches paper.

Au pays du mufle, Paris: Edouard-Joseph, 1920

Albert Gleizes

<<<43444546 >>>