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Etching of a herd of sheep on a bank approaching water in the foreground as rain begins to fall, a man and dog behind them.

The Shower, c. 1851

Charles François Daubigny

Etching of four tall oak trees standing together amid thick, lush ground cover and trees with dense foliage.

Old Oaks at Bas Bréau, c. 1865

Adolphe Martial Potémont

A work made of hand-colored etching and aquatint on paper.

Going to Cover, from the series Fox Hunting, 1828

Charles Bentley

A work made of pair of six panel screens; ink and gold on paper.

Dragon and Tiger, dated 1835

Kishi Ganku

A work made of oil on composition board.

Still Life No. 15, c. 1917

Marsden Hartley

Rectangular carving, exceedingly detailed, of two colorful phoenixes with trailing tailfeathers and spread wings amid blossoms and wooden branches.

Transom panels (ramma) from the Phoenix Pavilion (Hōōden), 1893

Takamura Kо̄un

At seascape rendered in pastel tones. At right, boats line a pink shore underneath a tall cliff. At left, a single red sailboat floats in blue water.

Étretat: The Beach and the Falaise d'Amont, 1885

Claude Monet

Carved wood flowers and leaves, painted in vibrant greens and blues, overlap curving tree branches. Among them are are two birds, phoenixes.

Transom panels (ramma) from the Phoenix Pavilion (Hōōden), 1893

Takamura Kо̄un

Painting of a back view of various people assembled at water's edge watching boats sail across blue water.

Yacht Race, c. 1896–97

Maurice Brazil Prendergast

A work made of gelatin silver print.

View from the top of the Municipal Building, Brooklyn Bridge, New Housing, c. 1961

Peter Fink

A work made of etching in black on ivory laid japanese vellum.

L'Après-Midi d'un Faune: Le Faune lll, plate seventeen from Poesies de Mallarmé, 1932

Henri Matisse

Loose black lines form two men, possibly vagrants, in baggy, layered clothing. At left, one with tiny round glasses on his forehead and straggly hair leans on a fence. The other, with a round nose and full cheeks, snoozes on the ground at right.

Les Propos de Thomas Vireloque: His Majesty the King of beasts, 1852

Paul Gavarni

A work made of periodicals; 23 issues. nos. 1-18 (1929); 1-4, 19-20 (1930).

Koruna (Crown), 1929–30

Vojtech Tittelbach

A work made of lithograph (etching transfer) in black on tan-toned cream wove paper.

The Butterfly and the Pond, 1868

Rodolphe Bresdin

A work made of wood engraving in black on cream japanese tissue.

Quartier des Gobelins, plate 20 from Le Long de la Seine et des Boulevards, 1889, published 1910

Louis Auguste Lepère

A work made of wood engraving in black on cream japanese tissue.

Quartier des Gobelins, plate 20 from Le Long de la Seine et des Boulevards, 1889, published 1910

Louis Auguste Lepère

A work made of transfer lithograph in black on off-white wove paper.

Design cover for West Point Song of the Graduates, 1852

James McNeill Whistler

A work made of four steel etchings in black on cream india paper, laid down on off-white card (chine collé).

"My Wife is a Woman of Mind" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left), 1847, printed c. 1880

George Cruikshank

A work made of stoneware (caneware) with applied blue decoration.

Vase, 1820/20

Wedgwood Manufactory

A work made of blue ballpoint pen and watercolor on tan wove paper.

Transylvania Alps, Romania, June 20, 1964

Joseph Yoakum

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