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Etching of a herd of sheep on a bank approaching water in the foreground as rain begins to fall, a man and dog behind them.

The Shower, c. 1851

Charles François Daubigny

Etching of four tall oak trees standing together amid thick, lush ground cover and trees with dense foliage.

Old Oaks at Bas Bréau, c. 1865

Adolphe Martial Potémont

At seascape rendered in pastel tones. At right, boats line a pink shore underneath a tall cliff. At left, a single red sailboat floats in blue water.

Étretat: The Beach and the Falaise d'Amont, 1885

Claude Monet

Loose black lines form two men, possibly vagrants, in baggy, layered clothing. At left, one with tiny round glasses on his forehead and straggly hair leans on a fence. The other, with a round nose and full cheeks, snoozes on the ground at right.

Les Propos de Thomas Vireloque: His Majesty the King of beasts, 1852

Paul Gavarni

A work made of oil on composition board.

Still Life No. 15, c. 1917

Marsden Hartley

A work made of transfer lithograph in black on off-white wove paper.

Design cover for West Point Song of the Graduates, 1852

James McNeill Whistler

Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left. The background is a feathered swirl suggesting floral pattern in cool pale tones of gray, purple, pink, and blue.

Woman at Her Toilette, 1875–80

Berthe Morisot

A work made of stoneware (caneware) with applied blue decoration.

Vase, 1820/20

Wedgwood Manufactory

A work made of etching on cream china paper, laid down on white wove paper.

Tree Branches, n.d.

Rodolphe Bresdin

A work made of blue ballpoint pen and watercolor on tan wove paper.

Transylvania Alps, Romania, June 20, 1964

Joseph Yoakum

A work made of etching in black on ivory laid japanese vellum.

A Few Sonnets: Frontispiece, plate 24 from Poesies de Mallarmé, 1932

Henri Matisse

A work made of color woodblock print; oban.

Fuchu—No. 20, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of pen and black ink over graphite, on tan tracing paper, laid down on buff wove paper.

African Village, n.d.

Rodolphe Bresdin

A work made of four steel etchings in black on cream india paper, laid down on off-white card (chine collé).

"My Wife is a Woman of Mind" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left), 1847, printed c. 1880

George Cruikshank

A work made of silk, bobbin straight lace (made in horizontal strips).

Bonnet Veil, 1850s

A work made of pen and black ink, on tan tracing paper, laid down on buff wove paper.

Bank of a Pond, n.d.

Rodolphe Bresdin

A work made of watercolor, with touches of gouache, heightened with white gouache, over graphite, on cream wove paper.

South Side of King's College Chapel, Cambridge, 1815/20

Frederick MacKenzie

A work made of hand-colored etching and aquatint on paper.

Full Cry, from the series Fox Hunting, 1828

Charles Bentley

A work made of etching in black on ivory laid japanese vellum.

Le Guignon, plate two from Poesies de Mallarmé, 1932

Henri Matisse

A work made of oil on canvas.

Boats on the Beach at Étretat, 1885

Claude Monet

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