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A work made of bronze.

Logan Medal, 1900–20

Emil Zettler

A work made of lead-glazed earthenware with lustre decoration.

Flower Pot, 1810-20

Light-colored snowscape with visible brushstrokes featuring a bridge in front of red and white barns and farmhouses, surrounded by trees.

Sandvika, Norway, 1895

Claude Monet

A work made of mezzotint on ivory laid paper.

A Shipwreck, 1805/07

Charles Turner

Small dots of soft color form a woman in a red shirt and brown skirt seen up close, washing her bare feet in a lush brook while seated on a sloping bank.

Woman Bathing Her Feet in a Brook, 1895

Camille Pissarro

A work made of lithograph on gray chine laid down on ivory wove paper.

The Miraculous Draught of Fishes, 1883

Rodolphe Bresdin

Etching of a herd of sheep on a bank approaching water in the foreground as rain begins to fall, a man and dog behind them.

The Shower, c. 1851

Charles François Daubigny

Etching of four tall oak trees standing together amid thick, lush ground cover and trees with dense foliage.

Old Oaks at Bas Bréau, c. 1865

Adolphe Martial Potémont

A work made of four steel etchings in black on cream india paper, laid down on off-white card (chine collé).

"My Wife is a Woman of Mind" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left), 1847, printed c. 1880

George Cruikshank

At seascape rendered in pastel tones. At right, boats line a pink shore underneath a tall cliff. At left, a single red sailboat floats in blue water.

Étretat: The Beach and the Falaise d'Amont, 1885

Claude Monet

A work made of pair of six panel screens; ink and gold on paper.

Dragon and Tiger, dated 1835

Kishi Ganku

Painting of a red-haired, bearded man with light skin, painted in short brushstrokes and multicolored dots. The background is likewise a mass of small, closely spaced colored dots, these in green, blue, and red-orange.

Self-Portrait, 1887

Vincent van Gogh

Loose black lines form two men, possibly vagrants, in baggy, layered clothing. At left, one with tiny round glasses on his forehead and straggly hair leans on a fence. The other, with a round nose and full cheeks, snoozes on the ground at right.

Les Propos de Thomas Vireloque: His Majesty the King of beasts, 1852

Paul Gavarni

A work made of glazed stoneware.

Vase, 1910/20

Emile Lenoble

A work made of wood engraving in black on cream japanese tissue.

Quartier des Gobelins, plate 20 from Le Long de la Seine et des Boulevards, 1889, published 1910

Louis Auguste Lepère

A work made of wood engraving in black on cream japanese tissue.

Quartier des Gobelins, plate 20 from Le Long de la Seine et des Boulevards, 1889, published 1910

Louis Auguste Lepère

A work made of transfer lithograph in black on off-white wove paper.

Design cover for West Point Song of the Graduates, 1852

James McNeill Whistler

Rectangular carving, exceedingly detailed, of two colorful phoenixes with trailing tailfeathers and spread wings amid blossoms and wooden branches.

Transom panels (ramma) from the Phoenix Pavilion (Hōōden), 1893

Takamura Kо̄un

Carved wood flowers and leaves, painted in vibrant greens and blues, overlap curving tree branches. Among them are are two birds, phoenixes.

Transom panels (ramma) from the Phoenix Pavilion (Hōōden), 1893

Takamura Kо̄un

A work made of hand-colored etching and aquatint on paper.

Going to Cover, from the series Fox Hunting, 1828

Charles Bentley

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