Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of silk, bobbin straight lace (made in horizontal strips).

Bonnet Veil, 1850s

A work made of stoneware (caneware) with applied blue decoration.

Vase, 1820/20

Wedgwood Manufactory

A work made of pen and black ink over graphite, on tan tracing paper, laid down on buff wove paper.

African Village, n.d.

Rodolphe Bresdin

A work made of wood engraving in black on cream japanese tissue.

Quartier des Gobelins, plate 20 from Le Long de la Seine et des Boulevards, 1889, published 1910

Louis Auguste Lepère

A work made of wood engraving in black on cream japanese tissue.

Quartier des Gobelins, plate 20 from Le Long de la Seine et des Boulevards, 1889, published 1910

Louis Auguste Lepère

A work made of blue ballpoint pen and watercolor on tan wove paper.

Transylvania Alps, Romania, June 20, 1964

Joseph Yoakum

A work made of pen and black ink, on tan tracing paper, laid down on buff wove paper.

Bank of a Pond, n.d.

Rodolphe Bresdin

A work made of four steel etchings in black on cream india paper, laid down on off-white card (chine collé).

"My Wife is a Woman of Mind" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left), 1847, printed c. 1880

George Cruikshank

A work made of oil on canvas.

Boats on the Beach at Étretat, 1885

Claude Monet

A work made of hand-colored etching and aquatint on paper.

Full Cry, from the series Fox Hunting, 1828

Charles Bentley

A work made of etching in black on ivory laid japanese vellum.

Le Guignon, plate two from Poesies de Mallarmé, 1932

Henri Matisse

A work made of watercolor, with touches of gouache, heightened with white gouache, over graphite, on cream wove paper.

South Side of King's College Chapel, Cambridge, 1815/20

Frederick MacKenzie

A charcoal drawing of a nude woman with her features obscured, standing with her weight shifted to her right foot.

Standing Nude Woman, n.d.

Sir George Clausen

A work made of oil on panel.

Pasture in Normandy, 1852

Constant Troyon

A work made of color woodblock print; oban.

Fuchu—No. 20, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of charcoal, with stumping, scraping and erasing, on ivory laid paper (discolored to cream), perimeter mounted on cream wove paper.

Women Praying in Church, 1875/1885

Léon Augustin Lhermitte

Londonderry Vase, 1813

Manufacture nationale de Sèvres

Painting in brown and yellow tones of a flock of sheep at close range, one facing front and looking directly at the viewer.

Unfinished Study of Sheep, c. 1850

Constant Troyon

A work made of lithograph in black on cream wove paper.

Les Propos de Thomas Vireloque: The old story, my lambkins, 1852

Paul Gavarni

Three-part bronze sculpture set of two clenched hands and a man's face with closed eyes and mouth, an object in one hand.

Life Cast of the Hands and Face of Abraham Lincoln, Cast in plaster 1860; cast in bronze by 1888

Leonard Wells Volk

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