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A work made of mezzotint on ivory laid paper.

A Shipwreck, 1805/07

Charles Turner

A work made of color lithograph from four stones and four aluminum plates on pink wove handmade paper.

The Red Sea, 1978–82

Helen Frankenthaler

A work made of linen, plain weave; screen printed.

Two Panels (Design 105), 1956

Frank Lloyd Wright

A work made of lithograph on gray chine laid down on ivory wove paper.

The Miraculous Draught of Fishes, 1883

Rodolphe Bresdin

A work made of etching and engraving in brown on ivory laid paper.

Holy Island Cathedral, plate 11 from Liber Studiorum, published February 20, 1808

Joseph Mallord William Turner

A work made of hand-colored etching on cream wove paper.

Making Decent; i.e. Broad-Bottomites Getting into the Grand Costume, published February 20, 1806

James Gillray

Ecuadorian landscape with people, palm trees, waterfall, and volcano in background.

View of Cotopaxi, 1857

Frederic Edwin Church

A work made of inkjet print.

Grid Gable Garage Tapestry, from the "Repetition Series", 2003–05, January 20, 2005

Steven Foster

Painting of a red-haired, bearded man with light skin, painted in short brushstrokes and multicolored dots. The background is likewise a mass of small, closely spaced colored dots, these in green, blue, and red-orange.

Self-Portrait, 1887

Vincent van Gogh

A work made of lithograph in black on ivory wove paper.

Portrait of Monsieur de Menneval, 1817–20

Dominique-Vivant Denon

A work made of etching on copper in black on ivory wove (imitation japanese) paper.

Hercules Kills the Centaur Nessus, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of letterpress on cream laid paper.

Pages 17-20, from The Plain of Smokes: Poem Cycle, 1981

Kenneth Price

A work made of gelatin silver print, no. 18 from the portfolio "bayard: xxv calotypes, 1842-1850" (1965).

Moulins de Montmartre, possibly 1842/50, printed 1965

Hippolyte Bayard

A work made of hand-colored etching and aquatint on paper.

Going to Cover, from the series Fox Hunting, 1828

Charles Bentley

A work made of silk 50%, mohair 20%, dacron 20%, wool 10%, machine-made lace.

Edelweiss (Furnishing Fabric), 1960/74

Larsen Design Studio

Painting of linens drying on a fence in a field under a dark, overcast sky, a dirt road at left leading to a small village.

Landscape, c. 1895

Jean Charles Cazin

A work made of etching and drypoint on ivory wove paper with gilt edges.

It Always Happens, plate eight from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

Painting of a back view of various people assembled at water's edge watching boats sail across blue water.

Yacht Race, c. 1896–97

Maurice Brazil Prendergast

Light-colored snowscape with visible brushstrokes featuring a bridge in front of red and white barns and farmhouses, surrounded by trees.

Sandvika, Norway, 1895

Claude Monet

A work made of lithograph (etching transfer) in black on tan-toned cream wove paper.

The Butterfly and the Pond, 1868

Rodolphe Bresdin

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