Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of woodblock- printed book; 20 vols..

Zenken Kojitsu, 1868

A work made of etching on cream china paper, laid down on white wove paper.

Tree Branches, n.d.

Rodolphe Bresdin

A work made of stoneware (caneware) with applied blue decoration.

Vase, 1820/20

Wedgwood Manufactory

A work made of blue ballpoint pen and watercolor on tan wove paper.

Transylvania Alps, Romania, June 20, 1964

Joseph Yoakum

A work made of oil on canvas.

Boats on the Beach at Étretat, 1885

Claude Monet

A work made of pen and black ink over graphite, on tan tracing paper, laid down on buff wove paper.

African Village, n.d.

Rodolphe Bresdin

A work made of pen and black ink, on tan tracing paper, laid down on buff wove paper.

Bank of a Pond, n.d.

Rodolphe Bresdin

A work made of watercolor, with touches of gouache, heightened with white gouache, over graphite, on cream wove paper.

South Side of King's College Chapel, Cambridge, 1815/20

Frederick MacKenzie

A work made of color woodblock print; oban.

Fuchu—No. 20, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of hand-colored etching and aquatint on paper.

Full Cry, from the series Fox Hunting, 1828

Charles Bentley

A work made of oil on panel.

Pasture in Normandy, 1852

Constant Troyon

A work made of etching in black on ivory laid japanese vellum.

The Flowers, plate six from Poesies de Mallarmé, 1932

Henri Matisse

A work made of charcoal, with stumping, scraping and erasing, on ivory laid paper (discolored to cream), perimeter mounted on cream wove paper.

Women Praying in Church, 1875/1885

Léon Augustin Lhermitte

A work made of etching in black on ivory laid japanese vellum.

Weary of Bitter Rest, plate seven from Poesies de Mallarmé, 1932

Henri Matisse

A work made of etching in black on ivory laid japanese vellum.

Toast, plate one from Poesies de Mallarmé, 1932

Henri Matisse

A work made of oil on composition board.

Still Life No. 15, c. 1917

Marsden Hartley

A charcoal drawing of a nude woman with her features obscured, standing with her weight shifted to her right foot.

Standing Nude Woman, n.d.

Sir George Clausen

A work made of steel etching in black on cream india paper, laid down on off-white card (chine collé).

"The Rights of Women" or the Effects of Female Enfranchisement from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853, 1853, printed c. 1880

George Cruikshank

A work made of engraving on ivory laid paper.

Abraham’s Sacrifice, c. 1560

Philips Galle

Londonderry Vase, 1813

Manufacture nationale de Sèvres

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