Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of lithograph on gray chine laid down on ivory wove paper.

The Miraculous Draught of Fishes, 1883

Rodolphe Bresdin

A work made of etching and engraving in brown on ivory laid paper.

Holy Island Cathedral, plate 11 from Liber Studiorum, published February 20, 1808

Joseph Mallord William Turner

A work made of linen, plain weave; screen printed.

Two Panels (Design 105), 1956

Frank Lloyd Wright

Ecuadorian landscape with people, palm trees, waterfall, and volcano in background.

View of Cotopaxi, 1857

Frederic Edwin Church

A work made of hand-colored etching on cream wove paper.

Making Decent; i.e. Broad-Bottomites Getting into the Grand Costume, published February 20, 1806

James Gillray

Painting of a red-haired, bearded man with light skin, painted in short brushstrokes and multicolored dots. The background is likewise a mass of small, closely spaced colored dots, these in green, blue, and red-orange.

Self-Portrait, 1887

Vincent van Gogh

A work made of color lithograph from four stones and four aluminum plates on pink wove handmade paper.

The Red Sea, 1978–82

Helen Frankenthaler

A work made of inkjet print.

Grid Gable Garage Tapestry, from the "Repetition Series", 2003–05, January 20, 2005

Steven Foster

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 5 warps per cm; wool: s-ply of three z-spun elements; diameter: 1.2 mm weft: count: varies from 20 to 34 wefts per cm; wool: s-ply of two z-spun elements; diameters; 0,4–1.2 mm; silk: s-ply of two z-twisted elements; diameters: 0.5–1.5 mm.

The Meeting of Jacob and Rebecca, and Isaac Blessing Jacob from The Story of Jacob, 1560/68

Workshop of Jan van Tieghem

A work made of etching on copper in black on ivory wove (imitation japanese) paper.

Hercules Kills the Centaur Nessus, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of lithograph in black on ivory wove paper.

Portrait of Monsieur de Menneval, 1817–20

Dominique-Vivant Denon

A work made of hand-colored etching and aquatint on paper.

Going to Cover, from the series Fox Hunting, 1828

Charles Bentley

Painting of linens drying on a fence in a field under a dark, overcast sky, a dirt road at left leading to a small village.

Landscape, c. 1895

Jean Charles Cazin

Painting of a back view of various people assembled at water's edge watching boats sail across blue water.

Yacht Race, c. 1896–97

Maurice Brazil Prendergast

A work made of etching and drypoint on ivory wove paper with gilt edges.

It Always Happens, plate eight from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of lithograph (etching transfer) in black on tan-toned cream wove paper.

The Butterfly and the Pond, 1868

Rodolphe Bresdin

A work made of silk 50%, mohair 20%, dacron 20%, wool 10%, machine-made lace.

Edelweiss (Furnishing Fabric), 1960/74

Larsen Design Studio

Light-colored snowscape with visible brushstrokes featuring a bridge in front of red and white barns and farmhouses, surrounded by trees.

Sandvika, Norway, 1895

Claude Monet

A work made of letterpress on cream laid paper.

Pages 17-20, from The Plain of Smokes: Poem Cycle, 1981

Kenneth Price

Small dots of soft color form a woman in a red shirt and brown skirt seen up close, washing her bare feet in a lush brook while seated on a sloping bank.

Woman Bathing Her Feet in a Brook, 1895

Camille Pissarro

<<<49505152 >>>