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A work made of letterpress on cream laid paper.

Pages 17-20, from The Plain of Smokes: Poem Cycle, 1981

Kenneth Price

Small dots of soft color form a woman in a red shirt and brown skirt seen up close, washing her bare feet in a lush brook while seated on a sloping bank.

Woman Bathing Her Feet in a Brook, 1895

Camille Pissarro

Etching of a herd of sheep on a bank approaching water in the foreground as rain begins to fall, a man and dog behind them.

The Shower, c. 1851

Charles François Daubigny

Etching of four tall oak trees standing together amid thick, lush ground cover and trees with dense foliage.

Old Oaks at Bas Bréau, c. 1865

Adolphe Martial Potémont

At seascape rendered in pastel tones. At right, boats line a pink shore underneath a tall cliff. At left, a single red sailboat floats in blue water.

Étretat: The Beach and the Falaise d'Amont, 1885

Claude Monet

A work made of lead-glazed earthenware with lustre decoration.

Flower Pot, 1810-20

A work made of bronze.

Logan Medal, 1900–20

Emil Zettler

Loose black lines form two men, possibly vagrants, in baggy, layered clothing. At left, one with tiny round glasses on his forehead and straggly hair leans on a fence. The other, with a round nose and full cheeks, snoozes on the ground at right.

Les Propos de Thomas Vireloque: His Majesty the King of beasts, 1852

Paul Gavarni

A work made of bronze.

Queen Victoria on Horseback, 1853

Thomas Thornycroft

A work made of etching in black on ivory laid japanese vellum.

A Few Sonnets: "With her Pure Nails...", plate 25 from Poesies de Mallarmé, 1932

Henri Matisse

A work made of steel etching in black on cream india paper, laid down on off-white card (chine collé).

"The Rights of Women" or the Effects of Female Enfranchisement from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853, 1853, printed c. 1880

George Cruikshank

A work made of etching; edition 1/20.

Window (Mado), 1967

Horii Hideo

Port of Entry

Port of Entry, 2000-02

Jo Ractliffe

A work made of transfer lithograph in black on off-white wove paper.

Design cover for West Point Song of the Graduates, 1852

James McNeill Whistler

Rectangular carving, exceedingly detailed, of two colorful phoenixes with trailing tailfeathers and spread wings amid blossoms and wooden branches.

Transom panels (ramma) from the Phoenix Pavilion (Hōōden), 1893

Takamura Kо̄un

Carved wood flowers and leaves, painted in vibrant greens and blues, overlap curving tree branches. Among them are are two birds, phoenixes.

Transom panels (ramma) from the Phoenix Pavilion (Hōōden), 1893

Takamura Kо̄un

A work made of gelatin silver print.

View from the top of the Municipal Building, Brooklyn Bridge, New Housing, c. 1961

Peter Fink

A work made of glazed stoneware.

Vase, 1910/20

Emile Lenoble

Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left. The background is a feathered swirl suggesting floral pattern in cool pale tones of gray, purple, pink, and blue.

Woman at Her Toilette, 1875–80

Berthe Morisot

A work made of pair of six panel screens; ink and gold on paper.

Dragon and Tiger, dated 1835

Kishi Ganku

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