Curator

  • Art Institute Chicago
  • Harvard art museum
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Stately interior with cream walls and high ceilings. At left is a fireplace with a large military portrait painting above it; at right are two large windows lined with dark curtains. Modern and metallic decorative elements, including a distinctive screen panel and coffee table, mix with more traditional, antique pieces.

E-15: English Drawing Room of the Modern Period, 1930s, c. 1937

Narcissa Niblack Thorne

A work made of salted paper print.

Avignon (Flood of 1856) (Avignon [Inondation de 1856]), 1856

Edouard Denis Baldus

A work made of aquatint and etching in brown, with hand-coloring, on cream wove paper.

Corner of State and Washington Streets, Chicago, in the Year 1865, 1928

Raoul Varin

A work made of silk, plain 1:1 gauze weave with supplementary brocading wefts.

Shawl, c. 1815/20

A work made of etching in black on ivory laid japanese vellum.

A Faun in the Afternoon, plate fifteen from Poesies de Mallarmé, 1932

Henri Matisse

A work made of hand-colored etching on paper.

The Death, 1825

John Dean Paul

A work made of iron.

Curb Bit, 1510/20

A work made of wood engraving on paper.

Jurors Listening to Counsel, Supreme Court, New City Hall, New York, published February 20, 1869

Winslow Homer

A work made of etching and drypoint in black on ivory laid paper.

Portraits of Isabey and Taunay, n.d.

Félix Milius

A work made of printed book.

Kaiser Aluminum Dome: Up in 20 Hours Flip Book, 1957

Mary Jo Slick

Hard Hats, New York, New York, May 20, 1970

Hard Hats, New York, New York, May 20, 1970, 1970

Fred W. McDarrah

A work made of gelatin silver print.

Laundry Sign on US 20/30, East Chicago, Indiana, 1975

Jim Dow

A work made of variable media.

Lester N. Selig Apartment Remodeling, 1948/49

Bertrand Goldberg

A work made of etching, drypoint and burin on ivory wove paper with gilt edges.

He gets something out of it, plate 40 from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

Detail of a textile with an intricate red and white floral border and a central pattern composed of floral motifs and birds.

Coverlet, 1855

A work made of lithograph in black on white wove paper.

The Descent of the Courtille in 1855, plate 165 from Actualités, 1855

Honoré-Victorin Daumier

A work made of color woodblock print with metallic pigments; surimono shikishiban.

New Year’s Sake, c. 1810-20 (Meiji Facsimilie)

Yashima Gakutei

A work made of etching on copper in black on ivory, wove (imitation japanese) paper.

Minyas' Daughters Refuse to Recognize the God Bacchus, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of black crayon, on ivory wove paper (discolored to tan), laid down on white laid paper.

Geese in a Farmyard, c. 1871

Jean François Millet

A work made of steel.

Shaffron, c. 1510/20

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