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A work made of mezzotint on ivory laid paper.

A Shipwreck, 1805/07

Charles Turner

Ecuadorian landscape with people, palm trees, waterfall, and volcano in background.

View of Cotopaxi, 1857

Frederic Edwin Church

A work made of hand-colored etching on cream wove paper.

Making Decent; i.e. Broad-Bottomites Getting into the Grand Costume, published February 20, 1806

James Gillray

A work made of etching and engraving in brown on ivory laid paper.

Holy Island Cathedral, plate 11 from Liber Studiorum, published February 20, 1808

Joseph Mallord William Turner

A work made of inkjet print.

Grid Gable Garage Tapestry, from the "Repetition Series", 2003–05, January 20, 2005

Steven Foster

A work made of lithograph on gray chine laid down on ivory wove paper.

The Miraculous Draught of Fishes, 1883

Rodolphe Bresdin

A work made of letterpress on cream laid paper.

Pages 17-20, from The Plain of Smokes: Poem Cycle, 1981

Kenneth Price

A work made of etching on copper in black on ivory wove (imitation japanese) paper.

Hercules Kills the Centaur Nessus, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of etching in black on ivory laid japanese vellum.

L'Après-Midi d'un Faune: Le Faune lll, plate seventeen from Poesies de Mallarmé, 1932

Henri Matisse

A work made of lithograph in black on ivory wove paper.

Portrait of Monsieur de Menneval, 1817–20

Dominique-Vivant Denon

A work made of photogravure, from the portfolio charles negre: treize heliogravures, 1854–1857.

Portrait de Theophile Gautier d'apres Nadar, c. 1857, printed 1982

Charles Nègre

Painting of linens drying on a fence in a field under a dark, overcast sky, a dirt road at left leading to a small village.

Landscape, c. 1895

Jean Charles Cazin

Rectangular carving, exceedingly detailed, of two colorful phoenixes with trailing tailfeathers and spread wings amid blossoms and wooden branches.

Transom panels (ramma) from the Phoenix Pavilion (Hōōden), 1893

Takamura Kо̄un

Carved wood flowers and leaves, painted in vibrant greens and blues, overlap curving tree branches. Among them are are two birds, phoenixes.

Transom panels (ramma) from the Phoenix Pavilion (Hōōden), 1893

Takamura Kо̄un

A work made of pair of six panel screens; ink and gold on paper.

Dragon and Tiger, dated 1835

Kishi Ganku

Painting of a red-haired, bearded man with light skin, painted in short brushstrokes and multicolored dots. The background is likewise a mass of small, closely spaced colored dots, these in green, blue, and red-orange.

Self-Portrait, 1887

Vincent van Gogh

A work made of lithograph in black on white wove paper.

The Descent of the Courtille in 1855, plate 165 from Actualités, 1855

Honoré-Victorin Daumier

A work made of etching and drypoint on ivory wove paper with gilt edges.

It Always Happens, plate eight from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of hand-colored etching and aquatint on paper.

Going to Cover, from the series Fox Hunting, 1828

Charles Bentley

Light-colored snowscape with visible brushstrokes featuring a bridge in front of red and white barns and farmhouses, surrounded by trees.

Sandvika, Norway, 1895

Claude Monet

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