Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of mezzotint in black on cream laid paper.

The Exhibition of the Royal Academy of Painting in the Year 1771, published May 20, 1772

Richard Earlom

A work made of earthenware and glaze.

Vase, 1910–20

Newcomb College Pottery

Stately interior with cream walls and high ceilings. At left is a fireplace with a large military portrait painting above it; at right are two large windows lined with dark curtains. Modern and metallic decorative elements, including a distinctive screen panel and coffee table, mix with more traditional, antique pieces.

E-15: English Drawing Room of the Modern Period, 1930s, c. 1937

Narcissa Niblack Thorne

A work made of aquatint and etching in brown, with hand-coloring, on cream wove paper.

Corner of State and Washington Streets, Chicago, in the Year 1865, 1928

Raoul Varin

Print of four men seated, possibly in an opera box. Two chat while the others look out through small optical devices.

Les-Parents-Terribles series: Here is the little Dancer, 1852

Paul Gavarni

A work made of salted paper print.

Avignon (Flood of 1856) (Avignon [Inondation de 1856]), 1856

Edouard Denis Baldus

A work made of silk, plain 1:1 gauze weave with supplementary brocading wefts.

Shawl, c. 1815/20

A work made of hand-colored etching on paper.

The Death, 1825

John Dean Paul

A work made of iron.

Curb Bit, 1510/20

A work made of gelatin silver print.

Laundry Sign on US 20/30, East Chicago, Indiana, 1975

Jim Dow

Hard Hats, New York, New York, May 20, 1970

Hard Hats, New York, New York, May 20, 1970, 1970

Fred W. McDarrah

A work made of printed book.

Kaiser Aluminum Dome: Up in 20 Hours Flip Book, 1957

Mary Jo Slick

A work made of wood engraving on paper.

Jurors Listening to Counsel, Supreme Court, New City Hall, New York, published February 20, 1869

Winslow Homer

A work made of etching in black on ivory laid japanese vellum.

A Faun in the Afternoon, plate fifteen from Poesies de Mallarmé, 1932

Henri Matisse

A work made of oil on canvas.

Paris, c. 1787

Wilhelm Tischbein

A work made of etching and drypoint in black on ivory laid paper.

Portraits of Isabey and Taunay, n.d.

Félix Milius

A work made of lithograph in black on white wove paper.

The Descent of the Courtille in 1855, plate 165 from Actualités, 1855

Honoré-Victorin Daumier

A work made of wool and silk, slit and double interlocking tapestry weave
warp: count: 5 warps per cm; wool: s-ply of three z-spun elements; diameter: 1.2 mm
weft: count: varies from 20 to 34 wefts per cm; wool: s-ply of two z-spun elements; diameters; 0,4–1.2 mm; silk: s-ply of two z-twisted elements; diameters: 0.5–1.5 mm.

The Meeting of Jacob and Rebecca, and Isaac Blessing Jacob from The Story of Jacob, 1560/68

Workshop of Jan van Tieghem

A work made of etching, drypoint and burin on ivory wove paper with gilt edges.

He gets something out of it, plate 40 from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of color woodblock print with metallic pigments; surimono shikishiban.

New Year’s Sake, c. 1810/20 (Meiji Facsimilie)

Yashima Gakutei

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