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A work made of engraving in black on ivory laid paper.

Jeronimo de Bran, c. 1615–75

Lucas Emil Vorsterman

A work made of engraving from a copper plate on white wove paper.

Epitaph, 1963

Hubertus von Pilgrim

A work made of platinum-palladium print.

Black & White Vogue Cover (Jean Patchett), New York, 1950, printed 1968

Irving Penn

A work made of aquatint and sugar lift etching on ivory laid paper.

The Horse, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of woodcut on paper.

Der Kramer (The Peddler) from De omnibus illiberalibus sive mechanicis artibus by Hartmann Schopper, plate 50 from Woodcuts from Books of the XVI Century, 1574, assembled into portfolio 1937

Jost Amman

A work made of etching on white wove paper.

Nude in Profile, 1955

Alberto Giacometti

A work made of cliché-verre on ivory photographic paper.

A Picnic in the Clearing, 1857

Jean Baptiste Camille Corot

A work made of woodcut-collage-relief print in black on ivory wove paper.

Ramona at the Show, 1965

Antonio Berni

Etching of four tall oak trees standing together amid thick, lush ground cover and trees with dense foliage.

Old Oaks at Bas Bréau, c. 1865

Adolphe Martial Potémont

A work made of drypoint on ivory laid paper.

Springtime, c. 1878

Auguste Rodin

A work made of etching, aquatint, and drypoint in black on cream japanese paper.

View of Pontoise, 1885

Camille Pissarro

A work made of dye imbibition print.

Cottage Tulip: Sorbet, New York, 1967, printed 1986

Irving Penn

A work made of drypoint and open bite in black on cream wove paper.

Consolation, 1894

Edvard Munch

A work made of color etching and aquatint on ivory wove paper.

Composition, 1959

Wou-Ki Zao

A work made of color lithograph on white wove paper.

Exhibition Poster, 1948

Joan Miró

A work made of lithograph on white wove paper.

Bowl of Fruit, 1923

Marsden Hartley

A work made of etching, aquatint and drypoint on laid paper.

May God Repay You, 1800/04

Francisco José de Goya y Lucientes

A work made of lithograph in black on thick grayish-ivory wove paper.

The Pinned Hat and the Bather, c. 1905

Pierre-Auguste Renoir

A work made of lithograph in black on cream wove paper.

Les-Parents-Terribles series: Come, come a ball's always the same, 1853

Paul Gavarni

A work made of woodblock print; oban, sumizuri-e.

Daikoku revealing the contents of Hotei's bag, no. 2 from the series of 12 prints, c. 1708

Okumura Masanobu

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