Cellocut (Directions), plate 82 from 101 Prints, 1967
Norman Roland Eppink
Desert Fire #153 (Man with Rifle), from the series, "Desert Cantos IV: The Fires" (1983-85), 1984, printed 2006
Richard Misrach
Da Hairy Who Foyer - For Ya Prince, 1968
Gladys Nilsson
A Funeral, plate six from Death and Resurrection, 1922
Otto Dix
The Hands, 1895
Edvard Munch
Untitled (Joan Lunden, Jane Pauley, Connie Chung, and Diane Sawyer), from the artist's series of four prints, 1986
Robert Heinecken
Confidences, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774
Charles Louis Lingée
Jeronimo de Bran, c. 1615–75
Lucas Emil Vorsterman
"Gosh … It's Too Bad We Forgot the Camera ... Pass the Mustard ...!", from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975
Lawry Gold
The Temptation of Saint Anthony, 1635
Jacques Callot
Old Oaks at Bas Bréau, c. 1865
Adolphe Martial Potémont
Da Hairy Who Foyer - For Ya Prince, 1968
Suellen Rocca
Head of an Old Man with Beard, 1902
Edvard Munch
Christ Seated, before 1949
Georges Rouault
Five O'Clock, plate seven from Intimacies, 1898
Félix Edouard Vallotton
Sheet of Sketches, No. 1, c. 1830
Alexandre Gabriel Decamps
And a Special Fear for My Loved Ones, from The Black Woman [formerly The Negro Woman] (published 1946-47), 1947, printed 1989
Elizabeth Catlett
Folio Cover, for Toro Desconocido, 1960
Romas Viesulas
Untitled, from Conspiracy, The Artist as Witness, 1971