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A work made of color collagraph (cellocut) on ivory wove paper.

Cellocut (Directions), plate 82 from 101 Prints, 1967

Norman Roland Eppink

A work made of chromogenic print from digital file.

Desert Fire #153 (Man with Rifle), from the series, "Desert Cantos IV: The Fires" (1983-85), 1984, printed 2006

Richard Misrach

A work made of screenprint in blue and red inks on pink paper.

Da Hairy Who Foyer - For Ya Prince, 1968

Gladys Nilsson

A work made of drypoint on paper.

A Funeral, plate six from Death and Resurrection, 1922

Otto Dix

A work made of lithograph in black on cream card.

The Hands, 1895

Edvard Munch

A work made of jetgraph print.

Untitled (Joan Lunden, Jane Pauley, Connie Chung, and Diane Sawyer), from the artist's series of four prints, 1986

Robert Heinecken

A work made of engraving on paper.

Confidences, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774

Charles Louis Lingée

A work made of engraving in black on ivory laid paper.

Jeronimo de Bran, c. 1615–75

Lucas Emil Vorsterman

A work made of color screenprint on white wove paper.

"Gosh … It's Too Bad We Forgot the Camera ... Pass the Mustard ...!", from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Lawry Gold

A work made of etching in black on ivory laid paper.

The Temptation of Saint Anthony, 1635

Jacques Callot

Etching of four tall oak trees standing together amid thick, lush ground cover and trees with dense foliage.

Old Oaks at Bas Bréau, c. 1865

Adolphe Martial Potémont

A work made of screenprint in blue and red on black paper.

Da Hairy Who Foyer - For Ya Prince, 1968

Suellen Rocca

A work made of color woodcut on paper.

Head of an Old Man with Beard, 1902

Edvard Munch

A work made of wood block.

Christ Seated, before 1949

Georges Rouault

A work made of woodcut in black on cream wove paper.

Five O'Clock, plate seven from Intimacies, 1898

Félix Edouard Vallotton

Sheet of Sketches, No. 1

Sheet of Sketches, No. 1, c. 1830

Alexandre Gabriel Decamps

Print in black ink of of a black male sprawled on his back with eyes open, a noose around his neck. The feet of several other men are visible near him at the top of the print.

And a Special Fear for My Loved Ones, from The Black Woman [formerly The Negro Woman] (published 1946-47), 1947, printed 1989

Elizabeth Catlett

A work made of portfolio cover.

Folio Cover, for Toro Desconocido, 1960

Romas Viesulas

A work made of color screenprint on ivory wove paper.

Untitled, from Conspiracy, The Artist as Witness, 1971

Larry Poons

A work made of lithograph on white wove paper.

Bowl of Fruit, 1923

Marsden Hartley

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