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La Gismonda (Sarah Bernhardt)

La Gismonda (Sarah Bernhardt), 1894/95

Alphonse Marie Mucha

A work made of drypoint on cream wove paper.

Man, 1935

Milton Avery

Black marks on a white paper include a mixture of curved, straight, and intersecting lines as well as patches of hatching. The word "fox" in capital letters is written in the upper middle right.

Fox, 1911, published 1912

Georges Braque

A work made of dye imbibition print.

Eye in Keyhole, New York, 1953, printed 1984

Irving Penn

A work made of soft ground etching, with drypoint and aquatint, on cream wove paper.

Strength in Shadow, 1919

Arthur B. Davies

A work made of lithograph on ivory wove paper.

The Clothing of the Prisoner of war, c. 1915

Jean Louis Forain

A work made of graphite, with smudging and erasing, on buff wove paper.

Seated Female Nude, 1960

Larry Rivers

A work made of cotton, satin weave; probably screen printed.

The Demonstration (Dress or Furnishing Fabric), 1925/29

First Factory of Printed Cotton

A work made of etching, soft ground drypoint and aquatint on buff laid paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of zincograph in black on cream laid paper.

Barber Shop Chord, 1931

Stuart Davis

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Butterfly, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of woodcut illuminated on vellum, with miniature on verso.

Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors Paul Volkmayr and Sebald Schreyer (verso), c. 1485–90

Unknown artist

A work made of lithograph on cream wove paper.

Marie-Louise Marsy, from Treize Lithographies, 1898, published before 1906

Henri de Toulouse-Lautrec

A work made of wood-block print, printed twice in deep-yellow ocher and black ink, on cream wove paper (an imitation japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation japanese vellum) mounted on mottled blue wove laminate card (verso).

Oviri, 1894

Paul Gauguin

A work made of book with nine color screenprints on white wove paper, in box.

A Book of Silk Screen Prints: Multiple Panel Paintings 1973-1976, 1992

Robert Mangold

A work made of chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper.

Saint Mark Saving a Slave from Torture, from Opera Selectiora, 1745

John Baptist Jackson

A work made of lithograph in black on buff wove paper.

A French Farrier, plate 12 from Various Subjects Drawn from Life on Stone, 1821

Jean Louis André Théodore Géricault

A work made of etching and aquatint in black and blue on ivory wove paper.

They Can't Stay Together, n.d.

Keith Achepohl

A work made of pastel and colored pencils, with graphite, and blue and black fiber-tipped pen, on white wove paper.

Untitled, 1972

Roy De Forest

A work made of engraving in black on cream laid paper.

Simon Vouet, 1630/36

Robert van Voerst

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