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A work made of aquatint and sugar lift etching with drypoint on copper in black on off-white laid paper.

The Dog, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of lithograph in black on white wove paper, laid down on ivory wove paper.

Mr. Choiseul, (called le Duc), plate 502, 1835

Honoré-Victorin Daumier

A work made of etching and drypoint with hand-coloring on cream japanese paper.

The Teacher of Talmud, plate nine from Mein Leben, 1922

Marc Chagall

A work made of woodblock print; oban, sumizuri-e.

Komachi resting on a stupa, no. 6 from a series of 12 prints, c. 1708

Okumura Masanobu

A work made of wood-block print, printed twice in brown and black ink, on cream wove japanese paper laid down on cream wove japanese paper.

A Fisherman Drinking Beside His Canoe, 1894

Paul Gauguin

A work made of soft ground etching, with drypoint and aquatint, on cream wove paper.

Strength in Shadow, 1919

Arthur B. Davies

A work made of drypoint on cream wove paper.

Man, 1935

Milton Avery

Black marks on a white paper include a mixture of curved, straight, and intersecting lines as well as patches of hatching. The word "fox" in capital letters is written in the upper middle right.

Fox, 1911, published 1912

Georges Braque

A work made of graphite, with smudging and erasing, on buff wove paper.

Seated Female Nude, 1960

Larry Rivers

A work made of color screenprint on ivory wove paper.

Untitled, from Conspiracy, The Artist as Witness, 1971

Larry Poons

A work made of zincograph in black on cream laid paper.

Barber Shop Chord, 1931

Stuart Davis

Etching of a dense group of plume-helmeted soldiers on foot and horseback engaged in battle.

The Battle around the Shield and Lance, c. 1527

Giovanni Jacopo Caraglio

A work made of color woodblock print; chuban yoko-e.

The First Childbirth (Uizan), the seventh sheet of the series "Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

Suzuki Harunobu

A work made of etching, soft ground drypoint and aquatint on buff laid paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of lithograph on cream wove paper.

Marie-Louise Marsy, from Treize Lithographies, 1898, published before 1906

Henri de Toulouse-Lautrec

A work made of woodcut illuminated on vellum, with miniature on verso.

Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors Paul Volkmayr and Sebald Schreyer (verso), c. 1485–90

Unknown artist

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Butterfly, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of gelatin silver print.

3 Chanel Products, New York, 1968, printed 1992

Irving Penn

A work made of engraving in black on paper.

Louis Phélypeaux de la Vrillière, 1662

Robert Nanteuil

A work made of chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper.

Saint Mark Saving a Slave from Torture, from Opera Selectiora, 1745

John Baptist Jackson

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