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A work made of woodcut illuminated on vellum, with miniature on verso.

Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors Paul Volkmayr and Sebald Schreyer (verso), c. 1485–90

Unknown artist

A work made of lithograph on cream wove paper.

Marie-Louise Marsy, from Treize Lithographies, 1898, published before 1906

Henri de Toulouse-Lautrec

A work made of color screenprint on ivory wove paper.

Untitled, from Conspiracy, The Artist as Witness, 1971

Larry Poons

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Butterfly, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper.

Saint Mark Saving a Slave from Torture, from Opera Selectiora, 1745

John Baptist Jackson

A work made of lithograph in black on buff wove paper.

A French Farrier, plate 12 from Various Subjects Drawn from Life on Stone, 1821

Jean Louis André Théodore Géricault

A work made of wood-block print, printed twice in deep-yellow ocher and black ink, on cream wove paper (an imitation japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation japanese vellum) mounted on mottled blue wove laminate card (verso).

Oviri, 1894

Paul Gauguin

Monochrome photograph of a seated woman holding a baby in her lap. The woman's brow is furrowed as she looks into the distance, and her cardigan and checked shirt are worn and tattered. Two young children lean on her shoulders, facing away from the camera.

Migrant Mother, Nipoma, California, 1936, printed later

Dorothea Lange

A work made of wood, metal pins and strips.

Printing Block, 18th century

A work made of carved wood and metal pins.

Printing Block, 19th century

Printing Screen

Printing Screen, 1955

Ben Rose

A work made of lithograph in black ink on cream wove paper.

Circles Print, n.d.

Elsa Kula

A work made of platinum-palladium print.

Truman Capote, New York, 1965, printed 1986

Irving Penn

A work made of etching and aquatint in black and blue on ivory wove paper.

They Can't Stay Together, n.d.

Keith Achepohl

A work made of pastel and colored pencils, with graphite, and blue and black fiber-tipped pen, on white wove paper.

Untitled, 1972

Roy De Forest

A work made of dye imbibition print.

Mouth (for L'Oréal), New York, 1986, printed 1992

Irving Penn

A work made of pen and black ink, on cream tracing paper, laid down on ivory wove paper.

The Crevasse, 1860

Rodolphe Bresdin

A work made of lithograph in black on white wove paper.

The Engagement of an Artist. “- So you want an engagement in my theatre..... very well Mademoiselle...... since you are so pretty, it will be 1200 Francs.... that's of course what you will be paying me each year! - I accept... under the condition that I will not get a raise!,” plate 72 from Les Beaux Jours De La Vie, 1845

Honoré-Victorin Daumier

A work made of woodcut in black ink on lightweight ivory laid proofing paper.

Anxiety, 1896

Edvard Munch

A work made of etching on buff japanese paper.

Lovers on the Bench, plate fifteen from Mein Leben, 1922, published 1923

Marc Chagall

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