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A work made of soft ground etching, with drypoint and aquatint, on cream wove paper.

Strength in Shadow, 1919

Arthur B. Davies

A work made of engraving in black on paper.

Louis Phélypeaux de la Vrillière, 1662

Robert Nanteuil

A work made of graphite, with smudging and erasing, on buff wove paper.

Seated Female Nude, 1960

Larry Rivers

A work made of lithograph in black on ivory wove paper.

On the Beach, I (Two Nude Women), from Quatre Lithographies, March 8, 1921, published April 1923

Pablo Picasso

A work made of zincograph in black on cream laid paper.

Barber Shop Chord, 1931

Stuart Davis

A work made of etching, soft ground drypoint and aquatint on buff laid paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Butterfly, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of woodcut illuminated on vellum, with miniature on verso.

Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors Paul Volkmayr and Sebald Schreyer (verso), c. 1485–90

Unknown artist

A work made of lithograph on cream wove paper.

Marie-Louise Marsy, from Treize Lithographies, 1898, published before 1906

Henri de Toulouse-Lautrec

A work made of chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper.

Saint Mark Saving a Slave from Torture, from Opera Selectiora, 1745

John Baptist Jackson

A work made of wood-block print, printed twice in deep-yellow ocher and black ink, on cream wove paper (an imitation japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation japanese vellum) mounted on mottled blue wove laminate card (verso).

Oviri, 1894

Paul Gauguin

A work made of lithograph in black on buff wove paper.

A French Farrier, plate 12 from Various Subjects Drawn from Life on Stone, 1821

Jean Louis André Théodore Géricault

A work made of color lithograph on paper.

School of Fish, from 1776 USA 1976: Bicentennial Prints, 1975

Wendy Meng

A work made of etching and aquatint in black and blue on ivory wove paper.

They Can't Stay Together, n.d.

Keith Achepohl

A work made of pastel and colored pencils, with graphite, and blue and black fiber-tipped pen, on white wove paper.

Untitled, 1972

Roy De Forest

A work made of pen and black ink, on cream tracing paper, laid down on ivory wove paper.

The Crevasse, 1860

Rodolphe Bresdin

A work made of etching on heavy ivory laid paper.

Villa Pamphili outside Porta S. Pancrazio, from Views of Rome, 1776, published 1800–07

Giovanni Battista Piranesi

A work made of gelatin silver print.

Untitled (The Rookery, staircase), 1950/72, printed 1973

Richard Nickel

A work made of lithograph in black on white wove paper.

The Engagement of an Artist. “- So you want an engagement in my theatre..... very well Mademoiselle...... since you are so pretty, it will be 1200 Francs.... that's of course what you will be paying me each year! - I accept... under the condition that I will not get a raise!,” plate 72 from Les Beaux Jours De La Vie, 1845

Honoré-Victorin Daumier

A work made of etching on buff japanese paper.

Lovers on the Bench, plate fifteen from Mein Leben, 1922, published 1923

Marc Chagall

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