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A work made of wood-block print, printed twice in deep-yellow ocher and black ink, on cream wove paper (an imitation japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation japanese vellum) mounted on mottled blue wove laminate card (verso).

Oviri, 1894

Paul Gauguin

A work made of chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper.

Saint Mark Saving a Slave from Torture, from Opera Selectiora, 1745

John Baptist Jackson

A work made of lithograph in black on buff wove paper.

A French Farrier, plate 12 from Various Subjects Drawn from Life on Stone, 1821

Jean Louis André Théodore Géricault

A work made of etching and aquatint in black and blue on ivory wove paper.

They Can't Stay Together, n.d.

Keith Achepohl

A work made of pastel and colored pencils, with graphite, and blue and black fiber-tipped pen, on white wove paper.

Untitled, 1972

Roy De Forest

A work made of pen and black ink, on cream tracing paper, laid down on ivory wove paper.

The Crevasse, 1860

Rodolphe Bresdin

A work made of engraving in black on cream laid paper.

Simon Vouet, 1630/36

Robert van Voerst

A work made of etching on buff japanese paper.

Lovers on the Bench, plate fifteen from Mein Leben, 1922, published 1923

Marc Chagall

A work made of lithograph in black on white wove paper.

The Engagement of an Artist. “- So you want an engagement in my theatre..... very well Mademoiselle...... since you are so pretty, it will be 1200 Francs.... that's of course what you will be paying me each year! - I accept... under the condition that I will not get a raise!,” plate 72 from Les Beaux Jours De La Vie, 1845

Honoré-Victorin Daumier

A work made of etching, with scraping and engraving, on copper in black on ivory laid paper.

Minotauromachia, March 23–May 3, 1935

Pablo Picasso

A work made of aquatint with stop-out varnish and drypoint on off-white wove paper, tipped into book.

Locomotive, frontispiece from Armin Landeck: The Catalog Raisonne of His Prints, 1936, printed April 1977

Armin Landeck

A work made of woodcut in black ink on lightweight ivory laid proofing paper.

Anxiety, 1896

Edvard Munch

A work made of color woodblock print; chuban.

Flatfish, scorpion fish, and shells, from an untitled series of chuban prints, c. 1831

Katsushika Hokusai

A work made of lithograph on cream wove paper.

Anna Held, in Toutes ces Dames au Théâtre, 1894, published 1895

Henri de Toulouse-Lautrec

A work made of graphite, with smudging, on ivory laid paper.

Study for Raped, 1907

Käthe Kollwitz

A work made of etching on ivory laid paper.

Le Midi (Midday, from Quatre parties du jour), c.1778

Emmanuel Jean Nepomucene de Ghendt

A work made of color lithograph on cream wove paper, laid down on white wove paper, laid down on canvas.

"Above and Beyond the Call of Duty", 1943

David Stone Martin

A work made of etching in black on paper.

Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing), n.d.

Pieter Jansz. Quast

A work made of color woodblock print.

Portrait of Nakamura Kichiemon, Kabuki Actor, 1947

Sekino Jun’ichirō

A work made of lithograph in black on light gray china paper, laid down on ivory wove paper.

Masks and faces, 1857–58

Paul Gavarni

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