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A work made of clay relief print in black on white wove paper.

Clay Print (Garden), plate 89 from 101 Prints, 1967

Norman Roland Eppink

A work made of color screenprint on ivory wove paper.

Screen Print (Industrial), plate 95 from 101 Prints, 1967

Norman Roland Eppink

A work made of woodcut illuminated on vellum, with miniature on verso.

Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors Paul Volkmayr and Sebald Schreyer (verso), c. 1485–90

Unknown artist

A work made of lithograph on cream wove paper.

Marie-Louise Marsy, from Treize Lithographies, 1898, published before 1906

Henri de Toulouse-Lautrec

A work made of jetgraph print.

Untitled (Joan Lunden, Jane Pauley, Connie Chung, and Diane Sawyer), from the artist's series of four prints, 1986

Robert Heinecken

A work made of chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper.

Saint Mark Saving a Slave from Torture, from Opera Selectiora, 1745

John Baptist Jackson

A work made of dye imbibition print.

Summer Sleep, New York, 1949, printed 1984

Irving Penn

A work made of photocopy on paper.

NAi Catalogues and Printed Materials, 1993

Bruce Mau

A work made of lithograph in black on buff wove paper.

A French Farrier, plate 12 from Various Subjects Drawn from Life on Stone, 1821

Jean Louis André Théodore Géricault

A work made of etching on heavy ivory laid paper.

Villa Pamphili outside Porta S. Pancrazio, from Views of Rome, 1776, published 1800–07

Giovanni Battista Piranesi

A work made of etching and aquatint in black and blue on ivory wove paper.

They Can't Stay Together, n.d.

Keith Achepohl

A work made of pastel and colored pencils, with graphite, and blue and black fiber-tipped pen, on white wove paper.

Untitled, 1972

Roy De Forest

A work made of jetgraph print.

Untitled (Joan Lunden, Jane Pauley, Connie Chung, and Diane Sawyer), from the artist's series of four prints, 1986

Robert Heinecken

A work made of pen and black ink, on cream tracing paper, laid down on ivory wove paper.

The Crevasse, 1860

Rodolphe Bresdin

Gold porcelain vase with flowers, birds, profile heads on handles

Artichoke, Halved, 1930, printed 1953/54

Edward Weston

A work made of dye imbibition print, plate 12 from a portfolio of fourteen images (1974).

Untitled, 1974, printed 1974

William Eggleston

A work made of dye imbibition print.

Italian Still Life (B), New York, 1981, printed 1992

Irving Penn

A work made of etching on ivory laid paper.

Two warriors, one seated asleep on a foreground rock, from Figurine series, n.d.

Salvator Rosa

A work made of etching on buff japanese paper.

Lovers on the Bench, plate fifteen from Mein Leben, 1922, published 1923

Marc Chagall

A work made of lithograph in black on white wove paper.

The Engagement of an Artist. “- So you want an engagement in my theatre..... very well Mademoiselle...... since you are so pretty, it will be 1200 Francs.... that's of course what you will be paying me each year! - I accept... under the condition that I will not get a raise!,” plate 72 from Les Beaux Jours De La Vie, 1845

Honoré-Victorin Daumier

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