Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of gelatin silver print.

Henri Cartier-Bresson, 1935, printed 1959

George Platt Lynes

A work made of graphite, on cream wove paper.

Gerda Schilling, the Artist's Sister-in-Law, 1912/1914

Ernst Ludwig Kirchner

A work made of lithograph on cream wove paper.

Jeanne Granier, from Treize Lithographies, 1898, published before 1906

Henri de Toulouse-Lautrec

A work made of soft ground etching, with aquatint, on ivory wove paper.

Pompeian Veil, 1918–19

Arthur B. Davies

A work made of woodcut on paper.

The Ploughman, 1827

Edward Calvert

A work made of etching on ivory wove paper.

The Henry Ford, 1923

Edward Hopper

A work made of stencil.

Early Summer, 1958

Nagase Yoshirô

A work made of etching on off-white wove paper.

The Railroad, 1922

Edward Hopper

A work made of lithograph in black on buff wove paper.

“- Hello, neighbour, are you like me? I start to believe we would do well returning to Paris,” plate 1 from La Campagne En Hiver, 1865

Honoré-Victorin Daumier

A work made of etching, engraving, stipple, and roulette in black on ivory wove paper.

Phrosine and Mélidore, 1797

Pierre Paul Prud'hon

A work made of lithograph, with hand-coloring on ivory wove paper.

The Snow Storm, c. 1864

Currier & Ives

A work made of etching on white wove paper.

The Bull Fight, c. 1917

Edward Hopper

A work made of etching and drypoint on white wove paper.

The Lonely House, 1923

Edward Hopper

A work made of mezzotint, roulette, and lift ground in red, orange, and black on white wove paper.

House and Garden VI, n.d.

Keith Achepohl

A work made of etching with drypoint in black on ivory laid paper.

The Fall of the Giants, 1663

Salvator Rosa

A work made of engraving, soft ground etching, and scorper on white wove paper.

The Drowned/The Flood, 1955

Stanley William Hayter

A work made of lithograph in black on white wove paper.

“- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier, 1865

Honoré-Victorin Daumier

A work made of etching on ivory laid paper.

The Pit and the Pendulum, second Plate, 1861

Alphonse Legros

A work made of collagraph in black on ivory wove paper.

Collagraph (Façade), plate 81 from 101 Prints, 1967

Norman Roland Eppink

A work made of woodcut on ivory wove paper.

The Night-Jar, n.d.

Thomas Bewick

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