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A work made of etching on ivory wove paper.

The Henry Ford, 1923

Edward Hopper

A work made of etching on off-white wove paper.

The Railroad, 1922

Edward Hopper

A work made of gelatin silver print.

Cooking on the street, San Francisco Earthquake and Fire, April 1906, printed 1956

Arnold Genthe

A work made of etching, engraving, stipple, and roulette in black on ivory wove paper.

Phrosine and Mélidore, 1797

Pierre Paul Prud'hon

A work made of lithograph in black on buff wove paper.

“- Hello, neighbour, are you like me? I start to believe we would do well returning to Paris,” plate 1 from La Campagne En Hiver, 1865

Honoré-Victorin Daumier

A work made of gelatin silver print.

The Hand of Miles Davis, New York, 1986, printed 1992

Irving Penn

A work made of lithograph, with hand-coloring on ivory wove paper.

The Snow Storm, c. 1864

Currier & Ives

A work made of etching on white wove paper.

The Bull Fight, c. 1917

Edward Hopper

A work made of etching and drypoint on white wove paper.

The Lonely House, 1923

Edward Hopper

A work made of mezzotint, roulette, and lift ground in red, orange, and black on white wove paper.

House and Garden VI, n.d.

Keith Achepohl

A work made of relief etching from a zinc plate on grayish-ivory china paper.

Calavera of Francisco Madero, from Calavera Maderista, printed 1944

José Guadalupe Posada

A work made of engraving, soft ground etching, and scorper on white wove paper.

The Drowned/The Flood, 1955

Stanley William Hayter

Black and white photograph, two older women, in suits and hats, smoking, at diner table.

Two Ladies at the Automat (New York City), 1966, printed 1977

Diane Arbus

A work made of lithograph in black on white wove paper.

“- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier, 1865

Honoré-Victorin Daumier

A work made of gelatin silver print.

Henri Cartier-Bresson, 1935, printed 1959

George Platt Lynes

A work made of etching on ivory laid paper.

The Pit and the Pendulum, second Plate, 1861

Alphonse Legros

A work made of color lithograph on cream wove paper.

No. 2 Spring, 1931

A. A. Moore

A work made of woodcut on ivory wove paper.

The Night-Jar, n.d.

Thomas Bewick

A work made of etching on ivory laid paper.

Souvenir of Tuscany, c. 1845

Jean Baptiste Camille Corot

A work made of color woodblock print.

Evidence A (Sekizo A), 1963

Tajima Hiroyuki

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