A work made of hand-colored engraving on paper.

The Prodigal Son Receiving His Patrimony, n.d.

Amos Doolittle

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in yellow ocher ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Soyez amoureuses, vous serez heureuses (Love, and You Will be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of lithograph in black on cream wove paper.

After the Bath III, 1891–92

Hilaire Germain Edgar Degas

A work made of etching and drypoint on buff japanese paper.

At the Easel, plate eighteen from Mein Leben, 1922, published 1923

Marc Chagall

A work made of etching on paper.

Three Soldiers and a Boy, from Capricci, c. 1740, published 1785

Giovanni Battista Tiepolo

A work made of brush with india ink on paper.

Priam Offering Gifts, 1962

Leonard Baskin

A work made of etching on paper.

Taking the Firing Position with the Musket, plate eight from The Military Exercises, published 1635

Jacques Callot

A work made of color woodblock print; edition 14/100.

Roosters, 20th century

Sekino Jun’ichirō

A work made of etching, aquatint, and soft ground with graphite and brush and black and gray ink, with white gouach, on paper.

Raped, 1907

Käthe Kollwitz

Large painting, standing man blue turtleneck, sitting woman with white collar

Bald Painter Before his Easel, plate six from Le Chef d'oeuvre inconnu, 1927, printed and published 1931

Pablo Picasso

A work made of text and cover with 67 wood engravings, bound with black tooled leather spine gilded with the title, artist and date, and corners over canvas-covered boards embellished with an impression of the cover wood engraving in gold. 12 etchings hors-texte stored separately..

Le Chef d'oeuvre inconnu, published 1931

Pablo Picasso

A work made of lithograph printed from five stones in violet, orange, green and two shades of blue on paper.

Moonlit Night at the Stable Door, 1919

Ernst Ludwig Kirchner

Black-and-white view down a steeply sloping street lined by pedestrians and crumbling buildings. Thick smoke billows in the distance.

The Burning City, San Francisco Earthquake and Fire, April 1906, printed 1956

Arnold Genthe

A work made of woodcut on paper.

Leaf from New Kreuterbuch by Leonhart Fuchs, plate 97 from Woodcuts from Books of the XVI Century, 1543, assembled into portfolio 1937

Heinrich Füllmaurer

A work made of lithograph in black on cream wove paper.

Les-Parents-Terribles series: A lovely play, always the same, 1853

Paul Gavarni

A work made of brown charcoal, with stumping, erasing and black charcoal (recto) and brown charcoal (verso) on cream laid paper.

Study, c. 1899

Édouard Jean Vuillard

A work made of etching and drypoint on warm grayish wove paper.

Peasants Going to Work, 1863

Jean François Millet

A work made of drypoint in black on tan japanese paper.

The Little Dressing Room, 1879–80

Hilaire Germain Edgar Degas

A work made of soft ground etching, with drypoint, on ivory wove paper.

Repose, 1919

Arthur B. Davies

A work made of wood engraving on grayish-ivory china paper.

Song of the Buzzard, plate 33 from Méndez: 25 Prints, 1945

Leopoldo Méndez