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A work made of chromogenic print from digital file.

Desert Fire #153 (Man with Rifle), from the series, "Desert Cantos IV: The Fires" (1983-85), 1984, printed 2006

Richard Misrach

A work made of etching on paper.

Taking the Firing Position with the Musket, plate eight from The Military Exercises, published 1635

Jacques Callot

A work made of engraving and punch engraving, printed in relief in black, on ivory wove paper.

Paste Print, plate printed relief (Man of the Cloth), plate 14b from 101 Prints, 1967

Norman Roland Eppink

Large painting, standing man blue turtleneck, sitting woman with white collar

Bald Painter Before his Easel, plate six from Le Chef d'oeuvre inconnu, 1927, printed and published 1931

Pablo Picasso

A work made of text and cover with 67 wood engravings, bound with black tooled leather spine gilded with the title, artist and date, and corners over canvas-covered boards embellished with an impression of the cover wood engraving in gold. 12 etchings hors-texte stored separately..

Le Chef d'oeuvre inconnu, published 1931

Pablo Picasso

A work made of lithograph printed from five stones in violet, orange, green and two shades of blue on paper.

Moonlit Night at the Stable Door, 1919

Ernst Ludwig Kirchner

A work made of color woodblock print; edition 14/100.

Roosters, 20th century

Sekino Jun’ichirō

A work made of etching, aquatint, and soft ground with graphite and brush and black and gray ink, with white gouach, on paper.

Raped, 1907

Käthe Kollwitz

A work made of lithograph in black on cream wove paper.

Les-Parents-Terribles series: A lovely play, always the same, 1853

Paul Gavarni

A work made of brown charcoal, with stumping, erasing and black charcoal (recto) and brown charcoal (verso) on cream laid paper.

Study, c. 1899

Édouard Jean Vuillard

A work made of woodcut on paper.

Leaf from New Kreuterbuch by Leonhart Fuchs, plate 97 from Woodcuts from Books of the XVI Century, 1543, assembled into portfolio 1937

Heinrich Füllmaurer

A work made of soft ground etching, with drypoint, on ivory wove paper.

Repose, 1919

Arthur B. Davies

A work made of zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat.

At the Concert, 1896

Henri de Toulouse-Lautrec

A work made of drypoint in black on tan japanese paper.

The Little Dressing Room, 1879–80

Hilaire Germain Edgar Degas

A work made of aquatint with stop-out varnish and drypoint on off-white wove paper, tipped into book.

Locomotive, frontispiece from Armin Landeck: The Catalog Raisonne of His Prints, 1936, printed April 1977

Armin Landeck

Print in black ink of of a black male sprawled on his back with eyes open, a noose around his neck. The feet of several other men are visible near him at the top of the print.

And a Special Fear for My Loved Ones, from The Black Woman [formerly The Negro Woman] (published 1946-47), 1947, printed 1989

Elizabeth Catlett

A work made of soft ground etching and aquatint on cream laid paper.

Antique Mirror, 1919

Arthur B. Davies

A work made of color woodblock print; chuban.

Flatfish, scorpion fish, and shells, from an untitled series of chuban prints, c. 1831

Katsushika Hokusai

A work made of woodcut on paper.

The Cyder Feast, n.d.

Edward Calvert

A work made of lithograph on ivory wove paper.

Seated Woman and Sleeping Woman, May 11, 1947

Pablo Picasso

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