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A work made of color lithograph on ivory wove paper.

The Painter and His Model, March 25, 1954

Pablo Picasso

A work made of engraving on paper.

Portrait of Edouard Molé, 1653

Robert Nanteuil

A work made of color woodblock print; left sheet of oban diptych.

The Chushingura Drama Parodied by Famous Beauties: A Set of Twelve Prints (Komei bijin mitate Chushingura, junimai tsuzuki), c. 1794/95

Kitagawa Utamaro

A work made of lithograph on off-white wove paper.

The Reporter, n.d.

Jean Louis Forain

A work made of etching with burin on paper.

Camping Place of the Gypsies: The Preparation of the Feast, n.d.

Jacques Callot

A work made of aquatint colored by serigraphy on white wove paper.

Bird, 1953

Fernand Léger

A work made of pen and black and brown ink, with brush and gray and brown wash, on ivory wove paper.

The Execution, 1956

Edward Giobbi

A work made of etching on heavy ivory laid paper.

View of Ponte Lugano on the Anio, from Views of Rome, 1763, published 1800–07

Giovanni Battista Piranesi

A work made of engraving in black on ivory laid paper.

The Calumny of Apelles, 1572

Cornelis Cort

A work made of soft ground etching and aquatint on cream laid paper.

Maenads, 1918–19

Arthur B. Davies

A work made of etching with drypoint from a zinc plate, on cream wove paper.

Storm at the Edge of the Wood, 1888

James Ensor

A work made of etching on paper.

The Triumph of the Virgin, 1624

Jacques Callot

A work made of woodcut on paper.

Adam and Eve Driven out of Paradise, n.d.

Hans Holbein, the younger

A work made of color woodcut from two blocks, with gouges, chisel and fretsaw, on paper.

Melancholy III, 1902

Edvard Munch

A work made of color lithograph on tan wove paper.

The Passenger in Cabin 54—Cruise, 1896

Henri de Toulouse-Lautrec

A work made of woodcut in black on brown wove paper.

Bust of a Young Woman, fall 1906, printed January 1933

Pablo Picasso

A work made of lithograph in black on white wove paper.

Sheet of Sketches, No. 3, c. 1830

Alexandre Gabriel Decamps

Mixed-media print of a woman in a white dress sitting on a patterned couch holding a naked baby, with a bed in the background, and an inscription in the lower right side.

Maternal Caress, 1890–91

Mary Cassatt

A work made of wood-block print, printed twice in deep-yellow ocher and brown ink, with touches of black watercolor, on cream wove paper (an imitation japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation japanese vellum) mounted on mottled blue wove laminate card (verso).

Oviri, 1894

Paul Gauguin

A work made of hand-colored engraving on paper.

The Prodigal Son in Misery, n.d.

Amos Doolittle

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