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A work made of wood engraving in black ink on ivory chinese paper.

What May Come (Mexico, 1945), 1945

Leopoldo Méndez

Black-and-white view down a steeply sloping street lined by pedestrians and crumbling buildings. Thick smoke billows in the distance.

The Burning City, San Francisco Earthquake and Fire, April 1906, printed 1956

Arnold Genthe

A work made of woodcut in black on paper.

Saint Jerome in the Wilderness, 1525–30

Nicolò Boldrini

A work made of etching on ivory wove paper.

Girl on a Bridge, 1923

Edward Hopper

A work made of lithograph on cream wove paper.

Cléo de Mérode, from Treize Lithographies, 1898, published before 1906

Henri de Toulouse-Lautrec

A work made of etching and drypoint on buff japanese paper.

An Old Jew, plate thirteen from Mein Leben, 1922, published 1923

Marc Chagall

A work made of color lithograph on ivory japanese paper.

The Public Garden, printed 1955

Édouard Jean Vuillard

A work made of charcoal, with stumping, erasing and touches of black crayon, on cream wove paper.

Study, c. 1899

Édouard Jean Vuillard

A work made of wood engraving on grayish-ivory china paper.

Song of the Buzzard, plate 33 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of etching with drypoint in black on ivory laid paper.

The Fall of the Giants, 1663

Salvator Rosa

A work made of color woodblock print.

A Flower Seller, 1951

Maekawa Senpan

A work made of etching with engraving on paper.

A Horse Frightened by a Lion, 1777

George Stubbs

A work made of etching on cream colored heavy wove paper.

Garden of Passion, 1913

Paul Klee

A work made of wood-block print in black ink, over a stenciled dark-red-ink tone block, on cream wove paper (an imitation japanese vellum).

Te atua (The God), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of etching on copper in black on cream wove paper.

Village Fair at the Windmill, 1889

James Ensor

A work made of soft ground etching on cream laid paper.

Greek Robe, 1918–19

Arthur B. Davies

A work made of graphite, on cream wove paper.

Gerda Schilling, the Artist's Sister-in-Law, 1912/1914

Ernst Ludwig Kirchner

A work made of stencil.

Early Summer, 1958

Nagase Yoshirô

A work made of lithograph on cream wove paper.

Jeanne Granier, from Treize Lithographies, 1898, published before 1906

Henri de Toulouse-Lautrec

A work made of soft ground etching, with aquatint, on ivory wove paper.

Pompeian Veil, 1918–19

Arthur B. Davies

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