Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of watercolor with wiping, and fabricated charcoal, over graphite, on thick, slightly textured, off-white wove paper (all edges trimmed), hinged to wood-pulp board, faced with cream paper, gilt with silver leaf, in original frame.

Sea Movement–Green and Blue, 1923

John Marin

A work made of watercolor with black crayon, on moderately thick, moderately textured, ivory wove paper (all edges trimmed), in original frame.

Valley of the Hondo, New Mexico, 1930

John Marin

A work made of oil on canvas.

Portrait of Charles Deering, 1917

John Singer Sargent

A work made of gelatin silver print.

John Marin, 1921/22

Alfred Stieglitz

A work made of earthenware, glaze, slip, and enamel.

Plaque, 1879

John Bennett

A work made of watercolor with blotting, wiping and traces of scraping, and with brush and black ink, graphite, fabricated charcoal, and touches of opaque watercolor on medium-weight, rough-textured, off-white wove paper (four edges trimmed).

Approaching Fog, 1952

John Marin

A work made of oil on canvas.

Captain John Garish, 1737

John Smibert

A work made of watercolor with blotting, wiping, and scraping, and black crayon, with brown colored pencil, on heavyweight, moderately textured, ivory wove paper (all edges trimmed), in original frame.

Nudes in Sea, 1940

John Marin

A work made of watercolor with rewetting, blotting, wiping, and scraping, on moderately thick, rough, off-white wove paper (all edges trimmed).

Tree and Mountain Forms, Delaware River Country, 1916

John Marin

A work made of pen and brush and black and white gouache, on white wove paper prepared with blue gouache.

The Dogwood Thieves, 2003

John Currin

A work made of watercolor, with black colored pencil and black crayon, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board faced with ivory wove (estimated) paper, prepared with a gray wash, with a decorative paper board collar gilt with silver leaf, in original frame.

Movement No 24–Pertaining to Deer Isle–The Road, 1927

John Marin

A work made of watercolor with charcoal and stumping, and charcoal wash, on thick, slightly textured, ivory wove paper (lower and right edges trimmed), in original frame.

Ocean and Rocks, 1917

John Marin

A work made of oil on canvas.

Mrs. Charles Gifford Dyer (Mary Anthony), 1880

John Singer Sargent

A work made of engraving on paper.

St. John the Baptist, n.d.

Martin Schongauer

A work made of etching on ivory wove paper.

The Seven Stone Weakling from "A rake's progress" 3a, 1961–1963

David Hockney

A work made of lithograph in black from two stones on commercially printed off-white semi-transparent wove paper.

Skin with O'Hara Poem, 1963–65

Jasper Johns

A work made of watercolor with rewetting and blotting, over graphite, on moderately thick, slightly textured, off-white wove paper (top and left edges trimmed), in original frame.

Ragged Island, Maine, 1914

John Marin

A work made of oil on canvas.

Mrs. William Carmichael, 1764–78

John Hesselius

A work made of watercolor over traces of graphite on ivory wove paper.

An Artist at His Easel, 1914

John Singer Sargent

A work made of oil on panel.

Landscape with Fisherman and Washerwoman, 1790–1800

John Rathbone

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