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A work made of watercolor with blotting, wiping and traces of scraping, and with brush and black ink, graphite, fabricated charcoal, and touches of opaque watercolor on medium-weight, rough-textured, off-white wove paper (four edges trimmed).

Approaching Fog, 1952

John Marin

A work made of oil on panel.

The Infants Jesus Christ and Saint John the Baptist Embracing, 1520–25

Joos van Cleve

A work made of oil on canvas.

Saint John the Baptist in the Wilderness, c. 1622

Diego Velázquez

A work made of watercolor with blotting, wiping, and scraping, and black crayon, with brown colored pencil, on heavyweight, moderately textured, ivory wove paper (all edges trimmed), in original frame.

Nudes in Sea, 1940

John Marin

A work made of watercolor with rewetting, blotting, wiping, and scraping, on moderately thick, rough, off-white wove paper (all edges trimmed).

Tree and Mountain Forms, Delaware River Country, 1916

John Marin

A work made of pen and brush and black and white gouache, on white wove paper prepared with blue gouache.

The Dogwood Thieves, 2003

John Currin

A work made of watercolor, with black colored pencil and black crayon, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board faced with ivory wove (estimated) paper, prepared with a gray wash, with a decorative paper board collar gilt with silver leaf, in original frame.

Movement No 24–Pertaining to Deer Isle–The Road, 1927

John Marin

A work made of watercolor with charcoal and stumping, and charcoal wash, on thick, slightly textured, ivory wove paper (lower and right edges trimmed), in original frame.

Ocean and Rocks, 1917

John Marin

A work made of oil on canvas.

Mrs. Charles Gifford Dyer (Mary Anthony), 1880

John Singer Sargent

A work made of lithograph in black from two stones on commercially printed off-white semi-transparent wove paper.

Skin with O'Hara Poem, 1963–65

Jasper Johns

A work made of watercolor with rewetting and blotting, over graphite, on moderately thick, slightly textured, off-white wove paper (top and left edges trimmed), in original frame.

Ragged Island, Maine, 1914

John Marin

A work made of oil on canvas.

Mrs. William Carmichael, 1764–78

John Hesselius

A work made of watercolor over traces of graphite on ivory wove paper.

An Artist at His Easel, 1914

John Singer Sargent

A work made of oil on panel.

Landscape with Fisherman and Washerwoman, 1790/1800

John Rathbone

A work made of watercolor with blotting and scraping, over graphite, on medium-weight, moderately textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board.

Buildings, One with Tower, 1910

John Marin

A work made of watercolor and graphite on lightweight, slightly textured, off-white wove paper.

West Street, New York, 1910

John Marin

A work made of watercolor and opaque watercolor with scraping and wax resist over graphite on ivory wove paper.

Olive Trees, Corfu, 1909

John Singer Sargent

A work made of lithograph on cream laid paper with fibers.

A Drink of Beer, 1920

John Copley

A work made of watercolor and graphite on lightweight, moderately textured, off-white wove paper.

Saint Paul's, with Other Buildings, 1911

John Marin

A work made of graphite with erasing on lightweight, slightly textured, ivory wove paper (top edge trimmed).

Buildings, 1917

John Marin

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