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A work made of etching, burin and burnishing on ivory wove paper with gilt edges.

Everything is topsy-turvy, plate 42 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching, drypoint, burin and burnishing on ivory wove paper with gilt edges.

He defends himself well, plate 78 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of lithograph in black on ivory wove paper.

Portrait of Volney Dipping his Pen, 1817–20

Dominique-Vivant Denon

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1878), volume 5.

Colonel Denfert-Rochereau, c. 1876/78

Carjat et Cie.

A work made of gelatin silver print.

Assaria Cemetery, Kansas, from the series “The Inhabited Prairie” (1989-94), January 20, 1992

Terry Evans

A work made of color woodblock print; edition 20/50.

The Man Who Climbs Mountains, 1957

Azechi Umetaro

A work made of etching on paper; edition 5/20.

Eve in a Circus, 20th century

Kobayashi Donge

Photographic Sketch Book of the Civil War, Volume II

Photographic Sketch Book of the Civil War, Volume II, 1861/65

Alexander Gardner

A work made of etching, lavis, drypoint, burnishing and burin on ivory wove paper with gilt edges.

Rabble, plate 28 from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of illustrated with rotogravures in brown ink (22) (including cover & frontispiece).

Childhood, 1910/20

Cecilia Bull Hunter

A work made of etching on verdâtre (greenish) laid paper.

Church of St. Etienne du Mont, Paris, 1852

Charles Meryon

A work made of silk, warp float-faced 10:1 satin weave self-patterned by main warp and ground weft floats and by areas of twill weaves; woven on loom with jacquard attachment.

Portrait of Joseph Marie Jacquard (1752–1834), 19th century

Claude Bonnefond

A work made of color woodblock print; oban.

No. 20: Rain on the Hiratsuka Plain near Kutsukake Station (Niju: Kutsukake no eki, Hiratsukahara uchu no kei), from the series "[Sixty-nine Stations of the] Kisokaido", c. 1835/36

Keisai Eisen

A work made of stencil.

Cossack Glory, December 20, 1944

Aleksandr A. Przhetslavskii

A work made of soft-paste porcelain, polychrome enamels, and gilding.

Plate made for William Beckford, 1792

Manufacture nationale de Sèvres

A work made of stencil.

Untitled, March 20, 1945

Vladimir A. Milashevskii

A work made of etching and engraving in brown on ivory paper.

The Straw Yard, plate 7 from Liber Studiorum, Published February 20, 1808

Joseph Mallord William Turner

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1876), volume 3.

Émile Littré (French lexicographer and philosopher, 1801-1881), c. 1876

Pierre Petit

A work made of platinum-palladium print.

Cindy Sherman, New York, June 20, 1996, printed February/March 1997

Irving Penn

A work made of lithograph in black on ivory wove paper.

Cuirassier on Foot Holding back his Rearing Horse, February 20, 1817

Carle Vernet

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