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A work made of etching, burin and burnishing on ivory wove paper with gilt edges.

Everything is topsy-turvy, plate 42 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching, drypoint, burin and burnishing on ivory wove paper with gilt edges.

He defends himself well, plate 78 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of lithograph in black on ivory wove paper.

Portrait of Volney Dipping his Pen, 1817–20

Dominique-Vivant Denon

A work made of gelatin silver print.

Assaria Cemetery, Kansas, from the series “The Inhabited Prairie” (1989-94), January 20, 1992

Terry Evans

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1878), volume 5.

Colonel Denfert-Rochereau, c. 1876/78

Carjat et Cie.

A work made of etching, lavis, drypoint, burnishing and burin on ivory wove paper with gilt edges.

Rabble, plate 28 from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of illustrated with rotogravures in brown ink (22) (including cover & frontispiece).

Childhood, 1910/20

Cecilia Bull Hunter

A work made of silk, warp float-faced 10:1 satin weave self-patterned by main warp and ground weft floats and by areas of twill weaves; woven on loom with jacquard attachment.

Portrait of Joseph Marie Jacquard (1752–1834), 19th century

Claude Bonnefond

A work made of color woodblock print; oban.

No. 20: Rain on the Hiratsuka Plain near Kutsukake Station (Niju: Kutsukake no eki, Hiratsukahara uchu no kei), from the series "[Sixty-nine Stations of the] Kisokaido", c. 1835/36

Keisai Eisen

A work made of stencil.

Cossack Glory, December 20, 1944

Aleksandr A. Przhetslavskii

A work made of etching on verdâtre (greenish) laid paper.

Church of St. Etienne du Mont, Paris, 1852

Charles Meryon

A work made of stencil.

Untitled, March 20, 1945

Vladimir A. Milashevskii

A work made of soft-paste porcelain, polychrome enamels, and gilding.

Plate made for William Beckford, 1792

Manufacture nationale de Sèvres

A work made of etching and engraving in brown on ivory paper.

The Straw Yard, plate 7 from Liber Studiorum, Published February 20, 1808

Joseph Mallord William Turner

A work made of platinum-palladium print.

Cindy Sherman, New York, June 20, 1996, printed February/March 1997

Irving Penn

A work made of lithograph in black on ivory wove paper.

Cuirassier on Foot Holding back his Rearing Horse, February 20, 1817

Carle Vernet

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1876), volume 3.

Émile Littré (French lexicographer and philosopher, 1801-1881), c. 1876

Pierre Petit

A work made of etching on copper in black on ivory, wove (imitation japanese) paper.

The Fall of Phaeton with the Sun Chariot, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of hand-colored etching on paper.

A Broad Hint of not Meaning to Dance, published November 20, 1804

James Gillray

A work made of color woodblock prints; oban triptych.

Roben Waterfall at Mount Oyama (Oyama Roben no taki), c. 1818/20

Utagawa Kuniyoshi

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