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A work made of color lithograph from 5 plates on paper.

Plate 20 from The Donkey and The Darling, 1967–77

Larry Rivers

A work made of lithograph in dark gray and gray on white wove paper.

Page 20 from Traces suspectes en surface, 1972–78

Robert Rauschenberg

King Farouk's Wedding, Cairo, January 20, 1938

King Farouk's Wedding, Cairo, January 20, 1938, 1938

Pierre Boucher

A work made of color screenprint on off-white wove paper.

Hugo Margenat, 20 Aniversario de su muerte, 1977

Luis Alonso

A work made of unglazed soft-paste porcelain (biscuit).

The Girl Offers Her Coin in Payment, c. 1757

Manufacture nationale de Sèvres

A work made of steel and leather.

Pair of Mitten Gauntlets, c. 1500/20

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1879), volume 7.

Aldophe Belot, c. 1876

Ferdinand J. Mulnier

A work made of color woodblock print; edition 3/20.

Floating Shadow (Hyoei) Yellow, 1964

Tajima Hiroyuki

A work made of engraving on ivory laid paper.

The Restoration of the Dome of Florence, from The Life of Ferdinand de' Medici, 1614/20

Jacques Callot

A work made of etching and aquatint in brown on ivory paper.

Mount Saint Gothard, plate 9 from Liber Studiorum, published February 20, 1808

Joseph Mallord William Turner

A work made of engraving in black on cream laid paper, perimeter mounted onto ivory laid paper.

Portrait of Mademoiselle Lavergne, Niece of Mr.Liotard, c.1746-63

Daullé

A work made of etching in black on ivory laid paper.

Plate from, Nella Venuta, 1764

Franz Edmund Weirotter

A work made of etching, aquatint or lavis, burin and burnishing on ivory wove paper with gilt edges.

Charlatan's show, plate 75 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of lithograph in black on buff laid paper.

Portrait of Madame Giacomelli, 1817–20

Dominique-Vivant Denon

A work made of silver.

Spoon, 1705–20

Simeon Soumaine

A work made of etching, drypoint, burin and burnishing on ivory wove paper with gilt edges.

The Carnivorous Vulture, plate 76 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching, burnished aquatint or lavis, and drypoint on ivory wove paper with gilt edges.

May the cord break, plate 77 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching on ivory laid paper.

Victoria Surrounded by Prisoners and Trophies of War, 1552

Frans Floris, I

A work made of rotogravure, from the book "childhood" (1910/20).

Ambition, 1910/20

Cecilia Bull Hunter

A work made of etching, drypoint, burin and burnishing on ivory wove paper with gilt edges.

He deserved it, plate 29 from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

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