Curator

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A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1876), volume 3.

Émile Littré (French lexicographer and philosopher, 1801-1881), c. 1876

Pierre Petit

A work made of gelatin silver print.

Laundry Sign on US 20/30, East Chicago, Indiana, 1975

Jim Dow

A work made of printed book.

Kaiser Aluminum Dome: Up in 20 Hours Flip Book, 1957

Mary Jo Slick

A work made of earthenware and glaze.

Vase, 1910–20

Newcomb College Pottery

A work made of contains 15 invitations/images, 20 articles, 1 letter.

Portfolio #2

Pascal Kern

A work made of silk 50%, mohair 20%, dacron 20%, wool 10%, machine-made lace.

Edelweiss (Furnishing Fabric), 1960/74

Larsen Design Studio

A work made of iron.

Curb Bit, 1510/20

A work made of wood engraving on paper.

Jurors Listening to Counsel, Supreme Court, New City Hall, New York, published February 20, 1869

Winslow Homer

A work made of color woodblock print; edition 6/20.

Towers of Cologne (Kerun no to), 1962

Ono Tadashige

A work made of etching, drypoint and burin on ivory wove paper with gilt edges.

He gets something out of it, plate 40 from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of color woodblock print with metallic pigments; surimono shikishiban.

New Year’s Sake, c. 1810/20 (Meiji Facsimilie)

Yashima Gakutei

A work made of etching on copper in black on ivory, wove (imitation japanese) paper.

Minyas' Daughters Refuse to Recognize the God Bacchus, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of steel.

Shaffron, c. 1510/20

A work made of center of silk and cotton, warp-float faced 3:1 's' twill weave; patterned areas of cotton, weft-float faced 1:3 's' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 's' twill interlacings; main warp fringe; attached side borders of cotton and wool, weft-float faced 2:2 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; added fringe; woven on loom with jacquard attachment.

Long Shawl, 1815/20

A work made of etching, lavis and burin on ivory wove paper with gilt edges.

What madness!, plate 68 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

Wooden pianoforte with cabinets inlaid with ivory and mother-of-pearl

Plate from, Nella Venuta, 1764

Étienne de Lavallée-Poussin

A work made of etching and burnishing on ivory wove paper with gilt edges.

Will She Rise Again?, plate 80 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching; edition 1/20.

Window (Mado), 1967

Horii Hideo

Port of Entry

Port of Entry, 2000-02

Jo Ractliffe

A work made of etching and engraving in brown on ivory laid paper.

Ships in a Breeze, plate 10 from Liber Studiorum, published February 20, 1808

Joseph Mallord William Turner

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