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A work made of lithograph in black on ivory wove paper.

Cuirassier on Foot Holding back his Rearing Horse, February 20, 1817

Carle Vernet

A work made of etching on copper in black on ivory, wove (imitation japanese) paper.

The Fall of Phaeton with the Sun Chariot, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of hand-colored etching on paper.

A Broad Hint of not Meaning to Dance, published November 20, 1804

James Gillray

A work made of color woodblock prints; oban triptych.

Roben Waterfall at Mount Oyama (Oyama Roben no taki), c. 1818/20

Utagawa Kuniyoshi

A work made of mezzotint in black on cream laid paper.

The Exhibition of the Royal Academy of Painting in the Year 1771, published May 20, 1772

Richard Earlom

A work made of earthenware and glaze.

Vase, 1910–20

Newcomb College Pottery

A work made of iron.

Curb Bit, 1510/20

A work made of gelatin silver print.

Laundry Sign on US 20/30, East Chicago, Indiana, 1975

Jim Dow

A work made of printed book.

Kaiser Aluminum Dome: Up in 20 Hours Flip Book, 1957

Mary Jo Slick

A work made of wood engraving on paper.

Jurors Listening to Counsel, Supreme Court, New City Hall, New York, published February 20, 1869

Winslow Homer

Wooden pianoforte with cabinets inlaid with ivory and mother-of-pearl

Plate from, Nella Venuta, 1764

Étienne de Lavallée-Poussin

A work made of etching, drypoint and burin on ivory wove paper with gilt edges.

He gets something out of it, plate 40 from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of color woodblock print with metallic pigments; surimono shikishiban.

New Year’s Sake, c. 1810/20 (Meiji Facsimilie)

Yashima Gakutei

A work made of etching on copper in black on ivory, wove (imitation japanese) paper.

Minyas' Daughters Refuse to Recognize the God Bacchus, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of steel.

Shaffron, c. 1510/20

A work made of center of silk and cotton, warp-float faced 3:1 's' twill weave; patterned areas of cotton, weft-float faced 1:3 's' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 's' twill interlacings; main warp fringe; attached side borders of cotton and wool, weft-float faced 2:2 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; added fringe; woven on loom with jacquard attachment.

Long Shawl, 1815/20

A work made of contains 15 invitations/images, 20 articles, 1 letter.

Portfolio #2

Pascal Kern

A work made of etching, lavis and burin on ivory wove paper with gilt edges.

What madness!, plate 68 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of silk 50%, mohair 20%, dacron 20%, wool 10%, machine-made lace.

Edelweiss (Furnishing Fabric), 1960/74

Larsen Design Studio

A work made of etching and burnishing on ivory wove paper with gilt edges.

Will She Rise Again?, plate 80 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

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