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A work made of steel.

Shaffron, c. 1510/20

A work made of center of silk and cotton, warp-float faced 3:1 's' twill weave; patterned areas of cotton, weft-float faced 1:3 's' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 's' twill interlacings; main warp fringe; attached side borders of cotton and wool, weft-float faced 2:2 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; added fringe; woven on loom with jacquard attachment.

Long Shawl, 1815/20

A work made of contains 15 invitations/images, 20 articles, 1 letter.

Portfolio #2

Pascal Kern

A work made of etching, lavis and burin on ivory wove paper with gilt edges.

What madness!, plate 68 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of silk 50%, mohair 20%, dacron 20%, wool 10%, machine-made lace.

Edelweiss (Furnishing Fabric), 1960/74

Larsen Design Studio

A work made of etching and burnishing on ivory wove paper with gilt edges.

Will She Rise Again?, plate 80 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of color woodblock print; edition 6/20.

Towers of Cologne (Kerun no to), 1962

Ono Tadashige

A work made of etching and engraving in brown on ivory laid paper.

Ships in a Breeze, plate 10 from Liber Studiorum, published February 20, 1808

Joseph Mallord William Turner

A work made of book.

Çalıntı Kelimeler [Stolen Words], 2013

Esen Karol

A work made of etching and engraving on ivory wove paper.

Holy Island Cathedral, plate 11 from Liber Studiorum, published February 20, 1808

Joseph Mallord William Turner

A work made of etching; edition 1/20.

Window (Mado), 1967

Horii Hideo

Port of Entry

Port of Entry, 2000-02

Jo Ractliffe

A work made of hand-colored etching on cream wove paper.

Making Decent; i.e. Broad-Bottomites Getting into the Grand Costume, published February 20, 1806

James Gillray

A work made of etching and burnished aquatint or lavis on ivory wove paper with gilt edges.

Strange Devotion!, plate 66 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of inkjet print.

Grid Gable Garage Tapestry, from the "Repetition Series", 2003–05, January 20, 2005

Steven Foster

A work made of etching on copper in black on ivory wove (imitation japanese) paper.

Hercules Kills the Centaur Nessus, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of letterpress on cream laid paper.

Pages 17-20, from The Plain of Smokes: Poem Cycle, 1981

Kenneth Price

A work made of lithograph in black on ivory wove paper.

Portrait of Monsieur de Menneval, 1817–20

Dominique-Vivant Denon

A work made of etching and drypoint on ivory wove paper with gilt edges.

It Always Happens, plate eight from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of bronze.

Logan Medal, 1900–20

Emil Zettler

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