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A work made of stencil.

Like Rats from a Sinking Ship, December 20, 1944

Petr A. Sarkisian

A work made of watercolor with pen and brown ink on cream wove paper, laid down on ivory wove paper.

All Soul's College from the Radcliffe Library, 1810/20

Augustus Charles Pugin

A work made of engraved glass, silver finial.

Covered Goblet (Pokal), 1710/20

A work made of engraving on cream laid paper.

Restoration of the Aqueduct of Pisa, from The Life of Ferdinand de' Medici, 1616/20

Jacques Callot

A work made of engraving on cream laid paper.

Triton Ridden by a Child, plate one of Twelve Ornament Panels, c. 1505–20

Giovan Pietro Birago

A work made of favrile glass.

Tyg, 1900–20

Tiffany Glass and Decorating Company (Firm)

A work made of lithograph in black on white wove paper.

A Visit to the Baths. Queuing in front of the changing rooms - or the steam bath before the cold bath, plate 20 from Croquis D'été, 1858

Honoré-Victorin Daumier

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1878), volume 5.

Pie IX, c. 1876

Tuminello Tuminello

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1877), volume 4.

de Broglie, 1975/77

Franck

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique”.

Henri-Victor de Rochefort-Luçay, c. 1880

Pietro Melandri

A work made of etching on ivory wove paper with gilt edges.

The Consequences, plate 72 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of lithograph in black, with scraping, on gray chine, laid down on ivory wove paper (chine collé).

The Last Flemish, I, March 1857

Félicien Rops

A work made of etching and engraving in brown ink on buff wove paper.

Ships in a Breeze, plate 10 from Liber Studiorum, published February 20, 1808

Joseph Mallord William Turner

A work made of color woodblock print; edition 5/20.

Composition, 1957

Sato Hiromu

A work made of pen and brown ink with brush and brown wash, over traces of black chalk, on tan laid paper, laid down on tan laid paper.

Horsemen on the Shore, 1615/20

Bernardo Castello

A work made of etching, burnished aquatint, lavis, drypoint, and burin on ivory wove paper with gilt edges.

Nothing. The Event Will Tell, plate 69 from The Disasters of War, 1812/20, published 1863

Francisco José de Goya y Lucientes

A work made of lithograph in black on ivory china paper laid down on white wove paper.

Napoleon at the Palace of the Grand Duke in Florence, plate thirteen from The Political and Military Life of Napoleon, 1822

Jean François Bosio

A work made of color lithograph on cream wove paper.

The Liberation Loan, 1918–20

Abel Faivre

A work made of soft-paste porcelain, dark blue ground, polychrome enamels, and gilding.

Plate from the Sudell Service, 1792

Manufacture nationale de Sèvres

A work made of stencil.

Under the Sultry Sky of Argentina, January 20, 1945

Pavel P. Sokolov-Skalia

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