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A work made of gelatin silver print.

Untitled [from Circulation, October 16, #20], 1971, printed 2017

A work made of stencil.

Like Rats from a Sinking Ship, December 20, 1944

Petr A. Sarkisian

A work made of engraving on cream laid paper.

Restoration of the Aqueduct of Pisa, from The Life of Ferdinand de' Medici, 1616/20

Jacques Callot

A work made of engraved glass, silver finial.

Covered Goblet (Pokal), 1710/20

A work made of watercolor with pen and brown ink on cream wove paper, laid down on ivory wove paper.

All Soul's College from the Radcliffe Library, 1810/20

Augustus Charles Pugin

A work made of black chalk on blue wove paper, laid down on ivory laid paper.

Italianate Landscape with Bathers, n.d.

Richard Wilson

A work made of favrile glass.

Tyg, 1900–20

Tiffany Glass and Decorating Company (Firm)

A work made of engraving on cream laid paper.

Triton Ridden by a Child, plate one of Twelve Ornament Panels, c. 1505–20

Giovan Pietro Birago

A work made of albumen print, pl. 20 from the album "gardner's photographic sketch book of the war, vol. 1" (1866).

Burnside Bridge, Across Antietam Creek, Maryland, September 1862

Alexander Gardner

A work made of lithograph in black on ivory china paper laid down on white wove paper.

Napoleon at the Palace of the Grand Duke in Florence, plate thirteen from The Political and Military Life of Napoleon, 1822

Jean François Bosio

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1877), volume 2.

Sainte-Beuve, 1975/77

Bertall

A work made of etching on ivory wove paper with gilt edges.

The Consequences, plate 72 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of soft-paste porcelain, dark blue ground, polychrome enamels, and gilding.

Plate from the Sudell Service, 1792

Manufacture nationale de Sèvres

A work made of lithograph in black on white wove paper.

A Visit to the Baths. Queuing in front of the changing rooms - or the steam bath before the cold bath, plate 20 from Croquis D'été, 1858

Honoré-Victorin Daumier

A work made of etching and engraving in brown ink on buff wove paper.

Ships in a Breeze, plate 10 from Liber Studiorum, published February 20, 1808

Joseph Mallord William Turner

A work made of pen and brown ink with brush and brown wash, over traces of black chalk, on tan laid paper, laid down on tan laid paper.

Horsemen on the Shore, 1615/20

Bernardo Castello

A work made of etching, burnished aquatint, lavis, drypoint, and burin on ivory wove paper with gilt edges.

Nothing. The Event Will Tell, plate 69 from The Disasters of War, 1812/20, published 1863

Francisco José de Goya y Lucientes

A work made of 20 strips of cotton, warp-stripe plain weave with supplementary brocading wefts and bands of weft-faced weave on warp groupings of four warps; pieced.

Kente Wrapper, Mid–20th century

Ewe

A work made of color lithograph on cream wove paper.

The Liberation Loan, 1918–20

Abel Faivre

A work made of color woodblock print; edition 1/20.

Benibe B, 1961

Tajima Hiroyuki

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