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A work made of monochromatic internal dye diffusion transfer print.

Untitled [2], 1998

William Wegman

A work made of monochromatic internal dye diffusion transfer print.

Untitled [3], 1998

William Wegman

A work made of monochromatic internal dye diffusion transfer print.

Untitled [5], 1998

William Wegman

A work made of wool (probably camelid), dyed and naturally colored; warp faced plain and twill weaves; complementary warp patterning.

Lliklla (Shoulder cloth or carrying cloth), c. 1997

Quechua

A work made of internal dye diffusion transfer print.

Untitled (CR) 3, 1989

Alan Cohen

A work made of wood engraving on grayish-ivory china paper.

Pollen, plate 10 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of silver dye-bleach print.

Chernovitsy, 1989

Boris Savelev

A work made of silver dye-bleach print.

Untitled, November 1984

Sal Lopes

A work made of silver dye-bleach print.

Untitled, November 1984

Sal Lopes

A work made of silver dye-bleach print.

Untitled, November 1984

Sal Lopes

A work made of silver dye-bleach print.

Untitled, November 1986

Sal Lopes

Rodeo Drive #71

Rodeo Drive #71, 1984, printed 2018

Anthony Hernandez

A work made of madder vat dyed and block printed cotton.

Brer Rabbit (or Brother Rabbit), Design before 1881, made 1917–40

William Morris

A work made of cotton, plain weave; tie dye resist printed (plangi).

Festival Banner (roto), 20th century

Rongkong

A work made of cotton and rayon, plain weave; screen printed with vat-dyes.

Leaf Hands, 1949

Salvador Dalí

A work made of silk, viscose rayon, plain weave; stenciled warp; lining: plain weave; resist dyed; ties: cross and re-cross.

Haori, Shôwa period (1926–1989), 1930s

A work made of silver dye-bleach print, from the portfolio "a-z" (2007).

M, 2007

Neil Winokur

A work made of wood engraving on grayish-ivory china paper.

Dance of Death, I , plate 12 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of black ash, braided ash, cedar bark, and synthetic dye.

Nearly Monochrome, 2022

Jeremy Frey

Installation photograph of a three-dimensional textile in shades of cream and orange. The work hangs from the ceiling of a gallery by thin filaments that create the work's shape in space. It floats in the air as a snaking line from which woven tendrils droop, cream in its upper portion and orange in those that hang down.

Metaphysical Body II, 2023

Tanya Aguiñiga

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