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A work made of ash wood, sweet grass, and commercial dye.

Supeq II, 2023

Theresa Secord

A work made of cotton, plain weave; mordant painted and resist-dyed.

Curtain Fragment with Rows of Flowers, Before 1667

A work made of 23 dye-destruction prints and 4 gelatin silver prints.

Seventy in Seven (from Fish Story: Chapter 4), 1993–94

Allan Sekula

A work made of silver dye-bleach print.

Plastic-Covered Tree Near Lawrence and Kenmore, Chicago, 1984

Luis Medina

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

7th and Chestnut, c. 1978

Joel Meyerowitz

A work made of silver dye-bleach print.

Hot Dog Stands: Sammy's, Division Street, from the series "Hot Dog Stands", 1987

Patty Carroll

A work made of silver dye-bleach print, charcoal, acrylic.

Clear Sky/Flower, 1997

Gaylen Gerber

A work made of dye imbibition print.

Oak Hill II, 1952-61

Jun Fujita

A work made of woodblock print in colored inks on cream wove paper.

Fruit, Design 1865–66

William Morris

A work made of embossed mohair plush.

Utrecht Velvet, Design c. 1871

William Morris

A work made of embossed mohair plush.

Utrecht Velvet, Design c. 1871

William Morris

A work made of silk, cotton and silver metal-wrapped thread, brocaded twill weave borders, plain weave center field; silver metal-wrapped thread fringe.

Shawl with Poppy Flowers, 2022

Rahul Jain

A work made of 10 strips of cotton, undyed and dyed with indigo; weft faced with supplementary weave, strip woven, machine stitched together, finished with twisted fringe.

Kosso fin Dourou or Kosso fin Dourou Dyourou (Blanket of five blacks or Blanket of five black lines), Mid-20th century

Bamana

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Canyon Point, Zion Canyon National Park, Utah, October 1977, printed c. 1981

John Pfahl

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Triangle, Bermuda, August 1975, printed c. 1981

John Pfahl

A work made of wood engraving on grayish-ivory china paper.

The Friendly Wild Boar, plate 2 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of cotton, plain weave; resist-dyed.

Jacket, Edo period (1615–1868), 1775/1825

A work made of cotton, plain weave; block printed.

Marigold, Design 1875, made 1917–25

William Morris

A work made of silver dye-bleach print made from a digitally assisted montage.

Promising the Past 2, 1995

Martina A. Lopez

A work made of wood engraving on grayish-ivory china paper.

Funeral Rites in the Forest, plate 4 from Méndez: 25 Prints, 1945

Leopoldo Méndez

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