Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Installation photograph of a three-dimensional textile in shades of cream and orange. The work hangs from the ceiling of a gallery by thin filaments that create the work's shape in space. It floats in the air as a snaking line from which woven tendrils droop, cream in its upper portion and orange in those that hang down.

Metaphysical Body II, 2023

Tanya Aguiñiga

A work made of silver dye-bleach print, from the portfolio "a-z" (2007).

M, 2007

Neil Winokur

A work made of internal dye diffusion transfer print.

Split, 1973

Lucas Samaras

A work made of internal dye diffusion transfer print.

Sitting, December 6, 1978

Lucas Samaras

A work made of internal dye diffusion transfer print.

Untitled (Still Life with Polaroids in Frames on Piano), April 1, 1982

André Kertész

A light-skinned woman sleeps on a large bed with yellow pillows and a yellow floral comforter that covers her torso. Her legs are exposed, and her ankles are crossed. The closet behind her is lit red. There is a yellow shoe rack on the door and a TV playing static on the other side of the room.

Memphis (Rosa Sleeping), from the portfolio "Dust Bells 1" (2004), 1971, printed 2004

William Eggleston

Threading diagram for the reeler function of a paper coating machine, manufactured by Koebig-Radebeul Machine Works, Dresden, Germany, found at the McGraw Colorgraph Company, Circa 1932, Burbank, California. Photography by the Douglas M. Parker Studio, Glendale, California, April 22, 2003

Threading diagram for the reeler function of a paper coating machine, manufactured by Koebig-Radebeul Machine Works, Dresden, Germany, found at the McGraw Colorgraph Company, Circa 1932, Burbank, California. Photography by the Douglas M. Parker Studio, Glendale, California, April 22, 2003, 2003

Christopher Williams

A work made of silk, twill weave self-patterned by areas of plain weave; resist dyed and stenciled; body lining: silk, plain weave; sleeve lining: silk, plain weave.

Kimono, c. 1925

A work made of silver dye-bleach print.

Untitled, December 1987

Sal Lopes

Wall Hangings

Wall Hangings, Probably after 1915

Jessie Marion King

A work made of black ash, sweetgrass, copper and rit dye; medicine pouch containing sage, tobacco, sweetgrass, and cedar; glass vial containing emerald ash borer and isopropyl alcohol; usb flash drive.

Sustaining Traditions—Digital Teachings, 2018

Kelly Church

A work made of velvet.

Utrecht Velvet, Design c. 1871

William Morris

A work made of a) cotton; plain weave, seersucker (crinkled stripes), pieced; appliquéd with plain weave wax resist dyed (batik), bands of twill weave, and bands of plain weave embroidered with cotton and silk b) cotton; plain weave, wax resist dyed (batik); twill weave embroidered with cotton, appliquéd with bands of plain weave embroidered with cotton and silk.

Women's jacket and skirt, third quarter of the 20th century

Hmong

A work made of gelatin silver print, no. 10 from the portfolio "photographs by manuel alvarez-bravo" (1977).

Two Pairs of Legs (Dos pares de piernas), 1928/29, printed 1977

Manuel Alvarez-Bravo

A work made of wood engraving on grayish-ivory china paper.

The New Song, plate 24 from Mendez: 25 Prints, 1945

Leopoldo Méndez

A work made of monochromatic internal dye diffusion transfer print.

Untitled [4], 1998

William Wegman

A work made of dye imbibition print, from the portfolio "intimate landscapes" (1979).

Rock-Eroded Stream Bed, Coyote Gulch, Utah, August 14, 1971

Eliot Porter

A work made of wood engraving on grayish-ivory china paper.

Remembrance of Youthful Scenes, I , plate 11 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of wood engraving on grayish-ivory china paper.

Dance of Death, II, plate 17 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of wood engraving on grayish-ivory china paper.

Revenge, plate 22 from Méndez: 25 Prints, 1945

Leopoldo Méndez

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