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A work made of transparent watercolor with touches of opaque watercolor, rewetting, blotting and scraping, over traces of graphite, on thick, moderately textured, ivory wove paper (top edge trimmed).

Adirondacks Guide, 1892

Winslow Homer

A work made of crystal with carved decoration.

Covered Ewer with Lizard-Shaped Handle, Qing dynasty (1644–1911), 18th century

An aerial drawing of a city plan depicting streets, railway lines, piers, and parks, "Yacht Harbor" written on a body of water at bottom. Transit pathways form a dense grid intersected by diagonal lines, many of which coverage near the center.

Plate 110 from The Plan of Chicago, 1909: Chicago. Plan of the Complete System of Street Circulation; Railway Stations; Parks, Boulevard Circuits and Radial Arteries; Public Recreation Piers, Yacht Harbor, and Pleasure-Boat Piers; Treatment of Grant Park; the Main Axis and the Civic Center, Presenting the City as a Complete Organism in which All its Functions are Related One to Another in such a Manner that it will Become a Unit, 1909

Daniel Hudson Burnham

A work made of watercolor and ink over graphite on paper with chinese white added.

Montgomery Ward Memorial Building, Chicago, Illinois, Perspective, c. 1924/25

James Gamble Rogers

A work made of lithograph on paper.

Horse Show, International Livestock Exposition, Chicago, n.d.

Francis Chapin

A work made of textile school manuscript with 29 loom charts, 76 sample swatches showing finished designs from charts, and 32 graphed designs. 220 pages; 5 loose graph paper sheets with 6 designs for weaving, matted separately.

Manuscrit de Théorie No. 3, 19th century

A work made of cast iron with bower barff finish.

Marquette Building: Elevator Grille Base, 1893/95

Holabird and Roche

Ink sketch of curvy building from birddz eye view.

River City, Aerial Perspective, 1979

Bertrand Goldberg

A work made of dye imbibition print.

Chicago, 1949

Arthur Siegel

A work made of cotton, twill weave with supplementary pile wefts forming cut, solid pile (velveteen); block printed.

Panel (Formerly a Furnishing Textile), c. 1895/1900

Sidney Mawson

A work made of ink, graphite, and colored pencil on paper.

United Airlines Terminal: Interior Perspective View of Ticketing Counters, 1985

Murphy/Jahn Architects

A work made of oil on canvas.

Beggar with Oysters (Philosopher), 1865–67

Édouard Manet

Impressionist sea landscape, tan houses, blue ocean, distant mountains.

The Bay of Marseille, Seen from L'Estaque, c. 1885

Paul Cezanne

A work made of .1 and .8: cotton wound ball, oversewn with cotton needle lace .2: cotton wound ball and leather (suede) covered stone, joined and oversewn with cotton needle lace .3, .4, .5 and .6: leather (suede) covered stone, edged with cotton needle lace .7: cotton wound ball and leather (suede) strip joined and over sewn in needle lace.

Eight Study Samples, 1970-76

Claire Zeisler

A work made of gelatin silver print.

Buddy Guy Calls the Youngblood's Bluff, Checkerboard Lounge, Chicago, July 19, 1982

Marc PoKempner

A work made of chromogenic print.

Woman in Red, Yom Kippur Singles Dance, 1993

Jay Wolke

Painting of bedroom, blue walls, green window, tan bed, red bedding.

The Bedroom, 1889

Vincent van Gogh

Painted portrait of woman in green dress and cloud backdrop.

Mrs. Daniel Hubbard (Mary Greene), c. 1764

John Singleton Copley

A work made of cast bronze and concrete.

Vigil, 1986

Richard Rezac

A work made of black and red chalk, selectively stumped, on cream wove paper.

Head of a Tahitian with Profile of Second Head to His Right, 1891/93

Paul Gauguin

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