Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of watercolor and ink over graphite on paper with chinese white added.

Montgomery Ward Memorial Building, Chicago, Illinois, Perspective, c. 1924/25

James Gamble Rogers

A work made of cast bronze and concrete.

Vigil, 1986

Richard Rezac

A work made of cast iron with bower barff finish.

Marquette Building: Elevator Grille Base, 1893/95

Holabird and Roche

A work made of chromogenic print.

Woman in Red, Yom Kippur Singles Dance, 1993

Jay Wolke

An aerial drawing of a city plan depicting streets, railway lines, piers, and parks, "Yacht Harbor" written on a body of water at bottom. Transit pathways form a dense grid intersected by diagonal lines, many of which coverage near the center.

Plate 110 from The Plan of Chicago, 1909: Chicago. Plan of the Complete System of Street Circulation; Railway Stations; Parks, Boulevard Circuits and Radial Arteries; Public Recreation Piers, Yacht Harbor, and Pleasure-Boat Piers; Treatment of Grant Park; the Main Axis and the Civic Center, Presenting the City as a Complete Organism in which All its Functions are Related One to Another in such a Manner that it will Become a Unit, 1909

Daniel Hudson Burnham

A work made of ink, graphite, and colored pencil on paper.

United Airlines Terminal: Interior Perspective View of Ticketing Counters, 1985

Murphy/Jahn Architects

A work made of transparent watercolor with touches of opaque watercolor, rewetting, blotting and scraping, over traces of graphite, on thick, moderately textured, ivory wove paper (top edge trimmed).

Adirondacks Guide, 1892

Winslow Homer

A work made of transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite, on thick, rough-textured, ivory wove paper.

The Rapids, Hudson River, Adirondacks, 1894

Winslow Homer

A work made of woodcut in black on off-white wove paper.

Chicago River, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of gelatin silver print.

Evel Knievel, Chicago International Amphitheatre, 1972

Jonas Dovydenas

A work made of gelatin silver print.

Buddy Guy Calls the Youngblood's Bluff, Checkerboard Lounge, Chicago, July 19, 1982

Marc PoKempner

A work made of graphite and colored pencil on paper.

House in Chicago, Design Drawings, c. 1992–1998

Tadao Ando

A work made of black and red chalk, selectively stumped, on cream wove paper.

Head of a Tahitian with Profile of Second Head to His Right, 1891/93

Paul Gauguin

A work made of oil on canvas.

Beggar with Oysters (Philosopher), 1865–67

Édouard Manet

A work made of gouache with brush and black ink, and touches of watercolor, on ivory clay-coated wove paper.

Tree Study Unfinished, Georgia, 1960/69

Ivan Albright

A work made of internal dye diffusion transfer print.

Dichotomy, Chicago, 1981

Helen Harvey Mills

A work made of felted wool; edged with cotton in buttonhole stitches; glass bead fringe.

Study Sample, 1950-91

Claire Zeisler

A work made of aquatint and etching in brown, with hand-coloring, on cream wove paper.

Sherman House, Clark and Randolph Streets, Erected in 1860-61, Chicago, 1926

Raoul Varin

A work made of color screenprint with glitter inclusions on off-white wove paper.

Untitled, from Screen Prints 1970, 1970

Joe Zucker

Impressionist sea landscape, tan houses, blue ocean, distant mountains.

The Bay of Marseille, Seen from L'Estaque, c. 1885

Paul Cezanne

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